| 2014 | 3.94 |
| 2020 | 5 |
To Sleep in a Sea of Stars | 2020 | 3.65 |
| 2012 | 3.99 |
| 2021 | 0 |
| 2019 | 0 |
| 2019 | 3.71 |
| 2016 | 4.5 |
| 2019 | 4.14 |
| 2020 | 3.79 |
| 2023 | 3 |
| 2016 | 3.86 |
| 2015 | 4.26 |
| 2011 | 3.27 |
| 2021 | 4.25 |
| 2012 | 4.16 |
| 2016 | 0 |
| 2015 | 3 |
| 2019 | 3.64 |
| 2017 | 4 |
| 2019 | 4 |
| 2017 | 4.02 |
| 1997 | 4.17 |
| 2019 | 4 |
| 2019 | 5 |
| 2017 | 3.73 |
| 2017 | 3.57 |
| 2020 | 3.96 |
| 2010 | 3.8 |
| 2010 | 3.93 |
| 2020 | 3.2 |
| 2011 | 4.07 |
| 2007 | 4.12 |
| 2020 | 4.1 |
| 2019 | 4 |
| | 4 |
| 2017 | 4 |
| 2024 | 4.33 |
| 2024 | 4.33 |
| 2016 | 4.06 |
| 2024 | 3.75 |
| 2020 | 5 |
| 2023 | 3.29 |
The Daughter of Doctor Moreau | 2022 | 3.33 |
| 2022 | 4.13 |
The Mimicking of Known Successes | 2023 | 3.56 |
| 2023 | 4.27 |
| 2022 | 3.98 |
| 2023 | 4.05 |
Iron Lake - William Kent Krueger
- Chandler, David
| 2010 | 3.92 |
| 2022 | 3.64 |
| 2023 | 3.73 |
Shigidi and the Brass Head of Obalufon | 2023 | 3.67 |
| 2017 | 3.82 |
| 2023 | 3.89 |
| 2010 | 3.94 |
| 2023 | 3.5 |
The House Beyond the Dunes | 2023 | 4.17 |
| 2023 | 3.9 |
| 2016 | 3.73 |
| 2023 | 4.04 |
| 2023 | 4 |
| 2022 | 3.75 |
| 2023 | 4.55 |
| 2023 | 3.17 |
| 2023 | 4.07 |
| 2023 | 4.05 |
| 2021 | 4.5 |
| 2022 | 4.28 |
| 2023 | 3.87 |
| 2022 | 3.56 |
| 2022 | 3.71 |
Babel: Or the Necessity of Violence: An Arcane History of the Oxford Translators’ Revolution | 2022 | 4.09 |
| 2023 | 3.81 |
| 2022 | 3.17 |
| 2023 | 3.61 |
| 2022 | 3.5 |
| 2022 | 4 |
| 2022 | 3.6 |
| 2022 | 3.4 |
When the Angels Left the Old Country | | 4.42 |
The Spear Cuts Through Water | 2022 | 4.25 |
| 2022 | 3.68 |
| 2000 | 3.36 |
| 2017 | 3.81 |
| 2022 | 2.72 |
| 2022 | 3.34 |
Under the Whispering Door | 2021 | 4.08 |
| 2022 | 3.95 |
| 2022 | 3.5 |
| 2019 | 3.67 |
| 2022 | 4.02 |
| 2022 | 3.42 |
| 2021 | 4.09 |
| 2019 | 4.25 |
| 2021 | 3.33 |
| 2021 | 3.33 |
| 2019 | 3.55 |
| 2022 | 3.18 |
| 2022 | 4.5 |