I had been looking forward to this book for several months, and it arrived just in time for Pride, and it DID NOT DISAPPOINT. It is very much an adult romance, complete with sex scenes. They are not the focus of the story, but they're definitely not skimped on, either!
Red, White, and Royal Blue takes the bisexual son of the (female!) US President and pits him against the closeted (at order of his grandmother) gay youngest prince of England. After they make a scene at an international event (oh, enemies-to-lovers trope, how I love thee!) the two boys are ordered to make nice, and make it look like their scene was just friendly rough-housing that got out of hand. As typical for enemies-to-lovers, once they're forced to spend time together, they each start to realize the other isn't all that bad.
I loved so much about this book. I loved Alex and Henry. I loved the side characters. I loved the formatting when the author includes email and text chains between characters. I loved that the boys start quoting real historical queer letters to each other.
I mean, with sentences like “Henry lets Alex take him apart with painstaking patience and precision, moans the name of God so many times that the room feels consecrated.” How do you NOT fall in love with this book? Just - wow.
I could totally see the author writing stories for the rest of “The Trio” - the president and vice president's kids/grandkids (Alex's sister, June, and their best friend, Nora.) But this book stands just fine completely on its own.
This book ranks right up there with The Priory of the Orange Tree, and that's one of my new all-time favorites. So yeah. Absolutely fantastic romance.
You can find all my reviews and more at Goddess in the Stacks.
Okay first, just gaze at that cover for a little while. Just - wow. We get dragon riders all the time, but phoenix riders? That is new. AND AWESOME. I have been ridiculously excited about this book, and then I received it just as we were really gearing up to move. I have FINALLY gotten around to it, and man. I need the second one now. And it's not due out until 2020!
The book tells the story of Veronyka, a war orphan who wants to be a phoenix rider, like her parents and grandmother. It is mostly told from her viewpoint, but we also get a few chapters from the point of view of Sev, an animage hiding in the Empire's army, Tristan, another phoenix rider, and one or two from Veronyka's sister, Val.
Animages are, as the name implies, mages whose magical power involves talking to animals and making them do their bidding. All phoenix riders are animages; not all animages are phoenix riders. But the empire has outlawed animages anyway, unless they pay a heavy tax. If you're found to have evaded the tax, you get enslaved as a bondservant until you pay off your unpaid taxes. Sev hid his magic and enlisted in the army to keep from being sold as a bondservant.
In between chapters of current events, we have letters and snippets from history books detailing the story of Avalkyra Ashfire, who was the last Rider Queen before the empire turned against the Riders.
The villain in this story is villainous indeed, but at the same time, I don't -want- them to be villainous. I -want- them to be good, and noble, and I can see why they've done what they've done and - I HAVE FEELINGS. I don't LIKE the villain. They're quite unlikable. I kinda feel like Obi Wan here. YOU WERE THE CHOSEN ONE. We all had so much FAITH in you. So it feels like a betrayal. And I just - I want to be wrong. I want the villain to do the right thing in the second book and no longer be a villain, but I don't know how exactly that would happen. I'm holding out hope though.
This book is good. I'm not putting it in my best of 2019 list because I'm so torn on the villain. But it's very good. I am eager to see where the story goes from here.
You can find all my reviews at Goddess in the Stacks.
This is an interesting collection of essays because it's drawn from the author's previous work, so some of the essays are a little...dated. Each essay is preceded by a few paragraphs about it, though, talking about what was going on when Orenstein wrote the essay, or how the subject has changed since the essay was written, so instead of being out-of-touch, it's more like a historical look back in time. Some of the essays even update other essays! In particular, one essay is about her first fight with breast cancer, and beating it, and a second essay is about when the cancer comes back years later. Similarly, there are essays about her issues with infertility and miscarriages, and later about being a mother.
I really enjoyed these articles, especially since I was reading the book while sick, and 3 or 4 page essays were about the limits of my attention span! I could sit down and read one (or two, if I was feeling particularly good) and actually absorb the contents. I tried to read a novel and wound up setting it aside because I couldn't focus! I enjoy keeping anthologies and short story collections in my stack for that reason. Sometimes I just need something I can take in small bits, and this fit the bill nicely.
The essays ranged from profiles of remarkable women (Caitlin Moran, Gloria Steinem, Atsuko Chiba) to essays on the author's personal life, to essays about our educational system, sexism in daily life, and intimate issues like cancer and infertility. It's a wide range of topics, but all dealing with being a woman, and/or having a uterus. There are a couple of essays in the very back about masculinity, but it's mostly a woman-centered book. That doesn't mean men shouldn't read it, quite the opposite! While the book isn't quite as engrossing as some of the other feminist nonfiction I've been reading lately, it's still quite good, and does deal with topics that I don't see discussed often, like breast cancer and IVF, so it might be more interesting to people who have a personal connection to those topics. Well worth reading, though!
