Ratings2
Average rating4.5
Longlisted for the 2014 Man Booker Prize We are our stories. We tell them to stay alive or keep alive those who only live now in the telling. That's how it seems to me, being alive for a little while, the teller and the told. So says Ruthie Swain. The bedridden daughter of a dead poet, home from college after a collapse (Something Amiss, the doctors say), she is trying to find her father through stories--and through generations of family history in County Clare (the Swains have the written stories, from salmon-fishing journals to poems, and the maternal MacCarrolls have the oral) and through her own writing (with its Superabundance of Style). Ruthie turns also to the books her father left behind, his library transposed to her bedroom and stacked on the floor, which she pledges to work her way through while she's still living. In her attic room, with the rain rushing down the windows, Ruthie writes Ireland, with its weather, its rivers, its lilts, and its lows. The stories she uncovers and recounts bring back to life multiple generations buried in this soil--and they might just bring her back into the world again, too.
Reviews with the most likes.
I went into this book without many expectations, and I thoroughly enjoyed this meandering, lyrical journey. It's in parts a humorous take on the world and the story of many generations of the Swain family. It's also a very tragic book that touches on how people handle grief in different ways, and how nature and the world around us play into that.
I also enjoyed how each of the “main” characters - Abraham, Virgil, and Ruth - have to reconcile their realities with their interests, and how they manage to do so. The result is wryly funny.
I knocked a star off because the meandering - while evocative of the very rain and rivers that come up so frequently in the book - eventually wore me down a bit and I felt like it became unruly.