Kireth
Updated a reading goal:
Read 52 books in 2026
Progress so far: 26 / 52 50%
Perhaps one of the original epics, or even the reason we have this word. I'm astounded the story has survived this long, complete in its long and wordy fashion. This is not a simple tale either, though when you step back and view it as a whole it has a beautiful circular structure. The Iliad is set over 40 days towards the end of the 10 year Trojan War, where hundreds of Greek ships sailed across open waters to take the city of Illion due to Helen's betrayal of her king for another man. But this is all assumed knowledge, again illustrating the educated and storytelling values of the time, instead acting as backdrop for what the story is truly about.
The Iliad is a story of revenge, hubris, pride, dolefulness, false divinity, and above all, the cost of war. There are striking scenes here, whether blood raining across a battlefield or teeth, brains and bowels being thrust out of a young man's body. This is matched with lengthy speeches teasing combat, recounting travels and familial trees or hungrily slavering over fallen warrior's armour. Perhaps the speeches are ill suited for modern audiences and combat, but here there are unspoken rules of warfare, and image and fear-driven or fear-giving status play important roles.
There are no good characters. Everyone is flawed, everyone has motive, and the players with a larger influence over the plot - Agememnon, Achilleus, Hektor, Menelaous, Aias, Patrokles and of course the Greek Gods themselves (Zeus, Hera, Poseiden, Apollo, Ares, Athena) all are imperfect and rise and fall over the long 24 Books or chapters of this tale. Even more amazing is the voice of Homer, this faceless narrator that addresses different characters individually over the course of the novel, making the audience feel emotionally involved in the plot itself at key moments.
I initially struggled with the Fitzgerald translation, but then found a Youtube narration of it that greatly improved my reading experience. The Iliad was originally an oral tale after all, and even now it feels better in that version, with the mind filling the spaces in between with brilliant images and visions of the numerous named characters.
Onwards to The Odyssey.
Perhaps one of the original epics, or even the reason we have this word. I'm astounded the story has survived this long, complete in its long and wordy fashion. This is not a simple tale either, though when you step back and view it as a whole it has a beautiful circular structure. The Iliad is set over 40 days towards the end of the 10 year Trojan War, where hundreds of Greek ships sailed across open waters to take the city of Illion due to Helen's betrayal of her king for another man. But this is all assumed knowledge, again illustrating the educated and storytelling values of the time, instead acting as backdrop for what the story is truly about.
The Iliad is a story of revenge, hubris, pride, dolefulness, false divinity, and above all, the cost of war. There are striking scenes here, whether blood raining across a battlefield or teeth, brains and bowels being thrust out of a young man's body. This is matched with lengthy speeches teasing combat, recounting travels and familial trees or hungrily slavering over fallen warrior's armour. Perhaps the speeches are ill suited for modern audiences and combat, but here there are unspoken rules of warfare, and image and fear-driven or fear-giving status play important roles.
There are no good characters. Everyone is flawed, everyone has motive, and the players with a larger influence over the plot - Agememnon, Achilleus, Hektor, Menelaous, Aias, Patrokles and of course the Greek Gods themselves (Zeus, Hera, Poseiden, Apollo, Ares, Athena) all are imperfect and rise and fall over the long 24 Books or chapters of this tale. Even more amazing is the voice of Homer, this faceless narrator that addresses different characters individually over the course of the novel, making the audience feel emotionally involved in the plot itself at key moments.
I initially struggled with the Fitzgerald translation, but then found a Youtube narration of it that greatly improved my reading experience. The Iliad was originally an oral tale after all, and even now it feels better in that version, with the mind filling the spaces in between with brilliant images and visions of the numerous named characters.
Onwards to The Odyssey.
Fatherhood is hard. Mistakes are made, a lot more happens in a few days with cross-planetary communication as the writers likely realise they need to start tying up ends, and innocently kind kids get punished by the harsh world.
I have no idea what happens next and that makes me glad.
Fatherhood is hard. Mistakes are made, a lot more happens in a few days with cross-planetary communication as the writers likely realise they need to start tying up ends, and innocently kind kids get punished by the harsh world.
I have no idea what happens next and that makes me glad.
It has been more than a day since I finished blitzing my way through this book (finished in a week!) yet the ideas and moments are recurring images in my brain. I believe it is because of the excellent character work amidst this busy science-fiction-meets-fantasy world, with individual triumphs and failures and continual drives being tested in the worst of conditions. Lessons of power, morality, good and evil and the forging and testing of the human spirit are all on display in Red Rising.
Yet the novel is not perfect; it has its flaws. A frenetically paced writing style (I learned afterwards that the author needed to slim the page and word count down in order to get his first book published, having written five before this) lead to moments where I wish I had more explanation, or time to slow down and absorb the details amidst the breakneck pacing. For me the real snowball effect started from around the 45% mark, with the book's entire second half - which is really the meat of the plot and action - being an awesomely and horrifyingly epic scaled education combined with war. To say anymore would be a spoiler, but everything in the first half now oddly reminds me of The Shire in The Lord of the Rings - absolutely necessary fundamental worldbuilding that establishes the motive, precedent and ignition for the later combat.