You can find all my reviews at Goddess in the Stacks.
This novel got a lot of hype before and after its release - and it deserves it. It has great minority representation, from Persian (and bi-racial!) to Zoroastrian and Baha'i, to clinical depression and male friendship. You could also read gay and/or asexual into it, but that's not explicitly mentioned. Romantic love is just never addressed; perhaps because the story just doesn't involve it, but you could definitely read the main character as ace.
Darius is a great main character. He's funny, self-deprecating, and complex. He has clinical depression, is medicated for it, and can sometimes tell when it's the depression making him think a certain way, but sometimes he can't. He's biracial, visiting Iran and his mother's Persian family for the first time, and adjusting to Persian social norms and traditions while trying not to lose sight of his American life. His connection with his father is tenuous and fraught with miscommunication, and lot of the book is spent wrestling with that relationship. His new friend, Sohrab, is a great foil to that, as his father is completely absent from his life, having been arrested and thrown in jail prior to the start of the story, largely for being in the wrong place at the wrong time, and being part of a minority religion.
There are so many small things touched on this book - suspicion at customs when flying through, bullying at school for being Persian, not speaking his family's language because his mother didn't teach it to him (and feeling cut off because of it) - all little things that a lot of immigrant children deal with.
Aside from the cultural things the book addresses, there's also the mental health aspect. Both Darius and his father have clinical depression, and there's stigma attached to having the diagnosis, and to taking pills for it. We see how their mental states affects their relationship with each other and with the rest of their family, and it's quite powerful. The author talks about having clinical depression in an afterword, and includes some resources that helped him. This is an #ownvoices novel in more ways than one, and it really shows. Excellent book.
You can find all my reviews at Goddess in the Stacks.
I somehow missed that this was a novella, every time I looked at it online. It wasn't until I checked it out from the library and was shocked at how small it was that I made that discovery. It was a welcome one, since I checked out seven other books that day, and finding something short was a relief!
And I AM SO GLAD I finally read this, because it's AMAZING. It opens on Winslow seducing a federal agent, and quickly moves to him gathering up a crew to drive feral hippos out of a marsh in Louisiana. I was expected a fun hippo-cowboy romp, and I got that - what I wasn't expected was strong, deadly women, a bisexual male hero, a nonbinary love interest, and hippo steeds. I don't know why hippo steeds didn't occur to me - it's not like they could wrangle hippos from atop horses! There is so much goodness packed into this little volume.
Taste of Marrow, the sequel, is slightly longer, at 192 pages. Still not full book length. I've put a hold on it, because I need to know more about these characters!
River of Teeth: short and sweet, action-packed with amazing characters and a fascinating, bizarre, but historical premise.
You can find all my reviews at Goddess in the Stacks.
This book should be required reading in schools. Especially now. It could be paired with Anne Frank. One history, one a possible future. Probable, even. Depending on how you look at it, an actual present. We DO have concentration camps on the border. (Which makes me shudder to write, what in the absolute FUCK.)
breathes deeply
Internment is a gut-punch of a book. I had to set it down two pages in and get control of myself, and again around page eleven. I took breaks throughout reading it to do HOUSEWORK, of all things, because I needed the mental and emotional reprieve. And I'm a white woman. I have the privilege of being pretty sure I will never be the target of these kinds of atrocities. Which means I have the responsibility to work against them. I'm also a physically weak, chronic-illness-having, unemployed white woman, (which does have the benefit of letting me keep on eye on my middle-eastern neighbors' houses to watch for ICE showing up - I fully intend to go make myself a damned nuisance if they do) so I can't go storm the camps or march for hours at protests. What I can do is boost books like this.
If you're white, GO READ THIS BOOK. Suck it up and read it. I don't have the same recommendation for my friends of color because they already live with this kind of fear and racism. They don't need it illustrated to them. WE DO.
This book needs content warnings for violence, threats of rape, anxiety-inducing situations, racism, violent death - Samira Ahmed does NOT pull punches. Direct resistance is costly. It takes courage and sacrifice, and she does not shy away from showing that. It would be sugar-coating if she did.
Internment focuses on the idea of America forcing citizens into camps - but we are already forcing non-citizens into camps. The Red Cross visits the camp, not unlike our politicians visiting the immigrant concentration camps on our border now. They have a garden they can work on in the camp - not unlike a pair of photos I saw on Twitter. (see blog for photos.)
