altlovesbooks

A hot guy dupes three different girls in three different states into dinner, drinks, and a roofie. You can see where this is going. The girls are murdered, but instead of that being the end of the story, the three girls each end up in an undead limbo, able to see the world around them but unable to interact (for the most part). They're able to follow their murderer around, see his home life, and how their families are coping with their disappearances. As the murderer hops states and kills again, the three girls end up coming together and trying to see this guy brought to justice.

I want to say up front that I really liked this concept of the ghosts of his victims following him around and vaguely annoying him with their limited powers. It's a unique POV, where we get to see the murderer living his life and also the investigations going on at the same time. What I'm less sold on, though, was the girls themselves. All three read very similarly and had vaguely generic names, so it was hard to keep them straight, particularly when all three are brought together near the end. And while I really don't know the extent of ghost powers, whatever they can do to interact with the world seems to conveniently get more powerful exactly when it needs to without a lot of handwavy explanation.

But it was really a sad story for the three girls. I really did enjoy the story, even if I didn't like how similar the three girls felt. If you like the whole "I am a ghost" POV, I read a book earlier this year that I really enjoyed along those same lines. Check out In an Instant by Suzanne Redfearne.

"Piano keys. The ivory spine of the Arctic."

Because I read so many Arctic expedition books, I'm uniquely interested in any book that references this area of the world. So imagine my surprise when I was halfheartedly browsing NetGalley and found a fiction book about a homesteading family in the Arctic making a living by selling piano parts, a quirky concept right my my wheelhouse. I wasn't quite sure what I was getting into, especially since generational family dramas aren't usually my cup of tea, but I came away from this book incredibly impressed with what I read.

The Spahr family has been homesteading off the grid in the Arctic since their ancestor, Moose, was dragged there reluctantly by his father wanting a better (read: more independent) life for them. At the time, cheap, productive land was promised to anyone willing to make the journey to claim it--provided you're willing to lug an upright piano along. The thinking was a piano meant civility, creativity, a mark of worth, so any family wanting to make this journey to create what was envisioned as an artistic community of like-minded people needed to purchase one and bring it along. So part of this book covers Moose, his family, and the others in their caravan north, and his trials along the way. The other part of this book centers around Milda, Finlay, Temperance, and their parents, descendants of Moose, scratching out a living from Jubilation House, their shelter in the Arctic. While they make a meagre living from what they harvest (octopus, kelp, various plants), What really sets their family on its fateful trajectory is the discovery of a discarded piano. The bulk of this book covers the various family members and how they approach this new industry of the Arctic, the reclamation of piano parts.

I'm gonna save you a Google, because the concept of the book was just plausible enough to make me wonder if the lugging of a piano to the Arctic was an actual thing in history. It is not, as best I can tell.

I don't normally get fully into generational dramas, but something about the Spahr family really had me interested to see how the family ended up. This story is told through chapters involving Moose (the Spahrs' ancestor), and then chapters involving various POVs from the Spahrs and (later) other families that survived. Moose's story is told fragmentally, so you don't get his conclusion until the end of the book, but I appreciated seeing various "clues" along the way from later on.

I got really invested in Milda and Finlay specifically, because (mild character motivations here) Milda never seemed to really enjoy her time at Jubilation house, yet stuck around out of a sense of familial obligation it seemed. I simultaneously wanted her to follow her dreams and leave, and also also wanted the family to stick together. Finlay was all-in on Arctic life though, and I felt like Milda stuck around to make sure he was safe. I liked Moose's POV as well, as we get to know the various families that play a part later in the book. I felt really bad for him, swept up as he was by a father who thought he knew best. I wasn't quite as in love with the later POVs, they felt not quite as established as the Spahrs, but I appreciated that they carried the story along to its end and had a purpose.

Really enjoyed this book. Tugs at the heartstrings something terrible as it goes along (MAJOR PLOT SPOILER: Finlay's death gutted me in particular), well written, just a unique story I wasn't sure what to expect going in.

Thanks to NetGalley and the publisher for providing me a free eBook in exchange for an honest review.

For a book involving Tiffany glass, I expected a bit more description and inclusion of the actual glass than what I got. Something that artistic and colorful felt like it needed more than a few cursory lines in a book that I ultimately was disappointed in.

Emilie Pascal flees to America, running from a past in France where her father is accused of art forgery. Determined to get a job designing Tiffany glass works, she produces a (forged) letter of recommendation and a portfolio (real) and manages to land the job of her dreams. There on the floor of the all female division of Tiffany's, Emilie creates art according to Mr. Tiffany's exacting standards, ultimately creating a four panel work depicting the four seasons that ultimately brings her back to Paris and back into the world she fled.

I went into this book expecting more historical fiction about the glass work and conditions and design process than I ended up getting. Aside from Emilie, we're also introduced to other characters in the book, but aside from Grace, Emilie's roommate, the others didn't really feel We also get other stories from the other girls here too, but other than Grace, Emilie's roommate, the others felt tacked on and not very well fleshed out. There's also a lot of romance and girls pairing off with guys that are brought into the story at convenient points, which seemed at odds with the "men are the problem" tone the author sets along the way.

Not the best historical fiction book I've read, I think we needed either fewer, more fleshed out characters, or an overall plot to follow all the way through to keep my interest up.

I grew up in Michigan around hunters and fishermen, and was aware that different fish are attracted to different lures. Tackle boxes are full of pretty colors. What I was not aware of was that, a) apparently fly lures used to be tied using incredibly exotic feathers because of some woo-woo science that said fish care about that sort of thing, and b) that there's an entire hobby community built around tying these flies, and who don't actually use them at all. The world truly is a diverse place.

Enter Edwin Rist, flutist and fly tyer (a word I promise is spelled correctly because I looked it up) from a young age. He earned a name within the fly tying community, became incredibly obsessed with this little segment of his world, and....robbed a museum of most of its rare bird collection, almost 300 in total. Rather than actually using them in his hobby, he ended up selling them both piecemeal and as whole birds, making a ton of money, and eventually getting caught. The author here tells Edwin Rist's story after hearing about this crazy crime, and then takes things a step further by trying to track down the missing birds.

You can't get much more niche than a true crime book involving exotic feathers and an unknown hobbyist community. No people were harmed in this book (but a heck of a lot of bird carcasses are denuded), so if you're looking for a great true crime book not about murder, this may be your jam. I was really into this book about Edwin Rist and the fallout from his crime. I won't spoil anything here, but there's quite an interesting twist as the book progresses beyond the trial, something I wasn't expecting in a true crime book where I'm more used to the story being played straight by the author.

Really interesting book, fits snugly into my 5 star favorite books on incredibly niche topics.