Darrow is a simple yet effective character. Smart, burdened, born into the wrong time and place. Everyone else is secondary, but all have a clear role in this novel - practically anyone named actually has a significant interaction which surprised me.
Will I continue reading this trilogy? Hell yes. I understand why this book has sat so high among many Sci-Fi reading lists, it is a great modern introduction to the genre much like Mistborn is for Fantasy. I will enjoy reading the entire trilogy, especially as I heard they only get better, and then likely books 4-7 as well.
It has been more than a day since I finished blitzing my way through this book (finished in a week!) yet the ideas and moments are recurring images in my brain. I believe it is because of the excellent character work amidst this busy science-fiction-meets-fantasy world, with individual triumphs and failures and continual drives being tested in the worst of conditions. Lessons of power, morality, good and evil and the forging and testing of the human spirit are all on display in Red Rising.
Yet the novel is not perfect; it has its flaws. A frenetically paced writing style (I learned afterwards that the author needed to slim the page and word count down in order to get his first book published, having written five before this) lead to moments where I wish I had more explanation, or time to slow down and absorb the details amidst the breakneck pacing. For me the real snowball effect started from around the 45% mark, with the book's entire second half - which is really the meat of the plot and action - being an awesomely and horrifyingly epic scaled education combined with war. To say anymore would be a spoiler, but everything in the first half now oddly reminds me of The Shire in The Lord of the Rings - absolutely necessary fundamental worldbuilding that establishes the motive, precedent and ignition for the later combat.
Darrow is a simple yet effective character. Smart, burdened, born into the wrong time and place. Everyone else is secondary, but all have a clear role in this novel - practically anyone named actually has a significant interaction which surprised me.
Will I continue reading this trilogy? Hell yes. I understand why this book has sat so high among many Sci-Fi reading lists, it is a great modern introduction to the genre much like Mistborn is for Fantasy. I will enjoy reading the entire trilogy, especially as I heard they only get better, and then likely books 4-7 as well.
Updated a reading goal:
Read 52 books in 2026
Progress so far: 23 / 52 44%
A fast breeze to read through that surprisingly relies on an overall understanding of the Cosmere's direction especially in its 2nd half. I'm conflicted over the versions of Dusk's story - the original format built up suspense and ended in an ominous manner, whereas the new one contrasts past and present very nicely between its chapter transitions. Dusk becomes more likeable and human, which was to be expected as he is thrust into educated civilisation, and the antagonists provide an interesting dimension to those who have loved original Cosmere characters.
The flipside of this is Starling, who broadens our Cosmere understanding and presents dazzling powers and perspectives as a young Dragon in this advanced stage of the timeline. She's also the neice of the (behind-the-scenes) acclaimed dragon Frost, friend to Hoid and creature with deep knowledge of the history of this universe.
The second half of the novel in particular expands the Cosmere’s future state, with residents and representatives of other planets heavily featured and advanced technology on display. The ending is an interesting magical conundrum, and whilst a bit simple, I think Sanderson does a solid job of merging and respecting the traditional with the futuristic.
I don’t really see Isles of the Emberdark as standalone, instead like The Sunlit Man a treat and world building expansion for dedicated Cosmere fans. Something to tide us over until Mistborn Era 3 Ghostbloods in 2028.
<i>“We’re each a new person every day. The world changes, and is new each day, and we must change with it.”</i>
A fast breeze to read through that surprisingly relies on an overall understanding of the Cosmere's direction especially in its 2nd half. I'm conflicted over the versions of Dusk's story - the original format built up suspense and ended in an ominous manner, whereas the new one contrasts past and present very nicely between its chapter transitions. Dusk becomes more likeable and human, which was to be expected as he is thrust into educated civilisation, and the antagonists provide an interesting dimension to those who have loved original Cosmere characters.
The flipside of this is Starling, who broadens our Cosmere understanding and presents dazzling powers and perspectives as a young Dragon in this advanced stage of the timeline. She's also the neice of the (behind-the-scenes) acclaimed dragon Frost, friend to Hoid and creature with deep knowledge of the history of this universe.
The second half of the novel in particular expands the Cosmere’s future state, with residents and representatives of other planets heavily featured and advanced technology on display. The ending is an interesting magical conundrum, and whilst a bit simple, I think Sanderson does a solid job of merging and respecting the traditional with the futuristic.
I don’t really see Isles of the Emberdark as standalone, instead like The Sunlit Man a treat and world building expansion for dedicated Cosmere fans. Something to tide us over until Mistborn Era 3 Ghostbloods in 2028.
<i>“We’re each a new person every day. The world changes, and is new each day, and we must change with it.”</i>
- Tom Taylor
- Trevor Hairsine
- Neil Edwards
- Lucas Meyer
- Andy Lanning
- Rain Beredo
- Saida Temofonte
- Francesco Mattina
A sweeping epic across the stars of the DC Universe that finally concludes this DCeased saga. Somehow, despite all the death, hope remains a core tenant of this series, and meaningful sacrifices stand out amidst the ingeniously captured short character interactions and insane power combinations on display. Like a child's sandbox of superhero and villain action figures, yet against a backdrop of bloody, dread-inducing darkness and with the elevated storytelling of an adult who has been through too much. A surprising gem in the DC canon that does justice to all, especially the super and bat-families.