Internment is stunning, heartbreaking, and inspiring, and if you're emotionally capable of it, YOU SHOULD READ IT. This is happening, right now, on our southern border. It is infuriating that our politicians have not put a stop to it yet. My own Congressman (I just moved into this area, I haven't had a chance to vote on him yet) just visited the camps, and his Twitter thread on them is SO CAREFUL to use absolutely neutral language when talking about them, and it pisses me off. This is NOT a neutral subject.
Internment did have a few downsides - the Director never gets a name (though the book is told from Layla's viewpoint, and it would not surprise me if he never bothered to GIVE his name to the internees) and he's almost cartoonishly evil. I would have liked to know more about the guard that helped Layla on occasion, but again, told as it was from her viewpoint, it can be excused by saying she simply didn't know more about him. But this IS a Young Adult novel told from a seventeen-year-old's viewpoint. We're only going to get what she knows and feels. So these downsides don't detract from the book for me.
To sum up - I recommend Internment at the highest level. You absolutely must read this book.
You can find all my reviews and more at Goddess in the Stacks.
This book goes in the same category as One Person, No Vote for me. I knew a lot of the general principles, but not the details, the statistics, the true scope of the problem. This book delves deeply into the statistics, but, like One Person, No Vote, is still very readable. I like nonfiction - when the author's voice doesn't bore me to tears. I'm slowly building up a list of nonfiction authors who I enjoy - Mary Roach, Soraya Chemaly, Carol Anderson - interesting that they're all women.
Anyway.
Rage Becomes Her is about women's relationship with anger. How we tamp it down for the men around us, because being angry makes you a target. Having an opinion online usually means getting harassed, stalked, threatened, swatted. We fear to provoke violence, so we don't show our anger. And that's fucked up.
Rage Becomes Her is also about why we are so angry. The rampant sexism and violence against women, the pressures put on us as women, the lopsided assignation of unpaid and underpaid labor.
Rage Becomes Her is about how boys and girls are socialized in regards to anger - it's expected from boys, but girls are socialized not to show it, to be polite, to give way instead of saying NO. (I know I was brought up this way.)
Rage Becomes Her talks about the effect that anger has on our bodies. Did you know research shows that anger is “the single, most salient emotional contributor to pain”? Which leads into a very interesting passage:
Unaddressed anger affects our neurological, hormonal, adrenal, and vascular systems in ways that are still largely ignored in the treatment of pain. It's hard to overstate what this means in terms of women's health.
All over the world, women report much higher rates of both acute and chronic pain than men do. Of the more than one hundred million Americans who report living with daily pain, the vast majority are women. (A comprehensive study involving more than 85,000 respondents in seven developing and ten developed nations found that the prevalence of chronic pain conditions in men was 31 percent but in women it was 45 percent.) (Rage Becomes Her, p. 51)
This is the sequel to Forest of a Thousand Lanterns, and where Forest was about the rise of the Empress - or the evil stepmother from Snow White - this book is solidly about Snow White. Or Jade, in this case. I enjoyed Forest, but Kingdom is spectacular! It's hard to like Xifeng in Forest, where she continually makes the decisions that drag her deeper into the evil god's clutches. Jade, however, is sweet and determined and loyal and good. She is easy to love, and worthy of it. We see a few characters from the first book coming back to help Jade in her quest, and I loved seeing how they had grown in the intervening years.
I do feel like the romantic storyline was kind of shoehorned in. Jade falls in love with no real reason for it. We don't see what's so fantastic about her love interest, he isn't shown as doing anything outstanding, he's just kind of there and the first male person she's spent time with. I get why he fell in love with Jade, Jade is amazing. He's just so bland. So that felt a little odd.
I did enjoy the magic cloak and the quest and the final battle. The scene between Ming and Xifeng at the end was absolutely heartbreaking and made me love Ming even more. He might be my favorite character from both books.
Bottom line, this is an excellent sequel to Forest of a Thousand Lanterns, and I think it's better than the first book. You could probably read it without reading Forest, but some of the reveals won't mean nearly as much, and you'll miss all the background that makes Xifeng so interesting.
You can find all my reviews at Goddess in the Stacks.
Comedic collection of essays about feminism? Yeah, I'm in. I was actually unaware of Erin Gibson prior to this book; she's apparently pretty popular as one of the personalities on a podcast named Throwing Shade. But she's got a way with words, and a sharp undercurrent of anger under the jokes, which happens to be just the way I like my political comedy.
That said, there wasn't really anything new in this book. It's the same ranting I've seen millions of times on Facebook and Twitter and online editorials. I really enjoyed her summary of the annual ob/gyn visit. I just didn't find it all that original.
