| 3.98 | - |
| 4.17 | - |
| 3.04 | - |
| 4.04 | - |
| 3.54 | - |
Reentry: SpaceX, Elon Musk, and the Reusable Rockets that Launched a Second Space Age | 0 | - |
The Shadow of the Torturer | 3.64 | - |
Drive Your Plow Over the Bones of the Dead - Olga Tokarczuk
- Antonia Lloyd-Jones (Translator)
| 3.79 | - |
| 4.12 | - |
| 4.43 | - |
| 4.04 | - |
| 4.61 | - |
The Picture of Dorian Grey | 4.08 | - |
| 0 | - |
| 4.26 | - |
| 3.93 | 3 |
| 4.17 | - |
Remarkably Bright Creatures | 4.15 | - |
Everyone Who Is Gone Is Here: The United States, Central America, and the Making of a Crisis | 4 | - |
| 4.29 | - |
Maus II: A Survivor's Tale: And Here My Troubles Began | 4.57 | - |
| 4.28 | - |
Not the End of the World: How We Can Be the First Generation to Build a Sustainable Planet | 4.4 | - |
| 3.94 | - |
The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession | 4.01 | - |
| 3.83 | - |
| 4.32 | - |
My Brilliant Friend - Elena Ferrante
- Ann Goldstein (Translator)
| 4.06 | - |
| 3.88 | - |
| 4.32 | - |
The Count of Monte Cristo | 4.27 | - |
| 3.78 | - |
Stories of Your Life and Others | 4.27 | - |
| 4.44 | - |
| 4.66 | 5 |
Anxious People - Fredrik Backman
- Neil Smith (Translator)
| 4.24 | 4 |
| 4.07 | - |
| 3.93 | 4 |
| 3.25 | - |
| 4.43 | 3 |
The Left Hand of Darkness | 4.08 | - |
Do Androids Dream of Electric Sheep? | 3.96 | - |
| 3.33 | - |
Tracers in the Dark: The Global Hunt for the Crime Lords of Cryptocurrency | 5 | - |
| 5 | - |
| 4.26 | - |
| 3.94 | - |
| 4.11 | 3 |
| 4 | - |
| 3.66 | - |
Hothouse - Brian W. Aldiss
- Matilde Horne (Translator)
| 3.83 | - |
Death at La Fenice - Donna Leon
- William Olivier Desmond (Translator)
| 3.85 | - |
Roadside Picnic - Arkady Strugatsky
- Boris Strugatsky
| 4.03 | - |
| 4.07 | 4 |
The Three-Body Problem - Cixin Liu
- Ken Liu (Translator)
| 3.91 | - |
Solaris - Stanisław Lem
- Bill Johnston (Translator)
| 3.75 | - |
| 4.16 | - |
| 3 | - |
| 4.29 | 4 |
| 3.63 | - |
The Times: How the Newspaper of Record Survived Scandal, Scorn, and the Transformation of Journalism | 5 | 4 |
| 3.92 | 4 |
The Wager: A Tale of Shipwreck, Mutiny and Murder | 4.12 | 4 |
| 3.5 | 4 |
Tales of the Upper Mojave Desert and the Eastern Sierras | 0 | 5 |
| 4 | - |
| 3.92 | 4 |
The Kaiju Preservation Society | 3.94 | 4 |
| 2.5 | - |
| 4.15 | 4 |
| 4.28 | - |
| 4.44 | - |
| 3.57 | - |
Dopamine Nation: Finding Balance in the Age of Indulgence | 3.32 | - |
| 3.79 | - |
Killing Floor - Lee Child
- Marie Rahn (Translator)
| 3.7 | - |
| 3.33 | - |
| 4.74 | - |
| 3.52 | 3 |
| 4.02 | - |
Typeset in the Future: Typography and Design in Science Fiction Movies | 5 | - |
| 4 | - |
| 3.48 | - |
| 3.79 | - |
| 3.4 | - |
The Last Thing He Told Me | 3.45 | - |
| 4.62 | - |
| 4.09 | - |
| 3.73 | - |
| 4.22 | - |
| 3.92 | - |
One Hundred Years of Solitude - Gabriel García Márquez
- Gregory Rabassa (Translator)
| 4.09 | - |
| 4.28 | - |
| 3.75 | - |
| 3.94 | - |
| 3.62 | - |
All the Light We Cannot See | 4.21 | 5 |
Harry Potter and the Sorcerer's Stone | 4.29 | - |
| 4.14 | - |
| 4.06 | - |