A sweeping epic across the stars of the DC Universe that finally concludes this DCeased saga. Somehow, despite all the death, hope remains a core tenant of this series, and meaningful sacrifices stand out amidst the ingeniously captured short character interactions and insane power combinations on display. Like a child's sandbox of superhero and villain action figures, yet against a backdrop of bloody, dread-inducing darkness and with the elevated storytelling of an adult who has been through too much. A surprising gem in the DC canon that does justice to all, especially the super and bat-families.
Book Club book of May 2026!
A single drop of water travels from Babylonian times to 1800s London and then to the river Tigris in 2014 before returning to the Thames in 2018. The first location is featured only in a prologue-like sequence but the bulk of the story rotates between the 3 latter places and perspectives in King Arthur of the Slums and Sewers, a young Yazidi slowly going deaf with a storytelling grandmother Narin, and a hydrologist Zaleekhah who is on the edge of leaving a comfortable life. The way all three storylines intertwine and connect was enjoyable, though I felt it either could have been stripped back or taken further - I wasn't quite satisfied with where they landed. I also would have loved more page time given to the ancient setting, but Nineveh is a place that connects all three storylines and the rivers our characters live on.
The writing was beautiful, and the first half full of promise and adventure. Arthur's storyline is the standout, a truly epic tale from beginning to end, and I learnt a lot about Yazidi culture and recent Middle East political struggles through Narin. Her grandmother in particular was an irritatingly fun character. There are emotional moments and this is a book that is ambitious in its approach. The range of diverse historical and social issues covered meant I learnt a lot across this read. But at the centre of it all was water, and there were poetic lines and moments related to this important and too often overseen element of the world around us.
What chance does such a sweet, innocent being have in a world full of sin, sorrow and suffering?
'This is what happens when you love someone - you carry their face behind your eyelifs, and their whispers in your ears, so that even in deep sleep, years later, you can still see and hear them in your dreams.'
While it is true that the body is mortal, the soul is a perennial traveller - not unlike a drop of water.
There are extraordinary people who appear unexpectedly on our paths, and, just as suddenly, they disappear, leaving their indelible marks and a sense of regret. Brief and bright, like a match striking a flame in the dark, they heat the damp kindling of our hearts and then they are gone.
For a moment it feels as if they are sitting around a sparkling, popping fire in the open air, the wind laced with smoke and words, held together by a common thread of narrative. It feels ancient somehow.
"You are tiny, the fire is massive, what do you think you'll achieve with your itty-bitty water?" But the frog said, "If I were to do nothing, would I be any different from you?" Now that was a wise frog...
Book Club book of May 2026!
A single drop of water travels from Babylonian times to 1800s London and then to the river Tigris in 2014 before returning to the Thames in 2018. The first location is featured only in a prologue-like sequence but the bulk of the story rotates between the 3 latter places and perspectives in King Arthur of the Slums and Sewers, a young Yazidi slowly going deaf with a storytelling grandmother Narin, and a hydrologist Zaleekhah who is on the edge of leaving a comfortable life. The way all three storylines intertwine and connect was enjoyable, though I felt it either could have been stripped back or taken further - I wasn't quite satisfied with where they landed. I also would have loved more page time given to the ancient setting, but Nineveh is a place that connects all three storylines and the rivers our characters live on.
The writing was beautiful, and the first half full of promise and adventure. Arthur's storyline is the standout, a truly epic tale from beginning to end, and I learnt a lot about Yazidi culture and recent Middle East political struggles through Narin. Her grandmother in particular was an irritatingly fun character. There are emotional moments and this is a book that is ambitious in its approach. The range of diverse historical and social issues covered meant I learnt a lot across this read. But at the centre of it all was water, and there were poetic lines and moments related to this important and too often overseen element of the world around us.
What chance does such a sweet, innocent being have in a world full of sin, sorrow and suffering?
'This is what happens when you love someone - you carry their face behind your eyelifs, and their whispers in your ears, so that even in deep sleep, years later, you can still see and hear them in your dreams.'
While it is true that the body is mortal, the soul is a perennial traveller - not unlike a drop of water.
There are extraordinary people who appear unexpectedly on our paths, and, just as suddenly, they disappear, leaving their indelible marks and a sense of regret. Brief and bright, like a match striking a flame in the dark, they heat the damp kindling of our hearts and then they are gone.
For a moment it feels as if they are sitting around a sparkling, popping fire in the open air, the wind laced with smoke and words, held together by a common thread of narrative. It feels ancient somehow.
"You are tiny, the fire is massive, what do you think you'll achieve with your itty-bitty water?" But the frog said, "If I were to do nothing, would I be any different from you?" Now that was a wise frog...
