Brittanie

4.5 stars

This was a very fun read and an impressive book if the author's afterword story is true (having written it over years and nearly stopping multiple times and it being a debut).

The characters are established well right out the gate with distinct voices, which is something I've been struggling to find in books lately. They are all a little on the snarky side (note: lots of cursing and being vicious-out-of-love) which is probably just the own author's personality coming through, but it's in line with my own self so I enjoyed it. There are a lot of literal laugh out loud moments which, along with the more-explicit-than-expected sex scenes, made this is hard (ha) read on the morning commute.

Dick jokes aside, I thoroughly enjoyed this book... the only issues I had with it are: all the politico but that's just me. I find that all endlessly boring and couldn't give a toss, so when the book goes into detail, my eyes started to cross a little. I also rolled my eyes a bit at the forced diversity. It seemed just so... aggressively millennial/Tumblr in parts. It's hard to explain without sounding like a complete asshole but if you agree, you'll know what I mean. Hashtag elder millenial problems.

What I liked most about the book was the action scenes which were very well written as well as the world building and mystery plot. It was a very well plotted novel, the only issues I had were with the characters.
Initially it was pretty difficult to get past Jainan's personality and inner dialogue. He's obviously a product of 5 years of emotional and possibly even sexual abuse but over 300 pages of him jumping at each little thing or totally shutting down was frustrating. He shows no initiative to speak about his issues; he is very meek and nervous, but instead of voicing concerns or fighting for himself, he just shuts down. Nearly everything we learn about his past as the reader is from Kiem finding out from 3rd parties or guessing so not totally reliable. I personally have a hard time with empathy so instead of making the character more realistic and making me sympathize with him, I quickly got to the point that I wanted to tell him to go to therapy or get over it. Many of his issues, besides the physical from Taam which aren't known to the reader after 100s of pages in, seemed to stem simply from misunderstanding or assumptions or simply a lack of confidence on Jainan's part and that's really what made it so hard to understand.
I did start to like him more in the latter half of the book when his abuses weren't a big mystery and he started to get more comfortable around and with Kiem, plus his interactions with the other characters.
Kiem himself is a lot more straightforward and he was immensely patient and accommodating to Jainan with little to no feedback. When they finally do show intimacy, it seems almost like a Stockholm Syndrome reaction than genuine attraction and was pretty unexpected at that point.

Overall, a good study in world building and interesting scifi tech, but not really a book I'd recommend unless you have a very empathetic personality.

This is literally a song of Achilles, all from the point of view of a doting, soft Patroclus - Achilles' childhood friend then lover. He waxes poetic about Achilles throughout the book and it gets a little grating, especially because it's all in his narration and he never actually says these things to Achilles himself.

