 Stolen Focus: Why You Can't Pay Attention
| 3.84 | 4.5 |
 Artful Sentences: Syntax as Style
| 0 | - |
 The Norton Shakespeare: Based On The Oxford Edition
| 4 | - |
 David Copperfield
| 3.93 | 5 |
 The Road to Wigan Pier
| 3.82 | - |
 Selfie: How We Became So Self-Obsessed and What It's Doing to Us
| 4 | - |
 Emma
| 3.96 | - |
 All My Puny Sorrows
| 4.42 | - |
 Wide Sargasso Sea
| 3.39 | - |
 A Perfect Spy
| 4.24 | - |
 Meditations
| 4.17 | - |
 Down and Out in Paris and London
| 3.95 | - |
 Animal Farm
| 4.05 | - |
 The Dubliners
| 3.87 | - |
 The Jungle
| 4.2 | - |
 Little Dorrit
| 4.27 | - |
 Gravity's Rainbow
| 4.23 | - |
 To a Fault
| 0 | - |
 Bobby Fischer Teaches Chess
| 3.33 | - |
 Berlin
| 0 | - |
 Brave New World
| 3.89 | 5 |
 Fahrenheit 451
| 3.92 | 5 |
 Theft by Finding
| 4 | - |
 The Elements of Style
| 4.31 | - |
 Anna Karenina
| 3.96 | - |
 The Iliad
| 3.8 | - |
 Leaves of Grass
| 3.89 | - |
 The Leopard
| 3.91 | - |
 Gaudy Night
| 4.25 | - |
 Syllabus
| 0 | - |
 Modern Classics Essays
| 3 | - |
 The Old Curiosity Shop
| 3.73 | - |
 To Rise Again at a Decent Hour
| 3.21 | - |
 King Lear
| 3.83 | - |
 Bleak House
| 4.02 | 5 |
 How to Do Nothing
| 3.56 | - |
 Hamlet
| 4 | - |
 Having and Being Had
| 3.55 | - |
 Our Mutual Friend
| 3.58 | - |
 The Playboy of the Western World and Other Plays
| 0 | - |
 Diplomatic Baggage
| 4 | 4 |
 Money
| 3.33 | - |
 Blake
| 0 | - |
 Mrs Dalloway
| 3.77 | 4 |
 Religion and the Decline of Magic
| 0 | - |
 Brighton Rock
| 3.61 | - |
 The Master and His Emissary
| 0 | - |
 Free Lunch
| 0 | - |
 Capital
| 3.94 | - |
 Martin Chuzzlewit
| 3.25 | - |
 84 Charing Cross Road / The Duchess of Bloomsbury Street
| 4.42 | 4.5 |
 American Pastoral
| 3.73 | - |
 The Picture of Dorian Gray
| 4.05 | - |
 Oliver Twist
| 3.64 | - |
 Stiff: The Curious Lives of Human Cadavers
| 3.87 | - |
 The Blackwater Lightship
| 4 | - |
 The Power Broker
| 4.77 | - |
 Into the Woods A Five-Act Journey into Story
| 0 | - |
 Free Will
| 3.74 | - |
 Aspects of the Novel
| 4 | - |
 Letters to a Young Poet
| 4.43 | - |
 Invisible Cities
| 4.08 | - |
 Orlando
| 3.76 | - |
 Hard Times
| 3.19 | - |
 The Death of King Arthur
| 4 | - |
 The Consolations Of Philosophy
| 4.04 | - |
 Rabbit is Rich
| 3.17 | - |
 Jews Don't Count
| 4.25 | - |
 The Mystery of Edwin Drood
| 3.2 | - |
 Autumn
| 4 | - |
 Upstream: Selected Essays
| 3.89 | - |
 Songs of Innocence and of Experience
| 3.84 | - |
 The Third Policeman
| 3.5 | - |
 Sons and Lovers
| 3.8 | - |
 White Noise
| 3.85 | - |
 How to Live
| 4.08 | - |
 Independent People
| 0 | - |
 Drive Your Plow Over the Bones of the Dead
| 3.8 | 4.5 |
 Damn Good Advice
| 2.4 | - |
 The Unbearable Lightness of Being
| 3.9 | - |
 The Fran Lebowitz Reader
| 3.5 | - |
 Against Nature
| 4.2 | - |
 The adventures of Augie March
| 3.89 | - |
 Leonardo Da Vinci
| 4.23 | - |
 The Poetics of Space
| 4.33 | - |
 John Donne's Poetry
| 3.8 | - |
 The Wretched of the Earth
| 4.28 | - |
 The Dictionary of Lost Words
| 4.13 | - |
 Amusing Ourselves to Death: Public Discourse in the Age of Show Business
| 4.09 | - |
 Blindness
| 3.97 | 4 |
 The Spectator Bird
| 4.6 | - |
 Molloy
| 4.33 | - |
 Rabbit, Run
| 3.62 | 5 |
 Don't Look Now and Other Stories
| 3.83 | - |
 The New York Trilogy
| 3.98 | - |
 The Master
| 3.75 | - |
 Memoir
| 0 | - |
 The Pine Barrens
| 4 | - |
 Several Short Sentences about Writing
| 4.21 | - |
 To Calais, in Ordinary Time
| 4 | - |