She's got some amazing chapter titles - “THE TERRIFYING PROSPECT OF MIKE ‘VAGINAS ARE THE DEVIL'S MOUTH FLAPS' PENCE” for example, or “EVERYONE HAS A CHOICE . . . UNLESS YOU'RE A WOMAN AND IT'S BEEN TAKEN AWAY FROM YOU.” She sums up a lot of topics that fledgling feminists might not know many details about, from abortion rights to sexist dress codes to teen abstinence pledges. But for the well-read, politically informed feminist that I try to be, I didn't get much out of this book.
So - funny, yes. Sharp, angry wit, yes. Worth taking up space on my list when I have SO MANY other things to read? Not really.
You can find all my reviews at Goddess in the Stacks.
I've said many times I don't tend to like contemporary fiction, but for all that, I've been reading a decent amount of it. And liking some of it. In trying to read inclusively, I've come across books like this one and Number One Chinese Restaurant. Both books were on my summer TBR/beach read list, but having read them, I'm not sure I'd classify them as such. They are both quite good, though!
Scarlett falls in love and gets pregnant by her boss, the owner of the factory she works in, and he sends her to the US to give birth so their son will have citizenship. Which is a little shady, but I can totally believe it's done among wealthier families. She's one of only two unwed mothers at the secret maternity home in LA - the rest are wealthy wives there to get the same benefits for their children. When one woman goes into labor unexpectedly, Scarlett turns out to be one of the few people in the home that know how to drive, and is charged with driving the laboring mother to the hospital. After dropping her and the head of the house off, she simply drives away in the van.
Her first stop is McDonald's, which is quite believable, from what I understand. (I've never been pregnant myself, but I've seen the cravings of my friends!) On her way back to the van from the restaurant, she finds Daisy, the other unwed mom-to-be, getting out of the van. The two women make peace with each other and wind up heading for San Francisco, where they get an apartment in Chinatown.
In Chinatown, they dodge private investigators, scratch together rent money for the tiny room they share, and take care of each other through delivery and raising their newborns. Daisy was born in the US, but Scarlett lives in fear of being deported.
The book is a fascinating look at the perils immigrants face, and especially immigrant women, who don't always move of their own free will but then have to make the most of their situations while taking care of children and loved ones.
The ending seemed a little too...neat. I actually liked the way things were going before the last couple of chapters, even if the way it ends is a happier ending for the two women. I still enjoyed it, but I think it would have been more interesting to end the book in a slightly different way. That's about all I can say without spoiling things!
You can find all my reviews at Goddess in the Stacks.
I already knew a lot of the basics of voter suppression before picking up this book - the closing of polling centers, limiting early voting, requiring photo IDs that a lot of people don't have, locating polling centers in hard-to-get-to places. I did not, however, fully grasp the extent of it. This book does an amazing job of supplying details and statistics without just being a mess of numbers and dates.
The book is much shorter than it appears - the last hundred pages are notes, index, and acknowledgments. Mostly notes, giving sources for every statistic and event and court case that is mentioned in the book. It still took me the better part of a week to read it; nonfiction always slows me down, and keeping this much information organized in my brain slowed me down further. I can't just sit and read it straight through like I would with fiction!
The information in this book is appalling. From the history of voter suppression, the insidious ways that politicians have devised to keep minorities from voting, it's bad. I learned where the term “gerrymandering” came from - some politician (governor, I think) of the last name Gerry made a district shaped like a salamander when he was making a new district map. Hence, a gerrymander.
Another horrifying factoid:
“In 2016, the Economist Intelligence Unit, which had evaluated 167 nations on sixty different indicators, reported that the United States had slipped into the category of a “flawed democracy,” where, frankly, it had been “teetering for years.” Similarly, the Electoral Integrity Project, using a number of benchmarks and measurements, was stunned to find that when it applied those same calculations in the United States as it had in Egypt, Yemen, and Sudan, North Carolina was “no longer considered to be a fully functioning democracy.” Indeed, if it were an independent nation, the state would rank somewhere between Iran and Venezuela. The basic problem in North Carolina was that, despite the overt performance of ballots, precincts, and vote tallies, legislators and congressional representatives were actually selected for office rather than elected.”
And that was in 2016! There have been so many more voter suppression laws passed in the last two years, I shudder to think of where we rank now. (Or where North Carolina ranks!)
As a white woman in a very blue state, I personally face little barrier to voting, but the book has still given me a new appreciation for the act.
Read this book and vote against voter suppression.
You can find all my reviews at Goddess in the Stacks.
