 Imajica
| 3.93 | - | |
 The Temple of the Golden Pavilion
| 3.83 | - | |
 Confessions of a Mask
| 4.05 | - | |
 Forbidden Colors
| 2.63 | - | |
 Babel, or The Necessity of Violence: An Arcane History of the Oxford Translators' Revolution
| 4.09 | - | |
 Ghosts of My Life
| 4.07 | - | |
 The Road
| 4.04 | - | |
 Weaveworld
| 3.71 | 3.5 | |
 V.
| 3.95 | - | |
 Inherent Vice
| 3.92 | - | |
 Vineland
| 3.69 | - | |
 Gravity's Rainbow
| 4.13 | - | |
 Blood Meridian
| 4.13 | - | |
 The Sympathiser
| 4.03 | - | |
 Making Noise
| 0 | - | |
 How Music Works
| 4 | - | |
 The Rest Is Noise
| 4.38 | - | |
 Sound Unseen: Acousmatic Sound in Theory and Practice
| 0 | - | |
 Composing Electronic Music: A New Aesthetic
| 0 | - | |
 Microsound
| 0 | - | |
 Audio-Vision: Sound on Screen
| 4.17 | - | |
 Future Sounds: The Temporality of Noise
| 0 | - | |
 The Soundscape
| 4.25 | - | |
 Japanoise: Music at the Edge of Circulation
| 0 | - | |
 Aphex Twin's Selected Ambient Works Volume II
| 0 | - | |
 MicroBionic: Radical Electronic Music and Sound Art in the 21st Century
| 0 | - | |
 Noise/Music Noise/Music: A History
| 0 | - | |
 Tape Delay
| 0 | - | |
 THEORY AND TECHNIQUES OF ELECTRONIC MUSIC, THE
| 0 | - | |
 Industrial Evolution: Through the Eighties With Cabaret Voltaire
| 0 | - | |
 Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds
| 3.5 | - | |
 Assimilate
| 0 | - | |
 Interrogation Machine: Laibach and NSK
| 0 | - | |
 Electronic Music and Musique Concrete
| 0 | - | |
 Sonic Phantoms: Composition with Auditory Phantasmatic Presence
| 0 | - |
