Ratings6
Average rating4.3
Grass is a powerful anti-war graphic novel, offering up firsthand the life story of a Korean girl named Okseon Lee who was forced into sexual slavery for the Japanese Imperial Army during the second World War - a disputed chapter in 20th century Asian history. Beginning in Lee's childhood, Grass shows the leadup to World War II from a child's vulnerable perspective, detailing how one person experienced the Japanese occupation and the widespread suffering it entailed for ordinary Korean folk. Keum Suk Gendry-Kim emphasizes Lee's strength in overcoming the many forms of adversity she experienced. Grass is painted in a black ink that flows with lavish details of the beautiful fields and farmland of Korea and uses heavy brushwork on the somber interiors of Lee's memories. The cartoonist Gendry-Kim's interviews with Lee become an integral part of Grass, forming the heart and architecture of this powerful nonfiction graphic novel and offering a holistic view of how Lee's wartime suffering changed her. Grass is a landmark graphic novel that makes personal the desperate cost of war and the importance of peace.
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This is a heartbreaking biographical graphic novel about one woman's experience as a comfort woman during ww2. The artwork is very brushlike and emotive. I learned a lot about a conflict I admittedly don't know much about it. Really hard to read in some places.
The story of one of the Korean “comfort women” and her experiences. Hard but important.
“I've never known happiness from the moment I came out of my mother's womb” Lee Ok-Sun, now an octogenarian living out her days in the House of Sharing can hardly be blamed for that sentiment. Still active, still advocating for the rights of comfort women, still able to recall the horrors visited upon her. Snatched up on the road to the market at age 15 and shipped off to the Chinese province of Yanji, Lee Ok-Sun became a comfort woman - essentially a sex slave forced to service the Japanese Imperial Army during WWII in a massive, state sanctioned, human trafficking operation.
This is all told as Gendry-Kim coaxes the story from Lee Ok-Sun in the present day, offering at least something to anchor yourself to, knowing that Ok-Sun survived. But Gendry-Kim does not shy away from the horrors of her time in captivity and presents them in a blunt tone accompanied by stark images. Even as Japan surrendered, the plight of these women did not cease and Ok-Sun would have to endure so much more even in freedom.
Today the Japanese government, despite issuing numerous apologies, still avoids any mention of women being taken against their will. Some lawmakers go as far as recounting stories from Japanese soldiers who were adamant the comfort women thanked them for the chance to send money back home. The Japanese government continues to fight strongly against activist efforts to support and recognize these women. Lee Ok-Sun continues to demand that she and her ilk be recognized.
This graphic novel packs a massive punch and tells the story of one comfort women and her lived experience. Incredibly done, beautifully translated by Janet Hong with some astonishing artwork reminiscent of traditional ink brush painting, this is a powerful work that should be read.