Patroclus life is hard from the jump with a hateful father and a distant, insane mother (described constantly as simple or stupid). After he accidentally kills a nobleman's son over some dice he was given, he is sent into exile to Achilles' father's palace. The reason he ends up here is a little confusing if you don't already know the details of the legend, but it saves him in many ways. Achilles is quick to make a friend of Patroclus, probably out of curiosity as Patroclus is a very quite, broken child, reeling still from the accidental murder. Only after a few years and they're best friends does Patroclus risk a kiss on Achilles, but Achilles has gay panic and runs off - and, while they remain friends, they never speak of it. It's not until they're 16 and off training in the mountains with the ancient centaur Chiron that they finally come together as lovers. Achilles' demi-god/sea nymph mother Thetis is constantly meddling in their lives, thinking she's saving Achilles from his fate. She's described as something like the mermaids in Harry Potter and Patroclus is understandably afraid of her. It's her fault that Achilles' ends up in another kingdom, disguised as a dancing girl. There's a time jump here between them on the mountain and then Patroclus finding Achilles in this situation and I missed the why's and how's, but it's mostly Thetis' meddling. They're still found by the Greek generals and forced into service after Helen is "kidnapped." The middle of the book is mostly spent on ships or camping trying to get to Troy to fight and is honestly Boring. I don't think I would have kept going if I was reading this myself and not half-listening to the audiobook while working.Now, if you're like me and most of your knowledge of this comes from the 2004 Hollywood film "Troy" then this is where you'll start to recognize things - only it's from Patroclus' (Garret Hedlund's) POV so you see more of what Agamemnon and Achilles and the Spartans, etc. were up to outside the walls of Troy instead of the Trojans' side of things. The story of Troy with Paris, Hector, and Helen is actually pretty boring to me, because it's just a bunch of stupid adults acting like children and the gods putting their hand in things they shouldn't give two shits about, but seeing the other side kept me a little more engaged. The only issue is that since it's from Patroclus' POV who doesn't really fight until they breach Troy so you have to get through him being a camp wife for way too many chapters. He makes friends with the stolen Trojan women and doesn't do much else. At this point, I wish the book switches between Achilles' and Patroclus' POVs so we could get a little more action and see what's going on during the battle but alas. In the first battle of Troy, Patroclus has enough time to stare at the glistening, straining muscles of his boyfriend killing Trojans with a spear instead of doing any actual fighting himself. This is where the title of the book really lives up to itself and it gets a little nauseating. After this, instead of fighting, Patroclus is sent to the medical tent and it's interesting to hear how battle wounds may have been treated in these times. He was taught by Chiron in herbal medicine as well as fighting during his time in the mountains so this serves him here. This becomes his role in the camp as the years go on. Besides this brief stint in a single chapter, there's a whole lot of sitting around though. I guess that's why the war goes on for 10 years.It's at this point that you realise there's still a whole quarter of the book left and you despair.Almost everything after that point is politics and Achilles being a big baby guided by revenge until he's finally dead himself. The last quarter of the book is still from the now-dead Patroclus' POV but he's this floating spirit waiting for Achilles and then who's left to bury him, watching everything happen around him, only able to talk to demi-humans like Thetis. This is "canon" from the original Iliad but after over 7 hours of the book, I was ready to give up the ghost (pun intended).

Overall, I definitely wouldn't have finished this book if I had been reading it on my own. It's like a really dense high fantasy novel. The best parts are the small moments of interaction between our two main characters but those are only sprinkled in-between long bouts of battle and politics. This is a book that doesn't really fit into one genre - it's a romance, a military epic, high fantasy, and a coming-of-age tale at different moments. It's also ridiculously long and since I already knew the basic plot and how it ends, I was pretty bored through whole chapters. I'm not big on Greek mythos and that's kind of required. But it's definitely well written and Miller obviously knows her stuff (she has a MA in classics so yeah) so it will surely please people interested in all of that, as attested by the high rating and awards.

I listened to the Audible version narrated by Frazer Douglas. I'm pretty picky with voices which is why I don't really get through audiobooks easily but Douglas' voice was very nice and engaging. Note that there are graphic and sexually explicit scenes, both M/M and F/M, so not one you'd really want to listen to while in the office.

Again completely ignore the pitch line because it has very little to do with either Red White & Royal Blue or Jonathan Strange and Mr. Norrell besides the fact that it has gays and magic in Britain. It seems that more and more people are starting to read mm romance for the first time and publishers are struggling with comparisons. If Red White & Royal Blue was your first foray into mm, welcome and let me tell you about the 100 plus other books you need to read.

Anyway. This book is delicious and if you're into the aforementioned gays, magic, and Britain, you'll definitely enjoy this. It does start a bit slow and the romance is also a slow burn but I think it's worth it.

Sir Robin Blythe is, thanks to typical Edwardian bureaucracy and nepotism, shoved into a civil service (government) job that he has no qualifications for by someone who knows someone he knows when his predecessor vanishes without a trace. On his first day, a pompous and insufferable Edwin Courcey waltzes into his office and open's Robin's eyes to a world beyond the one he's known his whole life - one of magic. Unfortunately, this also opens up Robin to the dangers of that world and the reason the position was open in the first place.
I enjoyed the unique fact of how the mages in this book summon their powers (including Courcey's little handicap) and how it's a little more believable than, say, elemental magic. Marske also includes the historical prejudices of the era like how women aren't taught to harness their powers and/or are simply not expected to be as powerful as their male counterparts. There's also a bit of racism and classism as well as Harry Potter's magic vs. muggle bias showing their ugly faces here. Though, interestingly, no mention of The War that I can remember. Maybe in book 2.
Murder, mystery, mayhem, and magic bubble together into what's quite a fun ride. Throw in some spicy romance with a hint of enemies-to-lovers and it's just perfect.