Eric
Over-esteemed. Pretty good, yes. Great premise. Great first half-chapter. But quickly I found the alternating chapters/stories distracting, whole sections boring, and the reunion on the lake greatly unbelievable. Very interesting aspects (the Chief's secret life/job, anything that would explain Osceola's behavior, the arc of Kiwi's story that actually carries him forward) lose out to the overly long dredgeman's story (a throwaway for me), meaningless visits with Sawtooth, the tale of Mama Weeds that's a useless tangent, and other tedium. I should probably read the author's short stories, as her weaknesses for me – deviating story ideas, uneven pacing, character gaps – seem reserved for novel writing while her strengths – unique concepts, sudden shimmering language – seem perfect for shorter bursts.
The book that makes you happy to have gone to college.
It's been a number of years since this book was first published, and I still think it is excellent. Just as relevant now as ever (if not more so), and a very straightforward, sharply written, illuminating (and even very entertaining) first-person essay on trying to live like most Americans do: as unskilled laborers in the lower rungs of America's service industries. A decent amount of research footnotes the story to better inform readers. Most pleasing is that the author avoided writing this book as an anthem or a guilt-trip: she's never self-righteous about her assignment and she claims up front that she's not going “all the way” – in other words, she knows that temporarily acting like she has to live on minimum wage is a far cry from truly having to your whole life. Overall there's a lot to like here, and at about 200 pages, it's a quick, satisfying read.
This book was okay. It's already dated, in that he's writing about technology in 2004, and since then plenty of his worst fears have come true: everyone's walking around with computers in their hands 24/7. And we're not all that bad off for it. Still, it's a decent point the author makes about the physical disconnection that goes hand-in-hand with digital connection, and if you're looking for an armchair camping trip, the week the author spends camping and rafting is a pleasant experience.
Decently-written mystery novel that takes place around Coney Island and south Brooklyn. When I first moved to New York a coworker of mine gave me this book; took me two years to get to it and one day of traveling to read it front to back. Pretty anti-climactic ending, but maybe that's a positive for its atypicality.
p. 265: [Wheels] laughed. “We live in a world of chaos and accident. Politicians think they can tame that chaos. They are fools. Dreamers are the only wise ones. They know that they can take fragments here and there out of the chaos, and gild them with their fancy, until they become shining and beautiful. There is no other beauty. The world itself is hideous. You cannot do anything with it. But you can dream beautiful dreams. You are not a politician. Leave that to the fools. You are a poet. ... You will not go back to the factory. The ironic destinies have other uses for you. Your role will be played up in the sunlight. It is not the intention of the gods to starve you, or maim your body. They want to break your heart, and tear your soul to pieces. And so they will feed you with hope, with success, with power. It is useless for me to tell you not to believe in these things. You will. But from time to time, as the gods afflict you, you will remember what I have said, that beauty exists only in your own dreams. Now forget this, and go off and be happy!”
[Felix] started home. “The ironic destinies!—old Wheels has been reading Thomas Hardy.”
He turned suddenly and went back to the office. “Go off and be happy!—philosophic mush!”
He went in and drew his pay.
“At least I have two weeks more of a clean-shirt existence. That's that much.”
There was in his mind a bitter distaste for the pretended omniscience of old Wheels, and with this was mingled a curious dislike, felt for the first time, of the realistic omniscience of Franz [Vogelsang, the Socialist]. He did not want to go to Central Branch next Friday to share Franz's triumph. That garret Utopia had somehow lost its savour. It was more interesting to live in the real world in which one lost one's job and—yes, by God!—fought to get it back.
“Damn all these people who know everything!” he said.
—
This book does exactly what today's whole memoir-mess-trend doesn't, and for that I love it: it gets off its own ass. Yes, this is one of Floyd Dell's semi-autobiographical novels about growing up and figuring life out, which makes it sound pretty run-of-the-mill. But Dell wrote this in 1921 with a journalist's (read: not a self-congratulator's) sense of truthfulness and purpose.
To date I have not read anything that more completely serves as a guide for self-realization as this was for me. As the book's Felix Fay transitions from self to self to self, always thinking he has Arrived until he sees the next more-informed way of being, he slowly grows into a personal identity that does not merely subscribe, but steps into the reality of society.
A beautiful and in-depth imagining of a handful of random Middle Easterners who have each come to the desert for their own reasons and with their own burdens—one of whom just happening to be Jesus, who is cast as an almost psychotic outsider to both the group and the book. Dazzling. For this, John Updike called Crace “a writer of hallucinatory skill.”
Coupland has spent a career infusing the most fun and absurd realities of modern life into his stories of “average Joes” trying to adapt to culture's depleted standards of normalcy and stability. Never defeated, it's fantastic to follow along as his characters—this time, a disparate family oddly reuniting to celebrate their kin's first space-launch—finally give up the ghost and accept their lot as bumbling, mediocre happen-tos, finally daring the world to bring it on. Excellent reading for coming of agers and world-weary loners looking for a blanched ray of hope.
Truly stunning novel recounting the last days and tracing back to the beginnings of love for two middle-aged biologists who get murdered on a deserted beach and are left to decompose. It's the most poetic, delicate, lovely story about death I've ever read, and gives such life to death that you leave the story in love with the cycle. For sober readers, I cannot recommend this book highly enough.
