C. J. Daley

The narration by Connor Brannigan is good and has a tone that works well for the subject matter.

I’m not really too sure how to describe this, but ‘weird fantasy’ is what came to mind throughout listening. I think that’s kind of fitting honestly. It’s dark in nature, but it’s also missing common fantasy and horror notes. This is something different.

The penumbra men are seeking answers. Answers that were lost to them, as well as their faith. Vvlna, was the name of their sun, but they’ve lost a use for it in this new world. And as the blurb states, they will find those answers in the house of wolves, but not all of them will make it there.

To me this read like a short section of a history textbook. It’s not exactly any kind of linear tale, but the tone of it speaks to mythology or lore. This is a chronicle of the penumbra men. I felt it was well written and I really enjoyed the voice, but it’s not really long enough to open up into anything, but maybe that’s actually the point.

A first for me from both authors, but it’s a quick, unique read that I’d recommend.

The audio done by Dan Lawson was fantastic. Quick, clean audio, and good distinction for each character.

The novel begins with the narrator, Mark Prewitt, telling the reader that there is a house with a ghost, and that he fell in love with a witch. It worked perfectly as set up for me, as for the remainder of the book, it was like looking over my shoulder waiting for the exact moment those reveals would have an effect.

Mark just wants to make enough money this summer to get his car running. That, and to have as much fun with his friends as possible. But when a prank goes too far, Mark is forced to cross paths with the Farrow sisters in the hopes of making amends, but there’s also a dirty secret that may create a problem of its own.

The Farrow sisters are the town pariahs. Their parents pulled them from school after the death of their eldest sister, and now they’re seldom seen, and wholeheartedly hated. But as Mark meets George (short for Georgia) he realizes that while the family is strange, they’re mostly misunderstood. A friendship, and possibly more, blossoms.

Part of why I loved the opening is because the novel doesn’t really have much in the way of action. Mark goes to work, and he has two jobs. Otherwise he rides his bike to his friends or to see George. That knowledge that something’s coming stays right in the back of your head the whole time.

It’s also a great coming of age story, with super strong dialogue. Although I am born five years after the novel is set, I feel like the 90s were truly the last generation of kids to have that walk/bike everywhere feel. Especially the ‘go wherever you want as long as you’re not in your parents house’ attitude. So that felt nostalgic while reading.

This might be a first of its kind for me, but this is like reading a horror/romance? The possible intrusion of the ghost, a seance gone bad, the witch antics, the almost Addams family plus abusive dysfunction of the Farrow family, all while George and Mark are growing closer, was a unique blend.

I particularly liked the dissection of high school classism, as Mark battles between his heart and his head. He wants to see more of George, desires to be with her, but what would that do to him if anyone found out? Could he afford to become a ghost as well? To become another town pariah? Sometimes, especially with the fickleness of kids, you don't get a choice.

The ending does pick up, has stakes, and losses. And I really enjoyed the open ending. This was a great read and a first for me from the author.

The last of the series for me that was waiting to be completed. When the others were all free, this one wasn’t, and as a novella, I didn’t think it was worth a credit. But it was part of that last audible sale for only $2 so I grabbed it.

This is a novella that showcases the struggles behind getting the Tanaka Institute up and running after the capture of the meg pup at the end of book 1.

They are struggling with electrical problems, management problems, and especially financial problems. They have no money and the megalodon’s pen needs an awful lot of work. Just like with many real large sharks in captivity, there isn’t enough circulating water for her, and she struggles to survive. Which is obviously a huge issue in itself, but they also have no money to feed her.

The set up itself is kind of cool, and I’ll be honest, I was definitely thinking about more of the series after some time away from it, but this wasn’t all that great. It seems like the author just can’t leave stuff alone. Outside the institute, one side is covered in sea lions, the other, filled with surfers looking to take advantage of the large waves. Naturally theres a huge great white attacking them. Oh, and a cookie cutter shark bites a diver…because you know, the megalodon isn't enough. Every shark is just super blood thirsty.

The Meg pup gets some food finally and then they are unexpectedly saved by a huge donor. It just kind of tells you how it ends without revealing anything, which makes it super bland.

