A Curious Beginning

Originally posted on Creative Madness Mama. 
First in a new historical mystery series about intrepid Victorian England adventurer Veronica Speedwell
Following my reviews you know that I spend most of my reading hours in the realm of Christian Historical Fiction; however, there are a few authors that are in the general fiction market that I gladly and eagerly jump into their novels. Therefore, I realize this recommendation is not for everyone who reads my normal reviews. With that said, A Curious Beginning is an amazing book and a wonderful start to a new series with an author divined with a creative mind Deanna Raybourn. I absolutely loved the Lady Julia Grey series that I started reading on recommendation of my author friend Michelle Moran and I devoured every additional story. Deanna does have another series set in the 1920s that I have not entered into yet. Stepping back into 1887, Veronica is an incredible character. Veronica Speedwell has a name that sets her apart, but her personality is so unique and whimsical that as a reader you cannot help but enjoy her wit. While, Stoker is no Brisbane, he does have his qualities that I found he grew on me in favor after a while.

Raybourn is a winner of the RITA Award and a Romantic Times Award (as well as nominated for additional RITA and Daphne du Maurier awards, an Agatha award, and several Romantic Times awards)

I received an ARC from my job. It in no way sways my review. I have read Deanna Raybourn's Julia Grey series and I loved them so I was excited to hear the author is writing another historical fiction series with another strong female protagonist at the center.

Veronica Speedway has no attachments after burying her aunt. She is finally free to resume her travels abroad with scientific studies involving her passion, butterflies. But when she returns home from the funeral finds an intruder that tries to kidnap her. With help from Baron Maximillian von Stauffenbach they defeat the kidnapper. The Baron reveals he knows about her past and believes she is in danger. Offering a ride to London and the promise to answer her questions she excepts. But when he drops her with an old friend of his, Stoker, for protection she finds herself thrown into an exciting adventure when the Baron is discovered murdered.
This was an amazing novel. The book is fast paced and keeps the adventure moving, fun, and never dull. I really enjoyed Veronica Speedwell. She is nothing like Julia Grey but still very likable. She was smart, stubborn, and funny. She is not the romanic troupe readers of historical fiction have been bombarded with and it's refreshing. I loved her fight to be the independent woman not excepted during those times. Stroker was a little hard to pin down. He is grouchy and tight lipped about his past. I thought he could be prickly but he definitely grows on the reader. It could be because of the interaction and relationship between Veronica and Stroker. Their dialogues throughout the book are smart conversations and arguments which grows and helps the characters see each other as equals.

I can't wait to read more mysteries involving these characters and see where their relationship can go. I'm sad to say goodbye to Lady Julia Grey but Veronica Speedway is a worthy successor. I am certainly recommending this book to others.

A Curious Beginning turned out to be an extremely conflicting book for me. I think that I've started reading it on the plane to Georgia in the middle of June. However, I managed to get only in a couple of chapters and then I blissfully forgot about Veronica Speedwell and her troubles for a month.

Recently, I picked it up again and I'm glad that I managed to finish this book.

I would like to start with the first part of the novel. Unfortunately, it made me roll my eyes quite often. The main character - previously mentioned Veronica Speedwell - felt pretty artificial and forced. She had literally no reaction to the events around her. Just imagine the situation: a stranger destroyed your home and tried to abduct or kill you. My reaction would be shock, fear and wonder why that happened. Veronica's reaction: oh, that was probably just random ransacking, let's not mention it again. After that, she got in the carriage with a complete stranger and got off to London. Why not?

What's more, at certain times Veronica behaved way too progressive for the times that book is set in. But that was to be expected. The book was written in the 21st century, after all.

Well, after reading that I guess that you may have a question why I've given the novel 4 stars. Actually, it's pretty simple. I liked the atmosphere of A Curious Beginning, no-drama approach of the characters to any event and the general lightness of the book. And of course, the development of trust between Veronica and Stoker was masterfully done. In addition, the novel has been excellently completed, however, there are a lot of possibilities for continuation.

To sum it all up, the beginning of this cycle turned out to be truly curious and I would definitely like to see what happens next.

P.S. The cover is stunning <3333

Because I really love 18th to 19th century time-tested novels, contemporary historical fiction is one of those genres which I naturally and strongly gravitate towards, but I rarely enjoy what I pick up.

I'm happy to note that A Curious Beginning was one of those rare instances. I thoroughly enjoyed myself from beginning to end, and I was already busy figuring out how to get my hands on the next book before I had even finished this one.

Victoria Speedwell is a 24 year old spinster who, having just nursed and buried her two aunts, thought she was now free from any strings holding her to England. Things get nasty when her house is broken into by a burly henchman, but with the help of a mysterious German baron, she escapes unscathed. From there begins her rollercoaster adventure through Victorian London and beyond, as the baron throws her lot together with his “protege” of sorts, the faux-ruffian Stoker.

I won't pretend to say that this novel does a 100% flawless job at blending in with the 19th century backdrop. It doesn't. Victoria Speedwell is remarkably progressive and independent for a woman of her time, and she is certainly something of an anachronism. I typically don't like anachronistic characters in historical fiction, but I liked that Victoria was consistent. Unlike many novels out there, she wasn't a female character who simply flared up randomly about how downtrodden Victorian women there but then cowered at the first sign of danger or got herself captured so the hero could come in and save her. She means to have her way, and she defies anyone who stands between her and her goals, damn the consequences. And the book really means, damn the consequences.

At Stoker's introduction, I was bracing myself for your typical undermined hero, with all his rippling muscles and ruffian-like exterior hiding the soul of an aristocrat. In many ways, he does fall into all those tropes, as does Victoria into the anachronistically independent Victorian spinster stereotype. What I liked, however, was the way the tropes played off each other: to explosive fireworks and some truly hilarious conversations. Stoker has an apparently dark past and I still don't know the whole of it, since nothing much is explained by the end of this book but he doesn't sit brooding on it all the damn time as tormented heroes are wont to do. He does get up and live his life, especially when Veronica (metaphorically) slaps him out of it.

Another thing I really enjoyed is that sexual/romantic tension so masterfully built up between the two characters but never quite consummated. We're given deliciously brief brushes with that palpable connection between the two, but they don't quite fall into each other's arms and decide to commit themselves to each other by the end of the book. At the rate I have rolled my eyes and given up on so many romantic plots from historical fiction novels, you might think I've lost my romantic soul, but this book has proved that I haven't. I do enjoy reading romance, but I like to see it built up realistically, with a solid foundation as is happening here with Veronica and Stoker. Heck, I can't even be 100% sure if they end up together in the subsequent books, and it's fun to have that ambiguity hanging.They also don't display that annoyingly overdone trope of tortured forbidden love, where one or both parties pretend nothing is happening between them for some reason or other, if only to increase the angst and torment. Veronica and Stoker, I think, without actually saying it out loud, have acknowledged an attraction between themselves, but at least during the duration of the book, they were too busy with more pressing, life-and-death matters to really go into that, and I could respect that plot decision. It's a far cry from some historical fiction I've read where they had the main couple having sex in a jail cell when both were in apparently mortal danger, just because they couldn't keep it in their pants. Not Veronica and Stoker.

I'm off to start on the second book now and I'm pleased to note that the Goodreads ratings of subsequent installments of the Victoria Speedwell series are only increasing. “Excelsior!”