Some books are surreal suspensions of disbelief. Some books just make you go “WHAT the FUCK” every couple of chapters when a new twist is revealed, and this is one of the latter. Just - what the FUCK.
Imagine your average sci-fi space opera TV show on cable television with hand-wavey science and half-assed special effects - take those characters and make them realize they're IN A TV SHOW. Let them realize all of their woes are due to shitty writing, and see what they do with that knowledge. THAT is this book, and it is crazy and hilarious and weird and eye-roll-inducing.
Between the time travel, the Box that does magic science behind the scenes so things work out on-screen, the Narrative taking control and making people say and do things they wouldn't otherwise do - this book is wacky and just full of what-the-fuckery. It's fun, though, and if you can keep yourself from groaning out loud every few pages, it's a pretty good read.
You can find all my reviews at Goddess in the Stacks.
So I knew this was inspired by Jim Henson's Labyrinth. That's partially why I picked it up, as I love that movie and David Bowie as the Goblin King. I didn't expect to get, basically, Labyrinth fanfiction. That was my first impression. As the book carries on, though, and especially as you get into the second book, it's more like a musician's fever-dream of their favorite childhood movie. There are so many elements taken from the movie, but they are deconstructed and put back together in such unexpected ways.
You'll recognize a line or two from the movie. The fairies still bite. The Goblin King is still beautiful and angular and strange. Liesl's after a stolen sibling. But Liesl and her family live in rural, probably 18th century Bavaria. She is not a spoiled, baby-sitting half-sister. Her grandmother has taught her the old stories, and unbeknownst to her, she's played music for The Goblin King her entire childhood.
The first book concerns Liesl's first foray into the Underground to save her sister when The Goblin King steals her to be his bride. This is where the acid trip starts. If you're familiar with Labyrinth, remember the ballroom scene? With people whirling about and appearing and disappearing and mirrors and the sense of disorientation as it all falls apart? Yeah, that's basically the entire time in the Underground. Though there is a ball scene, and it is especially trippy.
While Liesl manages to save her sister (that's a spoiler, but it isn't much of one), she has a harder time saving herself. Whether she actually does or not could be debated.
The second book of the duology, Shadowsong, has an interesting author's note in the front of it. The author first gives a content warning for self-harm, suicidal ideations, addiction, and reckless behaviors. She goes on to say Liesl has bipolar disorder, and further, that so does she. (The author.) She says Wintersong was her bright mirror, and Shadowsong her dark one. I can see that. Wintersong is a much happier book than Shadowsong, but the story would be incomplete without both books. Wintersong does end in a satisfactory conclusion, but Shadowsong just completes the tale in a way that I, at least, really enjoyed.
Shadowsong also contains more throwbacks to the movie - she falls and is caught by goblin hands; goblins form a giant face that talks to her about the old laws. These things don't happen in the same scene, though.
I loved the elements of music woven throughout the story; Liesl is a composer, and music - her music - is almost a character in its own right. It's definitely a huge plot element. It's in her connection to her brother, and her connection to The Goblin King. It's her way into the Underground, and her way out, and her way to reach back in.
It's an enchanting duology; I don't know if it would be as good for someone who didn't love Labyrinth the way I do. If you dislike the movie, I would probably advise against reading these. But if you like it or have simply never seen it, these would be good, atmospheric books to read in the dead of winter.
You can find all my reviews at Goddess in the Stacks.
First we need to address this cover. It's a great cover, but I hate it. I hate having it in my house, on my coffee table, glaring up at people in the room. It's creepy. It's perfect for this book, but I will be very glad to give the book back to the library and have that cover out of my house!
That said. It was interesting comparing this book to Fire and Fury, which I read at the beginning of the year. Woodward is a very respected journalist, and you can tell how much he tries to remain objective and simply report the things that happened. Fire and Fury definitely had a slant to it. Fear doesn't have a slant, but it still comes off as negative. Which says something about the entire administration when trying to be objective still results in the president shown as a “fcking moron,” (Tillerson's words) or a “fcking liar.” (John Dowd's words.)
The thing that really struck me about this book was learning how much Trump wanted to pull completely out of South Korea. Even when he was told we could detect a North Korean missile launch in 7 seconds from South Korea, as opposed to 15 MINUTES from Alaska, (out of a 45-minute missile flight!) he still didn't see that as a good enough reason to stay in South Korea. (You know, treaties and allies aside.) His ignorance and stubbornness is mind-boggling.
It took me three or four days to get through this book, which is much slower than my normal single-day read time. The subject matter is just that weighty, though Woodward's writing style is fantastic. This is the first Woodward book I've actually read, but I want to look up his backlist now, because he's really good at not putting me to sleep!
