Ratings16
Average rating4.2
Winner of the Michael L. Printz Medal ★“King’s narrative concerns are racism, patriarchy, colonialism, white privilege, and the ingrained systems that perpetuate them. . . . [Dig] will speak profoundly to a generation of young people who are waking up to the societal sins of the past and working toward a more equitable future.”—Horn Book, starred review “I’ve never understood white people who can’t admit they’re white. I mean, white isn’t just a color. And maybe that’s the problem for them. White is a passport. It’s a ticket.” Five estranged cousins are lost in a maze of their family’s tangled secrets. Their grandparents, former potato farmers Gottfried and Marla Hemmings, managed to trade digging spuds for developing subdivisions and now they sit atop a million-dollar bank account—wealth they’ve refused to pass on to their adult children or their five teenage grandchildren. “Because we want them to thrive,” Marla always says. But for the Hemmings cousins, “thriving” feels a lot like slowly dying of a poison they started taking the moment they were born. As the rot beneath the surface of the Hemmings’ white suburban respectability destroys the family from within, the cousins find their ways back to one another, just in time to uncover the terrible cost of maintaining the family name. With her inimitable surrealism, award winner A.S. King exposes how a toxic culture of polite white supremacy tears a family apart and how one determined generation can dig its way out.
Reviews with the most likes.
Wow, a Printz winner for a reason. Felt like the exact right amount of surrealism here to get her points across but not be overly didactic. Metaphorical and twisty and smart and emotional, a meditation on a family's original sins and how they pass from one generation to the next, with the current generation finally working to make changes together. This will probably be in my top 5 reads this year.
It was going really well until the climax and then it was like the author stopped caring? The last few chapters are like early drafts or notes for a scene yet to be written. Ruined the book for me.
It took me a day or so to get into the flow of reading this due to how it's written but I ended up enjoying it overall. A.S. King has a strong and sure writing technique that once I got it down it made all the themes and messages of what they were writing come together.
I think this would be a better read if I had a physical copy compared to an audiobook