Mexican Gothic by Silvia Moreno-Garcia

NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico. After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. “It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post “Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”—Nerdist “A period thriller as rich in suspense as it is in lush ’50s atmosphere.”—Entertainment Weekly

I SAW NONE OF THAT COMING??? NONE OF THAT!!!!! OH MY GOODNESS!!

it's been a minute since i've been so gripped by a book that i really couldn't put it down

Listened on audiobook

This is the fourth book from Silvia Moreno-Garcia I've read. The first, [b:The Beautiful Ones 55311334 The Beautiful Ones Silvia Moreno-Garcia https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1611470492l/55311334.SY75.jpg 54122902], remains one of my all time favorite books. After that was [b:Certain Dark Things 54785481 Certain Dark Things Silvia Moreno-Garcia https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1615238352l/54785481.SY75.jpg 48011064] and [b:Gods of Jade and Shadow 36510722 Gods of Jade and Shadow Silvia Moreno-Garcia https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1543268579l/36510722.SY75.jpg 58230232], both of which I was less excited for. Not that I didn't appreciate them, Certain Dark Things in particular I liked, I mostly just wanted it to be longer, but I just felt like there was something missing from both that meant I wasn't getting pulled in. And now there's this book, Mexican Gothic. The breakout star. And I'm sorry but I just don't get it.Noemi Toboada is a headstrong rich girl living an exciting socialite life in Mexico City (in I think the 1950s), when she is instructed by her father to visit her recently married cousin, Catalina. Catalina has been sending her uncle strange letters, causing her uncle to worry about her mental health and a possible scandal if her new marriage is falling apart. Noemi agrees on the condition that when she returns she will be able to go to graduate school, and so she embarks to find out what has happened to her cousin. What she finds is a gothic, decaying manor perched on a hill in a small town, and her cousin's new in-laws - the austere Doyles. The longer Noemi stays in the house, the weirder things get - but aside from a lot of disturbing dreams, not a whole lot actually happens until the end.I felt a little embarrassed reading this. The copy I have is one I bought for my mother for Christmas last year - my mom loves a good thriller, and I thought she would enjoy a new Latinx author. She is not, however, a fan of horror, but as many reviews and articles will tell you - gothic romance is not really horror. But it looks like my favorite pet peeve has struck again, because once again a popular book got the “it's not really horror” sell, when, in fact, it is. In particular, this book has a lot of goopy body horror, with a mix of eldritch psychological horror. Not exactly what I expected out of a so-called gothic romance. Sorry, Mom.Moreno-Garcia does a lot to establish the atmosphere. Yes, I want to hear all about the tarnished candelabra, the velvet seats and moldy, rose-colored wallpaper. A young handsome man with a mysterious darkness to him? Step right up. The fussy older woman who makes sure she's judging every step the heroine makes? You got it. You signed up or a mysterious, gothic manor, and you're gonna get it, goddammit. But I just couldn't get past the fact that once that atmosphere is established, and the stuffy, privileged Doyles are introduced, the story feels largely aimless. Noemi has come to High Place to see Catalina, but the Doyles only let her see her for a few minutes at a time, and each meeting is not particularly productive, so she doesn't have much to do with the rest of her time. She gets yelled at for disobeying rules, she develops a relationship with the skinny, unassuming cousin, Francis Doyle, and has a lot of unsettling dreams where the walls of the house are alive and her cousin's husband, Virgil, is assaulting her in some way.Ok, we need to talk about how many times Moreno-Garcia is going to have to use the evil entitled rich boy thing. Like, hon, we get it, you hate these boys. Virgil Doyle does have more texture and complexity than Nick Godoy or Martin Leyva, but he's also a lot more diabolical. Unlike Nick or Martin who remain one-note throughout their journeys and you will smirk happily when they get their comeuppance, you will absolutely loathe Virgil Doyle by the end of this book. Which brings me to an important point - if you are sensitive to portrayals of sexual assault and/or nonconsensual touching, this book is probably not for you. Moreno-Garcia puts in the work to make you angry about the stuff that happens in this book, and if it was difficult for me to read, then it will be painful for a lot of others.I think what never clicked for was Noemi. She is sold at the beginning of the story as an intelligent, independent woman who enjoys doing things her own way. She seems like the perfect character to come in and disrupt the lives of the long-established Doyles. But almost as soon as Noemi arrives at High Place, she basically hits an immediate wall. It doesn't matter how many witty remarks she has or what kind of reputation she had back in Mexico City - in High Place, she's just a girl in some nice dresses, stuck in a house with a bunch of white supremacists. None of the previously established character work really contributes at all to where Noemi ends up. She could have been written as timid or bookish instead and it would have made little difference. Unless it was Moreno-Garcia's intention to humble her heroine (she does have that thing about rich kids), but that's not a character arc I'm terribly interested in.Overall, this book is rich with atmosphere and has some great villains, but a less interesting heroine and not exactly a strong plot-driven core, despite its short page count. When the source of the creepy stuff is revealed, it should have been the type of stuff that is right up my alley, but I found myself just wanting to get through it as fast as possible.

Mexican Gothic combines Mexican history with the supernatural to create an increasingly unnerving tale???and the more I read, the harder it was to put down.

The story is about Noem??, a socialite and university student, visiting her fairly recently married cousin after her father received a rambling, out of character letter from her claiming that her husband was poisoning her. From the very start, there's an aura of wrongness emanating from the old mansion her cousin now lives in, as well as most of the family who lives there. As Noem?? spends more time there, she unearths more questions and more secrets and it goes from quietly disconcerting to more and more disturbing.

It's not a subtle book yet the backstory is creative and haunting, and I thoroughly enjoyed reading Mexican Gothic with its determined heroine, secrets, and creepiness???so much that it's one of my favorite books of 2020!

Full Review on My Website