One other difference from Fire and Fury - there were things in the book I didn't know. (And I pay attention to the news.) There wasn't really anything in Fire and Fury that was surprising to me. Fear did have new information.
It's a frightening, weighty book, so don't read it if you're not prepared for that. But it's good.
You can find all my reviews at Goddess in the Stacks.
I always pick up new polyamory books, and this one is excellent. Sophie simply tells the story of her love life, from falling in love with other boys while dating someone as a teen, to consciously deciding to date another couple, as a couple, in her adulthood. She doesn't pretend it was all roses, though. She hurt people unintentionally when she was younger, and struggled with jealousy in a number of different ways.
I liked that she was so real. She didn't shy away from talking about her heartbreaks, and the situations she found herself in sound all too likely. I also really liked the illustrations. The cover is a good indication of the style within - almost comic-book like. Rather than going with the story, the illustrations are part OF the story - she asks her boyfriend a question, his answer is in the illustration, and then the story continues in text. There's a chart of types of jealousy, drawn in the illustration style rather than perfect text boxes. Then you get owls asking each other “Whooooo is your favorite?” It gives the book almost a playful feel.
One thing I really liked is how she talked about friendships and polyamory. In a typical monogamous marriage, (not all!) there are rules about cheating. If you cuddle another person, or spend the night with them, that's probably cheating, even if it's platonic. In polyamory, though, there's a lot more leeway for how relationships can look. Sophie, for a good portion of the book, lives with a couple who are her best friends. She climbs into bed with them for comfort. They have dinner together, and tell each other “I love you.” I really love that she talks about friendships in the context of polyamory; I don't think that gets discussed often enough. I feel like being polyamorous lets friendships evolve as they will, instead of being constrained by your romantic relationships. If I have a friend who I like to cuddle up on the couch with and watch movies, my husband sees nothing wrong with that.
I plan to buy this book to add to my polyamory shelf. If you're polyamorous or curious about the relationship style, I highly recommend this book. She also has chapter notes, a bibliography, and an index in the back of the book, so it's stuffed full of other resources, too.
You can find all my reviews at Goddess in the Stacks.
The setting of this book reminds me of Valerian and the City of a Thousand Planets. Fatima survived the slaughter of the entire population of her city, and since then it has been repopulated by people from many countries, walks of life, cultures, and languages. The city is a complete melting pot, and I wish more had been made of that fact, honestly.
I wish more had been made of a lot of things in this book. I liked it - but it wasn't as spectacular as I'd hoped. It's possible it's because I read it right after We Hunt the Flame, which any book would have trouble standing up to; it's possible it's because I was coming down with a cold when I read it and my brain wasn't throwing itself into the story as much as it normally does. There's a lot of possible reasons - but I just didn't love it. It wasn't bad. But it wasn't great.
I mean, it's djinns and humans working together - that's usually my catnip - but I just couldn't lose myself in this story. I was annoyed at the main character a LOT. For insisting on going by two names the entire book, which were a mouthful. For agreeing to things she should have fought. For fighting against things that were in her own best interests.
The changes that the description speaks of - that change Fatima in ways she can't fathom - effectively turns her into a different person. Something about that sat very wrong with me. Her sister recognized she was no longer the sister she knew, but she wasn't allowed to grieve. That bothered me quite a lot. I can't explain exactly why without spoiling plot, but the book didn't treat it like an issue, and it definitely was.
Honestly, I'd skip this one and go read We Hunt The Flame or Rebel of the Sands instead.
You can find all my reviews and more at Goddess in the Stacks.
So I needed a “book about a heist” for the PopSugar 2018 Reading Challenge, and naturally, Catwoman fits the bill. It wouldn't be a Catwoman novel/cartoon/graphic novel without a heist! Several, in fact, in this instance. And she teams up with Poison Ivy and Harley Quinn to pull them off, even though she doesn't seem to actually need the girls in this book. I love that Maas chose to include them, because Ivy/Harley/Catwoman is one of my all-time favorite team-ups. The book also delves into the relationship between Ivy and Harley, and Harley's dysfunctional dependence on the Joker (who's in Arkham for this book). I loved seeing that.
Interestingly, Batman doesn't show, other than a few phone calls with Luke Fox, Lucius Fox's son. Luke takes the traditional role of Batman-as-Catwoman's-love-interest, but as Batwing, a sort-of Robin. (Maybe I read too many comics? Nah.) The switch was surprising; it's always Catwoman and Batman, Selina and Bruce. Except when it's Talia and Bruce, I suppose.
