 Nip the Buds, Shoot the Kids
| - |
 The cinema of Alfred Hitchcock
| - |
 The Essential Directors: The Art and Impact of Cinema's Most Influential Filmmakers
| - |
 The Cinema House and the World: The Cahiers du Cinema Years, 1962-1981
| - |
 Movie Journal Movie Journal: The Rise of the New American Cinema, 1959-1971
| - |
 Fritz Lang in America
| - |
 Who the Hell's in It Who the Hell's in It: Conversations With Hollywood's Legendary Actors
| - |
 John Ford John Ford
| - |
 Pieces of Time
| - |
 V.
| - |
 Cinema of John Ford
| - |
 I Thought We Were Making Movies, Not History
| - |
 The Trial
| - |
 The Matrix Trilogy
| - |
 Wannabe Hoochie Mama Gallery of Realities' Red Dress Code: New and Selected Poems
| - |
 The Management of Savagery
| - |
 Herr Lubitch Goes To Hollywood: German and American Film After World War I
| - |
 Vineland
| - |
 Notes on the Cinematographer
| - |
 The Night of the Hunter
| - |
 The Post-Office Girl
| - |
 Love in a fallen city
| - |
 Means of Ascent
| - |
 The Complete Poems of John Keats.
| - |
 Legacy of Violence : A History of the British Empire
| - |
 After Daft After Daft: Daft Punk & The Rewiring of 21st Century Culture
| - |
 The Collected Poems of Frank O'Hara
| - |
 Leviathan Wakes
| - |
 MOX
| - |
 Jade City
| - |
 Batman: Hush
| - |
 The Last Picture Show
| - |
 Friday Night Lights: A Town, a Team, and a Dream
| - |
 Empire Falls
| - |
 Colorless Tsukuru Tazaki and His Years of Pilgrimage
| - |
 Never Let Me Go
| - |
 The Unconsoled
| - |
 All the Pretty Horses
| - |
 Film as art
| - |
 The Black Dahlia
| - |
 Walter Benjamin at the Dairy Queen: Reflections on Sixty and Beyond
| - |
 Long Walk to Freedom
| - |
 The Waste Land
| - |
 After you letters of love, and loss, to a husband and father
| - |
 Play It as It Lays
| - |
 The Major Film Theories The Major Film Theories: An Introduction
| - |
 Rebecca
| - |
 Rise and Float: Poems
| - |
 Another Country
| - |
Narration in the Fiction Film Narration in the Fiction Film
| - |
 Seeing Things
| - |
 A Death in the Family
| - |
 The 42nd Parallel
| - |
 Fat City
| 5 |
 Naked Lunch
| - |
 The Dead
| - |
 The Pastures of Heaven
| - |
 Devil in a Blue Dress
| - |
 All Quiet on the Western Front
| - |
 The Changeling
| - |
 The View from Somewhere: Undoing the Myth of Journalistic Objectivity
| - |
 The Left Hand of Darkness
| - |
 A Wizard of Earthsea
| - |
 The Unreal and the Real: Selected Stories, Volume Two: Outer Space, Inner Lands
| - |
 11 Lives | - |
 Inside Siglo XXI
| - |
 Dispatches from the Diaspora
| - |
 War in Ukraine
| - |
Fire on the Prairie Fire on the Prairie: Chicago's Harold Washington and the Politics of Race
| - |
 The Kennedy curse
| - |
 Mise en Scène and Film Style: From Classical Hollywood to New Media Art
| - |
 Interviews With Film Directors: Candid Conversations on the Art of Film with Forty key Film-makers
| - |
 The American cinema
| - |
 "You Ain't Heard Nothin' Yet": The American Talking Film: History and Memory 1927-1949
| - |
 Hitchcock's Romantic Irony
| - |
 Hollywood Lighting from the Silent Era to Film Noir Hollywood Lighting from the Silent Era to Film Noir
| - |
 Colors of Film: The Story of Cinema in 50 Palettes
| - |
 Film, a sound art
| - |
 Lolita
| - |
 The Dynamic Frame: Camera Movement in Classical Hollywood
| - |
 The Black Guy Dies First
| - |
 Film Studies: An Introduction
| - |
 The Traitor Baru Cormorant
| - |
 And the Band Played On: Politics, People, and the AIDS Epidemic, 20th-Anniversary Edition
| - |
 Didn't Nobody Give a Shit What Happened to Carlotta
| - |
 The Return of Faraz Ali
| - |
 Secondhand: Travels in the New Global Garage Sale
| - |
 Solenoid
| - |
 Calling for a Blanket Dance
| - |
 Manywhere: Stories
| - |
 Love
| - |
 Stories from the Tenants Downstairs
| - |
 The Alienist
| - |
 Cathedral
| - |
 Collected Fictions
| - |
 2666
| - |
 The Aleph and Other Stories
| - |
 Claiming the City
| - |
 Mute Compulsion
| - |
 Ficciones
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