2020 | 4.54 | |
2020 | 3.54 | |
2021 | 0 | |
2020 | 3.5 | |
2014 | 4.29 | |
2020 | 4.8 | |
2020 | 4.06 | |
2020 | 3.93 | |
2020 | 4.64 | |
2020 | 3.85 | |
2020 | 3.63 | |
2020 | 4.33 | |
2020 | 3.97 | |
2020 | 4.2 | |
2020 | 4.3 | |
2019 | 4.24 | |
2020 | 3.28 | |
2020 | 4.07 | |
2020 | 4.16 | |
2020 | 4 | |
2020 | 3.81 | |
2020 | 4.14 | |
2020 | 4.28 | |
2020 | 3.21 | |
2018 | 4.54 | |
2020 | 4.5 | |
2020 | 4.5 | |
2020 | 4.08 | |
2020 | 4.17 | |
2020 | 4.05 | |
2020 | 3.75 | |
2020 | 4 | |
2019 | 4 | |
2016 | 4.5 | |
Country Stories of Ghosts and Bad Men Country Stories of Ghosts and Bad Men
| 0 | |
2019 | 3.98 | |
2020 | 3.82 | |
2014 | 3.56 | |
2018 | 3.78 | |
2020 | 3.75 | |
2018 | 4.11 | |
Women in Concrete Poetry 1959â "1979 Women in Concrete Poetry 1959â "1979
| 0 | |
2020 | 4 | |
Dangerous Spirits Dangerous Spirits: The Windigo in Myth and History
| 0 | |
2018 | 4.39 | |
1989 | 0 | |
1913 | 3.8 | |
2010 | 0 | |
The Virgin of Flames The Virgin of Flames
| 0 | |
2020 | 0 | |
2020 | 4 | |
2020 | 3.27 | |
2020 | 4.38 | |
2020 | 3.63 | |
2020 | 3.3 | |
2020 | 3.31 | |
2020 | 3.41 | |
1980 | 5 | |
Healing Resistance Healing Resistance: A Radically Different Response to Harm
| 0 | |
2019 | 4.43 | |
2020 | 4.24 | |
2017 | 3.93 | |
2002 | 3 | |
1961 | 4.57 | |
2008 | 4.08 | |
2018 | 4 | |
The Way to Cook The Way to Cook
| 5 | |
0 | ||
2018 | 3.92 | |
3.22 | ||
2020 | 3.98 | |
2020 | 3.9 | |
2018 | 4.5 | |
2020 | 4.22 | |
2011 | 3.56 | |
2020 | 3.8 | |
2020 | 3.25 | |
2019 | 3.33 | |
Switched on Pop Switched on Pop: How Popular Music Works, and Why It Matters
| 0 | |
2011 | 3.87 | |
2018 | 5 | |
2019 | 3 | |
2019 | 3.81 | |
2015 | 4.57 | |
Pie School Pie School: Lessons in Fruit, Flour, and Butter
| 0 | |
2020 | 3.67 | |
2017 | 5 | |
2020 | 4 | |
2018 | 3.5 | |
2018 | 4.5 | |
2019 | 3.96 | |
2019 | 4 | |
2019 | 2.77 | |
2019 | 3.75 | |
2019 | 3.93 | |
2019 | 3.97 | |
2019 | 3.48 | |
2019 | 3.6 | |
2019 | 4.25 | |
2019 | 4.23 |