 Tschick
| 4.14 |
 Der Vorleser
| 3.59 |
 Die Vermessung der Welt
| 3.55 |
 Reasons to Stay Alive
| 4.03 |
 White Teeth
| 3.87 |
 Those Who Leave and Those Who Stay
| 4.38 |
 Procrastination: Why You Do It, What To Do About It
| 4 |
 L' amica geniale. Volume Primo
| 4.05 |
 Bird by Bird: Some Instructions on Writing and Life
| 4.17 |
 The War of Art
| 3.79 |
 The Procrastination Equation
| 3.33 |
 L'invenzione occasionale
| 0 |
 Le stelle fredde
| 0 |
 Scritti corsari
| 3 |
 Less
| 3.75 |
 Il dispatrio
| 0 |
 The Book of Disquiet
| 4.3 |
 Snow Crash
| 3.94 |
 The Presentation of Self in Everyday Life
| 3.83 |
 On Writing
| 4 |
 Anarchy State And Utopia
| 3 |
 Lezioni di letteratura
| 4 |
 A Penguin Classics a Room of One's Own
| 4.83 |
 Epitaph of a Small Winner
| 0 |
 Lezioni americane
| 4 |
 Uno, nessuno e centomila
| 4.26 |
 The Metamorphosis
| 3.8 |
 The Sense of Style
| 3.98 |
 Aris totle
| 3.93 |
 Why We Sleep: Unlocking the Power of Sleep and Dreams
| 4.32 |
 Story of the Eye
| 3.31 |
 Confessions of a Mask
| 3.99 |
 Clear and Simple as the Truth: Writing Classic Prose
| 0 |
 La variante di Lüneburg
| 5 |
 A Rhetoric of Motives A Rhetoric of Motives
| 0 |
 A Grammar of Motives
| 0 |
 The Diamond Age
| 4.03 |
 A Handlist of Rhetorical Terms
| 4.5 |
 The Elements of Style
| 4.28 |
 Classical Rhetoric for the Modern Student
| 0 |
 Black Rights / White Wrongs: The Critique of Racial Liberalism
| 0 |
 Thank You for Arguing: What Aristotle, Lincoln, and Homer Simpson Can Teach Us about the Art of Persuasion
| 3 |
 Finding Ultra: Rejecting Middle Age, Becoming One of the World's Fittest Men, and Discovering Myself
| 3.7 |
 How to Speak How to Listen
| 0 |
 The World According to Garp
| 4 |
 How to Read a Book
| 3.82 |
 The Art of Seduction
| 3.3 |
 Liespotting
| 3 |
 The 48 Laws of Power
| 3.61 |
 The Bullet Journal Method
| 4.01 |
 Actionable Gamification
| 2 |
 Power
| 3.5 |
 Atlas Shrugged
| 3.18 |
 On writing well
| 4.24 |
 East of Eden
| 4.5 |
 Lettere morali a Lucilio
| 5 |
 The Good Earth
| 3.83 |
 Stoner
| 4.5 |
 So You've Been Publicly Shamed
| 3.92 |
 No Longer Human
| 3.86 |
 The Better Angels of Our Nature: Why Violence Has Declined
| 3.83 |
 The Bonfire of the Vanities
| 3.93 |
 The Time Machine
| 3.69 |
 Orthodoxy
| 4.05 |
 On Booze
| 4 |
 The Open Society and Its Enemies
| 4.5 |
 the Work of Art in the Age of Mechanical Reproduction
| 4 |
 The Eyre Affair
| 3.92 |
 Moscow to the End of the Line
| 4.31 |
 The Intelligent Woman's Guide to Socialism, Capitalism, Sovietism and Fascism
| 4 |
 Keys to Drawing
| 0 |
 Thinking with Type, 2nd revised and expanded edition
| 4 |
 Deep Work
| 4.06 |
 The Logic of Scientific Discovery
| 4 |
 The Design of Everyday Things
| 4.25 |
 Uncivil Agreement
| 0 |
 How Not to Be Wrong The Hidden Maths of Everyday Life
| 4.01 |
 12 Rules for Life: An Antidote to Chaos
| 3.46 |
 A Pale View of Hills
| 3.58 |
 The Lonely City: Adventures in the Art of Being Alone
| 3.73 |
 Pygmalion
| 3.58 |
 Spillover
| 4.47 |
 Man and Superman
| 3.25 |
 Society of the Spectacle
| 4.02 |
 100 things every designer needs to know about people
| 3.92 |
 Cathedral
| 4.06 |
 The Road to Serfdom
| 4.2 |
 Against Method
| 3.75 |
 Good to Go
| 4.5 |
 Understanding Media: The Extensions Of Man
| 4.67 |
 In Cold Blood
| 4.11 |
 The Electric Kool-Aid Acid Test
| 3.56 |
 The medium is the massage
| 3.96 |
 Against Interpretation and Other Essays
| 3 |
 The Formula
| 3 |
 The Attention Merchants
| 3.79 |
 Where Good Ideas Come from: The Seven Patterns of Innovation
| 3.41 |
 Eleven Kinds of Loneliness
| 4 |
 How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world
| 0 |
 A History of the Jews
| 0 |