 Monster, Vol. 1: The Perfect Edition
| |
 On Writing and Worldbuilding
| 2021 |
 Lemon
| 2019 |
 The Book of Reykjavik
| 2021 |
 The Good Son
| 2016 |
 More Than One Child: Memoirs of an Illegal Daughter
| |
 Stones of the Jingwei Bird Stones of the Jingwei Bird
| |
 Why Have There Been No Great Women Artists?
| 1971 |
 Five Spice Street
| 1988 |
 A Tale for the Time Being | 2013 |
 Seeing Like a Feminist
| 2012 |
 The Age of Surveillance Capitalism
| |
 Cultural Imperialism: Essays on the Political Economy of Cultural Domination | 2005 |
 Iron Widow
| 2021 |
 The Lighthouse Witches
| 2021 |
 Future Ethics
| 2018 |
 Pintaremontti
| 2020 |
 Vespertine
| 2021 |
 Sister Outsider
| 1984 |
 I Am a Cat
| 1905 |
 An I-Novel
| 1995 |
 Leftover Women: The Resurgence of Gender Inequality in China
| 2014 |
 Broken Silence Broken Silence: Voices of Japanese Feminism
| 1997 |
 Loiste
| |
 Pirate Queens: Dauntless Women Who Dared to Rule the High Seas
| 2022 |
 Transforming Japan: How Feminism and Diversity Are Making a Difference | 2011 |
 New Modern Chinese Women and Gender Politics: The Centennial of the End of the Qing Dynasty | 2014 |
 Prelude
| 1918 |
 Chandrabati's Ramayan
| |
 The Declaration of the Rights of Women
| 1791 |
 The Decagon House Murders
| 1987 |
 How We Fall Apart
| 2021 |
 The Honjin Murders
| 2021 |
 彼岸花が咲く島
| 2021 |
 Diary of a madman and other stories
| 1926 |
 破局 破局
| |
 The Magical Language of Others
| 2020 |
 Braised Pork
| 2020 |
 Everyone on the Moon Is Essential Personnel
| 2020 |
 Remembrance
| 2020 |
 Deep Wheel Orcadia
| 2021 |
 El Festival de los Dragones de Té
| 2019 |
 Touring the Land of the Dead
| 2012 |
 Nine Bar Blues
| 2020 |
 The Makioka Sisters
| 1948 |
 Gideon the Ninth
| 2019 |
 Rethinking Japanese Feminisms | |
 My Brother's Husband, Volume 1
| 2015 |
 Their Eyes Were Watching God
| 1937 |
 The Tea Dragon Society
| 2017 |
 Redemptor
| 2021 |
 Bloom
| 2019 |
 The Beast Player
| 2006 |
 A Vindication of the Rights of Woman
| 1792 |
 The Memoirs of a Polar Bear
| 2016 |
 Sin Eater
| 2020 |
 The Goddess Chronicle
| 2008 |
 The Mercies
| 2020 |
 A Lesson in Vengeance
| 2021 |
 Man Into Woman Man Into Woman: The First Sex Change
| |
 The Feminine Mystique
| 1963 |
 The Rape of Nanking
| 1997 |
 The Sacred Hoop
| 1986 |
 Paul Takes the Form of a Mortal Girl
| 2017 |
 The Other Bennet Sister
| 2020 |
 The Birth of Chinese Feminism: Essential Texts in Transnational Theory
| 2013 |
 I Know Why the Caged Bird Sings
| 1969 |
 Severance
| 2018 |
 The Nature of Witches
| 2021 |
 The Well of Loneliness
| 1928 |
 The Warehouse
| 2019 |
 A Thousand Ships
| 2019 |
 The Woman Warrior
| 1976 |
 Persepolis: The Story of a Childhood
| 2000 |
 Beauty and Misogyny: Harmful Cultural Practices in the West
| |
 Ain't I a Woman
| 1981 |
 Factory Girls: From Village to City in a Changing China
| 2008 |
 The Awakening
| 1899 |
 Know My Name: A Memoir
| 2019 |
 The Bluest Eye
| 1970 |
 Love in a fallen city
| 1943 |
 The Silence of the Girls
| 2018 |
 These Violent Delights
| 2020 |
 Maagista ajattelua
| 2004 |
 We Are Okay
| 2017 |
 The Jasmine Throne
| 2021 |
 Taivaanpallo
| 2018 |
 Expectation
| 2019 |
 In Her Footsteps
| |
 The Reluctant Empress
| 1982 |
 The Mother Wound
| |
 Sisi
| 2005 |
 The lonely empress
| 2000 |
 How We Disappeared
| 2019 |
 One Hundred Shadows
| 2010 |
 Where the Stars Rise
| 2017 |
Chinese Myths and Folk Tales Chinese Myths and Folk Tales | 2020 |
 The Pine Islands
| 2017 |
 Jade Legacy
| 2021 |
 しんせかい
| 2016 |