4.15 | |
4 | |
0 | |
5 | |
3.25 | |
4.22 | |
3.67 | |
3.75 | |
3.67 | |
3.82 | |
4.39 | |
4.5 | |
0 | |
0 | |
4.45 | |
0 | |
0 | |
3 | |
0 | |
0 | |
0 | |
5 | |
0 | |
0 | |
0 | |
4.5 | |
0 | |
0 | |
4.4 | |
3.68 | |
4.17 | |
3.88 | |
Bakuman., Volume 18 Bakuman., Volume 18
| 4 |
Bakuman., Volume 16 Bakuman., Volume 16
| 4 |
3.86 | |
4 | |
4.4 | |
4.25 | |
Bakuman, Volume 11 Bakuman, Volume 11: Title and Character Design
| 4.25 |
4.36 | |
Better to Have Loved Better to Have Loved: The Life of Judith Merril
| 0 |
0 | |
4.1 | |
Low Action Low Action
| 4 |
4.07 | |
4.5 | |
Baking Powder Wars Baking Powder Wars: The Cutthroat Food Fight that Revolutionized Cooking
| 0 |
Ten Little Fen Ten Little Fen
| 0 |
The Man Who Stole Portugal The Man Who Stole Portugal
| 0 |
3.75 | |
Anime's Media Mix Anime's Media Mix: Franchising Toys and Characters in Japan
| 0 |
3.6 | |
3 | |
The Dead Friends Society The Dead Friends Society
| 0 |
3.75 | |
3.68 | |
4.1 | |
The Haunted Screen The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt
| 0 |
Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 1 Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 1
| 4 |
3.21 | |
4.04 | |
4.29 | |
3 | |
The Dark Between Stars The Dark Between Stars
| 0 |
Gaming the Iron Curtain Gaming the Iron Curtain: How Teenagers and Amateurs in Communist Czechoslovakia Claimed the Medium of Computer Games
| 0 |
4.31 | |
3.99 | |
4.14 | |
3.6 | |
0 | |
3.67 | |
3.61 | |
3.67 | |
3.5 | |
3.67 | |
4.19 | |
3 | |
3.63 | |
4 | |
3 | |
4.29 | |
0 | |
4.09 | |
0 | |
The Broken Lands The Broken Lands
| 0 |
3.75 | |
4.09 | |
3.56 | |
3.5 | |
2.67 | |
3.57 | |
3.5 | |
3.75 | |
4.23 | |
3.5 | |
3.77 | |
3.67 | |
3.89 | |
3.75 | |
3.36 |