A History of 'Consonance' and 'Dissonance' A History of 'Consonance' and 'Dissonance'
| 0 |
4 | |
5 | |
4.5 | |
The Music of Black Americans The Music of Black Americans: A History
| 0 |
4 | |
4 | |
0 | |
3 | |
4 | |
0 | |
4 | |
4.06 | |
The Power of Black Music The Power of Black Music: Interpreting Its History from Africa to the United States
| 0 |
3.25 | |
0 | |
5 | |
0 | |
3.48 | |
3 | |
0 | |
0 | |
0 | |
3.72 | |
3.48 | |
4.13 | |
4.02 | |
3 | |
5 | |
0 | |
0 | |
4.47 | |
3.93 | |
5 | |
4.39 | |
3.83 | |
3.83 | |
3.76 | |
4.31 | |
4.5 | |
3.75 | |
0 | |
4 | |
0 | |
3.6 | |
4 | |
0 | |
Morning Glory Morning Glory: A Biography of Mary Lou Williams
| 0 |
0 | |
3.86 | |
0 | |
0 | |
4.5 | |
0 | |
3.8 | |
3.25 | |
3.9 | |
5 | |
4.25 | |
4.07 | |
0 | |
3.21 | |
3.83 | |
3.84 | |
4.09 | |
Becoming Beauvoir Becoming Beauvoir: A Life
| 0 |
Always, Rachel Always, Rachel: The Letters of Rachel Carson and Dorothy Freeman 1952-64-The Story of a Remarkable Friendship
| 0 |
4.08 | |
The Barbizon The Barbizon: The Hotel That Set Women Free
| 3.5 |
4.2 | |
0 | |
3.8 | |
4.19 | |
4.16 | |
3.61 | |
3.65 | |
Counterpoint Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century
| 0 |
4 | |
4 | |
Counterpoint Applied in the Invention, Fugue, Canon and Other Polyphonic Forms Counterpoint Applied in the Invention, Fugue, Canon and Other Polyphonic Forms: An Exhaustive Treatise On the Structural and Formal Details of the ... Use of General and Special Students of Music
| 0 |
4.15 | |
0 | |
4.44 | |
4.24 | |
0 | |
4.3 | |
0 | |
4.28 | |
4.36 | |
4.22 | |
4.41 | |
3.9 | |
3.94 | |
3.94 | |
0 | |
0 | |
4.14 | |
4.5 | |
5 | |
4 |