Ratings8
Average rating4.3
Jane Yellowrock goes back to the city where it all began in the newest installment of this thrilling New York Times bestselling series. Jane used to hunt vampires, but now she’s their queen. She’s holed up in the mountains with the Yellowrock Clan, enjoying a little peace, when a surprise attack on her people proves that trouble is brewing. Someone is using very old magic to launch a bid for power, and it’s all tied to the place where Jane was first drawn into the world of Leo Pellissier—the city of New Orleans. Jane is compelled to return to NOLA because someone is trying to destabilize the paranormal world order. And because she now sits near the top of the vampire world, the assault is her problem. She will do what she must to protect what’s hers. Her city. Her people. Her power. Her crown.
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This originally appeared at The Irresponsible Reader.
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WHAT'S TRUE DEAD ABOUT?
Jane and the rest of the Yellowrock Clan are headed for New Orleans after a little excitement near her new home. There are two things that bring her to her old hunting grounds and her “freebie house.”
The first is a new, looming threat to her as Dark Queen, Master of New Orleans, and pretty much every Mithran in North America—at least those who are her loyal subjects. It's a threat that has roots in ancient vampires, magic that Jane hasn't encountered before, and possibly a tie to the “liver eaters” of the Cherokees. It's going to take more than a couple of sliver stakes, shotgun blasts, and a wicked grin to take care of things.
The second reason to head for New Orleans is much more pleasant—almost as elaborate, it should be added. Jane's strengths are best displayed in combat, figuring out what supernatural threat is out there, and that sort of thing. But social events, diplomatic moves, and things like that? Not what anyone thinks of when they think Jane Yellowrock. For good reason. Thankfully, she now has a staff.
While dealing with new supernatural forces set against her and the big social event, something more immediate is plaguing Jane. She's unable to control her shifts—she'll wake as the cat, or in half-shifted form. She won't be able to change back when she wants to—and Beast isn't doing much better with it than Jane is.
All in all, Jane's got her hands (or paws) full.
BEAST
Beast gets some great moments—possibly better than Jane. She has her own agenda at points and is keeping secrets still.
I feel like I should have more to say about Beast here, but I really don't. Mostly because I wouldn't be able to avoid spoilers. Also, I'm not sure when I'd shut up.
Simply put, she's a delight.
LEO'S LONG GAME
Over the course of the book, Jane learns some things, pieces together a few more, and makes a couple of good guesses about what she calls Leo's long game. What she comes up with helps her—and the reader—to see her arrival in New Orleans and most of what she's done in various situations for Leo in a new light.
It's not as drastic as some other UF series have been when the chief protagonist learns that changes their understanding of pivotal moments in the series—but it is pretty significant. You won't be able to think of the series and Jane's adventures in quite the same way again—you'll have a richer, more nuanced idea.
I'm so glad she did that.
SO, WHAT DID I THINK ABOUT TRUE DEAD?
This thing started off with a bang—a killer first chapter that had everything a Yellowrock fan would want. When I saw the heading reading “Chapter 2,” I stopped cold. How had she fit all that into a chapter? I seriously thought I was wrapping up Chapter 3 at that point. Sure, Hunter's chapters tend to be longer than many of the things I read, but anyway you cut it—Chapter 1 gets things rolling in a big way.
It didn't stop from there—the hits keep coming, Jane's sharper than she's been in a couple of books. Not that I'm complaining about the books, but Jane's been going through a lot lately—and now that's fairly settled. She's adjusted (at least more adjusted) to her new role and position. So now when trouble is on the horizon, she can throw herself at it.
And, boy howdy, does she. There are a few scenes that feel like vintage Jane—sure, given her new status she ends up dealing with things in a very non-vintage way. Long-time fans will enjoy seeing Old School Jane.
But New School Jane has more than a few surprises up her sleeve, and as fun, as it is to take a nostalgic look at how Jane dealt with problems, it's more fun to see the way Jane deals with them now.
True Dead felt like a gift to the reader—not just because we get to see Jane tooling around New Orleans again with a vamp killer in hand, but because of everything else. The new challenges are great—and watching all the members of Clan Yellowrock rise to them is just as great. There's a lot of joy, some sweetness, a little romance (and a little of the stuff that accompanies romance), we get to see some old friends–including a couple of pleasant surprises. And there are some very unpleasant surprises, too. Like every good writer of a long-running series, Hunter knows how to put her readers through the emotional wringer.
What it sets up for book 15? Ohh boy, I already can't wait.
In the meantime, get your copy of True Dead as soon as you can. If you've read this far in this post and don't know Jane Yellowrock? Fix that and thank me later.
My thanks to Let's Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.
Series
13 primary books39 released booksJane Yellowrock is a 34-book series with 13 primary works first released in 2009 with contributions by Faith Hunter, C.E. Murphy, and 68 others.