I don't know. Not really all that relevatory - is anyone shocked that there's a “wedding industry” or that companies try to make money off of major life events? This is pretty obviously a pre-crash history as well; I'd like to see something about the rise of the DIY Pinterest wedding. The most directly relevant part was the epilogue, when she actually talked to real brides about why they did things and what weddings meant to them. I'm not a Bridezilla (good takedown of that term, btw), but I'm not a sheep, either, and I don't know that this book gives people enough credit for making their own choices.
This book built up some pretty high stakes ... and then took them all away. Sam's crisis of faith didn't feel that authentic to me, either. I could easily have read an entire book about just her family situation, but these other plots made it feel both overstuffed and somehow too slow? I don't know.
“I engineered a monster, cloned its brain from a human psychic, sent it to New York, and killed half of the city.” Really.
I can appreciate the work here and what a big deal it was for comics 30 years ago, but now ... meh. And the whole falling in love with someone who TRIED TO RAPE YOU thing? I know it's not the first or last time that trope will be used, but it's disgusting every time. Could've done without the excerpts from the pirate horror comic as well. Again, this is well done and definitely a comic landmark but it just left me cold.