Staying On
2013 • 224 pages
Ratings2
Average rating3.5
15
Ratings2
Average rating3.5
In this sequel to The Raj Quartet, Colonel Tusker and Lucy Smalley stay on in the hills of Pankot after Indian independence deprives them of their colonial status. Finally fed up with accommodating her husband, Lucy claims a degree of independence herself. Eloquent and hilarious, she and Tusker act out class tensions among the British of the Raj and give voice to the loneliness, rage, and stubborn affection in their marriage. Staying On won the Booker Prize in 1977 and was made into a motion picture starring Trevor Howard and Celia Johnson in 1979. "Staying On far transcends the events of its central action. . . . [The work] should help win for Scott . . . the reputation he deserves—as one of the best novelists to emerge from Britain's silver age."—Robert Towers, Newsweek "Scott's vision is both precise and painterly. Like an engraver cross-hatching in the illusion of fullness, he selects nuances that will make his characters take on depth and poignancy."—Jean G. Zorn, New York Times Book Review "A graceful comic coda to the earlier song of India. . . . No one writing knows or can evoke an Anglo-Indian setting better than Scott."—Paul Gray, Time "Staying On provides a sort of postscript to [Scott's] deservedly acclaimed The Raj Quartet. . . . He has, as it were, summoned up the Raj's ghost in Staying On. . . . It is the story of the living death, in retirement, and the final end of a walk-on character from the quartet. . . . Scott has completed the task of covering in the form of a fictional narrative the events leading up to India's partition and the achievement of independence in 1947. It is, on any showing, a creditable achievement."—Malcolm Muggeridge, New York Times Book Review
Reviews with the most likes.
After finishing the author's Raj Quartet series, I decided to read this epilogue/continuation to the story, although it isn't necessary, and doesn't really tie up any loose ends or answer any lingering questions left at the end of the Quartet. “Tusker” and Lucy Smalley, who are minor characters in the Quartet, are basically the last of the old British Raj, staying on after everyone else has gone. The novel begins with Tusker's sudden death, but then circles back around to how the Smalleys found themselves in this predicament of hanging on to a tradition and lifestyle that was finished years ago.
Paul Scott writes his characters so well, and this book is another experience of his mastery of developing characters and observing small details that speak volumes. There is more humor in this book as compared to the Quartet series, and I suppose that comes because the characters are performing roles that became useless or irrelevant long ago. I often think that reading characters like this is more helpful to someone studying human psychology than any textbook, and this book reinforced that view.
The book does a remarkable job of portraying an aging couple with all their quirks and accommodations made over a lifetime, and the people who they have come to rely on to keep their story intact, even after that story no longer makes sense.