Apparently this story is actually a part one, with at least two more supposed to be coming out, but that seems to have not happened. Or at least not yet. I saw a reviewer on goodreads saying this is just for completionists, and honestly it isn’t necessary at all, so that’s true.

Went with the audio for this, Dominic Hoffman did a fine job.

I read this one for a book club. It was not my pick, and most definitely not something I would have picked up on my own. And while that is the reason why I’m in the book club, I’m just not really sure how to rate it because of that.

This read like there was no editorial say to tell the author that the story did not need 555 supporting characters. There’s actually so many characters, and so many seeming endless backstories, that I genuinely do not remember any character names other than DoDo.

The novel is about Chicken Hill and it’s residents. They are primarily Jewish and black, which is mostly what the story is about, however literally every single character gets a name and a backstory. For me it drowned out everything else, and I didn’t think there was any discernible through line for the entire novel. Not really sure about this one, but I don’t think I’d suggest it.

Thanks to NetGalley and the publisher for the audio of this one! The narration was done by the author, which is always awesome! Other than a couple little tonal things when chapters switched, it all sounded great.

Pluralities is a journey of identity, self discovery, and the search for inner peace. The main character, sometimes referred to by her mother as just ‘SHE’, wears her she stamp and goes to work every day until one day, the burnout and desire for more becomes far too much to bear. A lucky car ride home from the boy from the froyo stand changes everything.

The novella features another POV, which is a galactic space prince gone rogue and his sentient ship. He wants to be an adventurer, to forge his own path, and to not be held by the confines of his family. And while this did confuse me a bit (I wasn’t expecting it), I loved that the two stories were perfectly paralleled.

This does include a sex scene, which is typically not my bag, however this is a scene of awakening and discovery. It’s about feeling, imagining, becoming more. And while I can’t completely understand or empathize, I thought it was done exceptionally well.

‘SHE’ has never felt like one, she doesn’t think she’s truly a woman. And after this awakening, they still don’t truly know what they are or what they desire to be, but that’s okay. I loved the inclusion of someone further along their own path being included to tenderly be there for all the ups and downs.

If you’re looking for a resource that does a great job of explaining the feeling, the why, and even the lack of why that people feel while discovering their gender or personhood, this describes it very well.

Thanks to NetGalley and the publisher for this one! The audio by Ramón de Ocampo was pretty solid!

The premise for this is that Liam’s mother is a screenwriter for tv. Her big idea gets picked up for the latest Shark Night on the Danger Channel and her big promise is that Liam will NOT have to be the kid inside the tank. Naturally, we know that’s not going to be true.

As usual, this has all the silliness, the cliffhanger endings, and all the possible scares it could…just like the Goosebumps books. I’m just always curious as to why these separate releases aren’t just GB. He has a very signature style anyway. I wonder if it’s a Stine or a publisher thing.

This was enjoyable and silly and quick, exactly what I’d want and expect from a Stine read. The only snag for me was the fact that it’s literally called Shark Night (both the book and the channel’s special) and yet the shark has the most limited page time? Especially when other ‘things’ have more.

This is part of the author’s forthcoming A Stitch Between Worlds, but as it also has a live separate release, I wanted to share a review for it here as well.

This is a futuristic story, taking place in what felt like a Blade Runner-esque Japan, where memory has become the only form of currency. And just like with dollars and cents, where there’s profit, there’s always someone wanting more. The rich covet, investing in people who are referred to as Hard-Drivers, aka those kept safe like a piggy bank of others memories. This has some thriller notes that were reminiscent of the film In Time, and some of the more scifi notes involving memory recall/replay that are hit upon in the movie of the same name, Rememory.

Felix and Jock are on the run. Wanted by the authoritarian, or perhaps even empirical, OneWorld. The deal they made with the yakuza is only going to keep them safe for some long. The seemingly all-powerful Nagasaki will do anything to remain in power and have memories to spare.

What follows is a fast paced technothriller that plows straight on into an all out revenge story. The scifi elements lend themselves well to a cyberpunk dystopia, and the central theme made for a unique and addictive read.