 Le Horla et six contes fantastiques
| 0 | - |
 Les Mots
| 3.63 | 4 |
 1,2,3... Avant-Gardes: Film/Art between Experiment and Archive | 0 | - |
 La voix humaine
| 4 | 4 |
 Αναφορά στον Γκρέκο: Τόμος Α'
| 0 | - |
 Sarrasine
| 0 | - |
![Huis clos [suivi de] Les mouches](https://cdn.hardcover.app/enlarge?url=https://assets.hardcover.app/external_data/59934009/29199cf80f4cf5359a2580046cca1191e640a439.jpeg&width=100&height=150&type=webp) Huis clos [suivi de] Les mouches
| 5 | - |
 Hitchcock
| 0 | - |
 L'existentialisme est un humanisme
| 5 | - |
 La Guerre Et La Paix
| 4 | - |
 Un film peut en cacher un autre: ORSON WELLES, ANDRÉ TÉCHINÉ, BELA TARR, HALLSTRÖM, LEOS CARAX
| 0 | - |
 Pour une écologie pirate
| 0 | - |
 Ubik
| 4.02 | - |
 The Expendable Man
| 4.38 | - |
 The Razor's Edge
| 4.27 | - |
 Birmingham Irish
| 4.38 | - |
 The World I Live In
| 5 | - |
 Writing and Difference
| 4 | - |
 The Cyprus Conspiracy: America, Espionage and the Turkish Invasion
| 0 | - |
 Anything That Moves
| 0 | - |
 Three Three
| 0 | - |
 The Art of the Ridiculous Sublime: On David Lynch's Lost Highway
| 4 | - |
 David Lynch
| 0 | - |
 The Sublime Object of Ideology
| 3.5 | - |
 Accidental death of an anarchist
| 4 | - |
 Now and Then...
| 0 | - |
 Minima moralia
| 3.25 | - |
 Forbidden Colors
| 2.63 | - |
 Image, Music, Text
| 4 | - |
 S/Z
| 0 | - |
 Tristes Tropiques
| 3.8 | - |
 Visual Pleasure and Narrative Cinema
| 0 | - |
 Reading for the Plot
| 0 | - |
 SUBJECT SEMIOTICS P
| 0 | - |
 Hell's Angels
| 3.81 | - |
 The Society of the Spectacle
| 3.95 | - |
 Η άνοδος της ασημαντότητας
| 0 | - |
 Black Sun
| 0 | - |
 Tout Ubu
| 0 | - |
 Critical Theory Today
| 5 | - |
 The Will to Change: Men, Masculinity, and Love
| 4.21 | 4 |
 A Poetics of Postmodernism: History, Theory, Fiction
| 0 | - |
 The Great Gatsby
| 3.74 | 4 |
 Postmodernism, or, The Cultural Logic of Late Capitalism (Post-Contemporary Interventions)
| 3.88 | - |
 If Not, Winter
| 4.53 | - |
 Ecrits: The First Complete Edition in English
| 0 | - |
 Gender Trouble: Feminism and the Subversion of Identity
| 4.62 | - |
 The Madwoman in the Attic
| 4 | - |
 Undoing Gender
| 5 | - |
 Frankenstein: The 1818 Text
| 3.86 | - |
 Geek Love
| 3.75 | - |
 Are Prisons Obsolete?
| 4.23 | - |
 Neo-Colonialism
| 0 | - |
 Anarchism and Other Essays
| 4.29 | - |
 A People's History of the United States
| 4.27 | - |
 Poor Things
| 3.95 | - |
 Bound for Glory
| 5 | - |
 Le jugement esthétique: Textes choisis et commentés par Florence Khodoss
| 0 | - |
 Lanark
| 4.08 | - |
 Cours de linguistique générale
| 0 | - |
 Selected Poems
| 2 | - |
 The Art of Cinema
| 0 | - |
 My last sigh
| 0 | - |
 Caliban and the Witch
| 4.25 | - |
 Ariel
| 3.93 | - |
 Dialogues
| 0 | - |
 Capitalist Realism: Is There No Alternative?
| 4.05 | 4 |
 Cinema
| 0 | - |
 Le silence de la mer
| 4 | - |
 Howl and Other Poems
| 4.25 | - |
 Capitale de la douleur suivi de L'amour la poésie
| 5 | - |
 A Hunger Artist
| 4.31 | - |
 Terre des hommes
| 4.33 | - |
 La nausée
| 3.88 | 5 |
 La Mer de la fertilité
| 0 | - |
 The Histories I-II
| 0 | - |
 Selected Stories of Anton Chekhov
| 4.2 | - |
 Liars in Love
| 3 | - |
 The Collected Stories
| 0 | - |
 Song of Solomon
| 4.32 | - |
 The Color Purple
| 4.12 | - |
 Black Lamb and Grey Falcon
| 0 | - |
 Lettres à un jeune monteur
| 0 | - |
 L'Audio-Vision: Son Et Image Au Cinéma
| 0 | - |
 Surveiller et punir. Naissance de la prison
| 0 | - |
 The Sluts
| 4 | - |
 The Snow Leopard
| 4.12 | - |
 Blood and Guts in High School
| 3.83 | - |
 The match
| 4 | - |
 Transcendental style in film : Ozu, Bresson, Dreyer
| 0 | - |
 In the Blink of an Eye
| 4.13 | - |
 Cette aveuglante absence de lumière
| 2 | - |
 Illuminations
| 4.25 | - |
 The Magic Mountain
| 3.88 | - |
 The Fire Next Time
| 4.57 | - |
 Siddhartha
| 3.94 | - |
 The Unbearable Lightness of Being
| 3.9 | - |
 The Name of the Rose
| 3.99 | - |
 Ham on Rye - Pão com Fiambre
| 0 | - |
 Elektra
| 0 | - |