I do wonder if they're going to do an ensemble cast novel after these first four books. (Wonder Woman: Warbringer, Batman: Nightwalker, and Superman: Dawnbreaker being the other three.) Superman doesn't come out until January, but the first three have been very disconnected from one another. Wonder Woman wasn't even mentioned in Batman or Catwoman. It seems odd to have them as a series, but never mention one another in each book? That, or the Superman book is going to tie the other three together, which seems like a disservice to Superman.
Anyway. I really liked Luke Fox as Batwing - the book touched, just a little bit, on racial issues, and how even as an obscenely rich black man he's not entirely exempt from those. In one scene he worries about the color of his skin being seen through damage to his batsuit, and cops realizing he's black. It's a sober reminder that even in a city beset by evil clowns, it's still set in the United States and we still have those racist systems in place.
The banter between Luke and Selina, and Selina and Harley and Ivy, is fantastic. I haven't actually read any of Sarah J. Maas' books - I know, I know - but if they're like Catwoman, I should probably give in and do so. So far, Wonder Woman is still my favorite of the DC Icons series (which is no surprise, as I love Leigh Bardugo) but Catwoman is really good.
You can find all my reviews at Goddess in the Stacks.
This is the fourth in the DC Icons series, all of which I have now reviewed. It started with Wonder Woman, then moved through Batman and Catwoman before culminating in Superman. All four books have been written by popular young adult authors, from Leigh Bardugo to Marie Lu to Sarah J. Maas. Superman went to Matt De La Peña, who I had not actually heard of before. He apparently wrote a book called Ball Don't Lie that was made into a movie in 2011, and another book titled Mexican Whiteboy. What I'm trying to say is that De La Peña's Hispanic background makes him a perfect choice for this book. Because whatever else can be said about Superman, his is the ultimate immigrant story.
And this book not only tells Superman's immigrant story, but deals heavily with immigrant issues around him as well. Smallville is deliberating a new law that is basically stop-and-frisk; Hispanic people are going missing; undocumented immigrants are getting beaten in the streets. Clark is rightly horrified, and vows to get to the bottom of the disappearances.
The book is very timely, and I love what it says about one of our country's greatest fictional heroes. It reminds me of Justice League: Gods and Monsters, in which Superman is the son of General Zod, and was raised by illegal Mexican immigrants instead of the all-American Kents. (It's a fantastic animated movie, and well worth watching.)
Lex Luthor makes an appearance, and for a while I thought Clark's best friend, Lana, was a stand-in for Lois, but Lois is mentioned ever-so-briefly late in the book.
This is the fourth and final book in the DC Icons series, and taken as a whole, they're quite good. I wish they were a little more entwined with one another, but I understand that would be difficult with four different authors. But they are a very neat re-work of the four characters' origin stories.
You can find all my reviews and more at Goddess in the Stacks.
So the premise for this book is that Ellie Baum, Jewish schoolgirl on a trip to Germany, grabs a magic balloon and is transported back to East Berlin after WW II. I'm always a little cautious when time travel is involved. This is quite well done, however! Even the magicians are like “this shouldn't be possible!” As a Jewish girl in possession of a magic balloon used to take escapees over the Berlin Wall, she's immediately in great danger in East Berlin. Luckily she is spotted by one of the people responsible for the balloons. Somewhat unluckily, she's soon drawn into a deadly plot to rewrite history and has to figure out who to trust.
I really enjoyed this book, especially the depictions of the wall. The East Berliners' surprise when she tells them the other side is covered in graffiti and street art is not something I'd thought of. I've seen a section of the wall; there's three at the Marine Corps base in California that my husband was stationed at early in his time in the Corps. There are pictures online, but after sifting through old photos, I don't seem to have any of my own. (You could google “Berlin Wall Presidio Monterey” and find a ton.) I think I remember a no-photo policy on the base at the time. Regardless, I know what she means because I've seen it. Ever since actually seeing parts of the Berlin Wall, reading anything about it has felt just a little more real. That's always the problem with things like the Wall that you have no personal connection to - obviously they're real, but when the circumstances are so alien to our own way of life, it's hard to really comprehend. Finding ways to personally connect - seeing parts of the Wall, talking to people who have personally experienced things you haven't (if you have the opportunity, and if they're willing to discuss it) is so important.
I have digressed. I'm curious to know more about the magic in the Balloonmakers' world - in the book we only see a small slice of it being used under dire circumstances. I hope Locke explores it more in the sequel. I'll find out as soon as the library sends the book my way! Plots like this can be interesting or very disappointing - if the main character finds a way home, she leaves behind the love interest. But if she stays with the love interest, she never gets to go home. Luckily, Locke is a wonderful writer, and I was mostly happy with the ending but it was definitely left with questions for the sequel to answer!
