41 reads | 4.21 | |
33 reads | 4.4 | |
32 reads | 4.46 | |
28 reads | 3.95 | |
29 reads | 4.22 | |
7 reads | 2.67 | |
20 reads | 3.93 | |
17 reads | 3.77 | |
13 reads | 4 | |
13 reads | 4.08 | |
0 reads | 0 | |
0 reads | 0 | |
Fables, Vol. 11 Fables, Vol. 11: War and Pieces
| 1 read | 5 |
1 read | 4 | |
Michael Caine - Acting in Film Michael Caine - Acting in Film: An Actor's Take on Movie Making (The Applause Acting Series) Revised Expanded Edition
| 0 reads | 0 |
3 reads | 5 | |
0 reads | 0 | |
163 reads | 4.02 | |
29 reads | 3.93 | |
5 reads | 3.5 | |
21 reads | 3.81 | |
103 reads | 3.89 | |
123 reads | 3.96 | |
8 reads | 3.75 | |
0 reads | 0 | |
3 reads | 3.5 | |
0 reads | 0 | |
30 reads | 4.13 | |
60 reads | 3.82 | |
23 reads | 4.32 | |
0 reads | 0 | |
14 reads | 3.67 | |
The Oldest Boy The Oldest Boy: A Play in Three Ceremonies
| 1 read | 4 |
3 reads | 4.5 | |
35 reads | 4.45 | |
23 reads | 4.57 | |
3 reads | 3.67 | |
The Sword The Sword: The Complete Collection | 0 reads | 0 |
422 reads | 3.35 | |
39 reads | 3.76 | |
3 reads | 5 | |
15 reads | 4.18 | |
8 reads | 4.25 | |
8 reads | 4.25 | |
5 reads | 3.8 | |
7 reads | 4.17 | |
394 reads | 4.11 | |
11 reads | 3.86 | |
352 reads | 4.02 | |
1 read | 4 | |
321 reads | 3.7 | |
449 reads | 4.18 | |
820 reads | 4.16 | |
44 reads | 3.82 | |
Michael Chekhov Michael Chekhov: On Theatre and the Art of Acting | 0 reads | 0 |
126 reads | 4.17 | |
84 reads | 4.67 | |
0 reads | 0 | |
19 reads | 3.21 | |
9 reads | 3.6 | |
Acting Acting: Face to Face, the Actor's Guide to Understanding How Your Face Communicates Emotion for TV and Film | 0 reads | 0 |
9 reads | 3.6 | |
1 read | 0 | |
7 reads | 4 | |
1 read | 3 | |
2 reads | 4 | |
Time Stands Still Time Stands Still | 0 reads | 0 |
0 reads | 0 | |
21 reads | 3.67 | |
2 reads | 4 | |
Acting for Film Acting for Film | 0 reads | 0 |
1 read | 3 | |
Know Small Parts Know Small Parts: An Actor's Guide to Turning Minutes into Moments and Moments into a Career | 0 reads | 0 |
39 reads | 4.34 | |
Action! Professional Acting for Film and Television Action! Professional Acting for Film and Television | 0 reads | 0 |
8 reads | 4 | |
Aubergine Aubergine | 0 reads | 0 |
11 reads | 2.5 | |
(R)evolution (R)evolution | 0 reads | 0 |
Curse the Demon Curse the Demon | 0 reads | 0 |
Bean Plays Two Bean Plays Two: Toast, Mr England, Smack Family Robinson, and Honeymoon Suite | 0 reads | 0 |
7 reads | 2.67 | |
11 reads | 3.4 | |
995 reads | 3.64 | |
23 reads | 4.13 | |
John Swanbeck's How To Steal The Scene & End Up Playing The Lead John Swanbeck's How To Steal The Scene & End Up Playing The Lead | 0 reads | 0 |
2 reads | 3 | |
Batman Batman: The Dark Knight Strikes Again
| 0 reads | 0 |
Mark of Fire Mark of Fire
| 0 reads | 0 |
0 reads | 0 | |
9 reads | 4.64 | |
How to Book Acting Jobs in TV and Film How to Book Acting Jobs in TV and Film | 0 reads | 0 |
6 reads | 4.25 | |
The Argus Deceit The Argus Deceit | 0 reads | 0 |
1 read | 4 | |
39 reads | 4 | |
The Capital of Latecomers The Capital of Latecomers | 0 reads | 0 |
564 reads | 4.13 | |
0 reads | 0 | |
1 read | 0 |