The first half of this was on par with the first two books, even though Pip's insistence on "being fine" was just frustrating. Go to the effing doctor you idiot.
Then the last half, even the last two hours, happened and everything fell apart. There was potential for a good ending, and while I have to give Jackson points for not taking the expected route she will not get any for what she did instead. It was cringe, overly dramatic and just plain selfishness under the pretence of self-sacrifice. Was that on purpose? Was I supposed to hate Pip by the end of it all? I don't know, but I sure did!
It really feels like the author had the first two part planned very well, and then the last one was done in a hurry. There were points in the beginning, such as Josh casually mentioning a man who's watching the house???, that felt like they were put in to have meaning later in the book, but just never did. What's the point of giving someone a new character trait if it's not actually used in the plot?
There was also WAY too many conveniently empty streets. I don't know about the small towns you all lived in, but I grew up in a tiny one and there's NO WAY all that could happen without someone seeing something.
That ending made me mad, how dare you Holly Jackson.
The first half of this was on par with the first two books, even though Pip's insistence on "being fine" was just frustrating. Go to the effing doctor you idiot.
Then the last half, even the last two hours, happened and everything fell apart. There was potential for a good ending, and while I have to give Jackson points for not taking the expected route she will not get any for what she did instead. It was cringe, overly dramatic and just plain selfishness under the pretence of self-sacrifice. Was that on purpose? Was I supposed to hate Pip by the end of it all? I don't know, but I sure did!
It really feels like the author had the first two part planned very well, and then the last one was done in a hurry. There were points in the beginning, such as Josh casually mentioning a man who's watching the house???, that felt like they were put in to have meaning later in the book, but just never did. What's the point of giving someone a new character trait if it's not actually used in the plot?
There was also WAY too many conveniently empty streets. I don't know about the small towns you all lived in, but I grew up in a tiny one and there's NO WAY all that could happen without someone seeing something.
That ending made me mad, how dare you Holly Jackson.