I know I haven't revealed a whole lot about the plot, but this is a twisty book, and I can't really say much without spoiling surprises. I'll just say it's a great book, I'm very glad I finally read it, and my library needs to hurry up with that sequel!
You can find all my reviews at Goddess in the Stacks.
I am so torn on this book. I'm really tired of the trope of “batch of girls competing to win a dude” that seems to be so popular lately. But this is an Asian take on the trope, so I don't want to come down too hard on it for that. I attended a panel at the last Baltimore Book Festival about old tropes being resurrected by minority authors, and I agree that just because a trope might seem old and played out, putting a new spin on it with minority characters and themes deserves its own time. That is definitely valid. But they were talking about tropes like vampires and zombies and retold classics like Pride and Prejudice and Alice in Wonderland. I'm not sure the trope of “girls competing to win a dude” deserves more time in any form. (To be fair, I kind of equally hate guys competing to win the hand of the princess. No one should be obligated to marry someone just because they won an arbitrary competition. There are all kinds of consent issues there.)
Despite that, I really enjoyed this book. I loved the characters, the variety of yõkai, the bits of myth interspersed throughout the book. I do question Akira being trained to be a master of shuriken in a matter of days - like, really? And I wish instead of summarizing a ton in the epilogue, she'd just written a sequel, because I think there's enough material to do it. You'd think, with so much I didn't like about the book, that my overall opinion would be negative - but it's not. Even with all of those bad points, this book was enthralling and kept me reading right to the end.
Empress of all Seasons is a great Japanese-inspired fantasy that relies a little too much on old tropes. Set your inner critic to the side and just enjoy the ride, because the story is fantastic.
You can find all my reviews at Goddess in the Stacks.
I enjoyed this book immensely!
In Dear Fahrenheit 451, each chapter is a letter to a different book. (Except the last few chapters, those are letters to the reader.) The letters range from disappointment (Wicked) to adoration (The Fledgling) to creeped out (Principles of Bloodstain Pattern Analysis) - but they're all entertaining, and usually pretty funny. Some letters are explaining why she's culling them from the library's collection (too many copies, or bad condition, or haven't been checked out in years.)
The author has a wonderful writing style that makes me want to grab coffees and gab about books with her. It's also a great book to read when you don't have long periods of time to read - the chapters are short and self-contained, so there's no rush to find out what happens next. It will most likely add things to your TBR, though, as most books about books tend to do!
I really enjoyed this one - it's way better than My Life With Bob. Probably because it's actually about the books, where My Life With Bob was more of a memoir.
You can find all my reviews at Goddess in the Stacks.
Before I even get into this review.
CONTENT WARNING. DOMESTIC ABUSE. SEXUAL ASSAULT. ANIMAL ABUSE. GASLIGHTING.
For all that, though, I loved this book. The protagonist suffers through all of that and perseveres. But it's important to expect those things going into this book, because the central plot of the book is our protagonist being severely gaslit, with the rest of the abuse being in support of that. I agree with other Goodreads reviewers that it's surprising it's being marketed as a Young Adult book because these themes are VERY adult.
So. With those caveats, this book was outstanding. The book opens on Prince Emory riding his horse towards the castle of the dragon, intending to slay it and rescue his future wife, as his tradition in his kingdom. Emory seems to be your typical prince, accomplished, at ease with his sword, his horse, and himself, yet there is the occasional part of his inner narration that comes off...oddly. He enters the dragon's castle, defeats the dragon, and leaves with his prize, a damsel who can remember nothing about herself or her past. A blank slate. Perfect for a queen-to-be.
But as Ama, so named by Emory, learns more about her new kingdom and future husband, and what her place will be, she realizes this is not what she wants. The more Emory tries to convince her that it IS what she wants, the more we get into the abuse factor of the book.
It's very well done. It's a dark fairy tale, it's a consistent metaphor for - well, humanity's treatment of women, really. Sit down, shut up, look pretty, and birth the next generation. You are important because only you can do that, but don't let it give you uppity ideas. All that kind of patronizing misogyny.
I really loved this book, but it's definitely not going to be everyone's cup of tea, and the triggers might be too much for some of the people who WOULD otherwise like it. So know that going in.
You can find all my reviews at Goddess in the Stacks.
I picked this up mostly because the trailer for the Netflix adaptation looked AMAZING. It's the first book in a trilogy, and I really want to read the other two now! Lara Jean is the middle daughter in a house of three daughters, being raised by their widower father. The relationships between the four of them play a large part in the book, as they are all adjusting to the eldest daughter being away at college. Everyone's roles are changing, and in the middle of that, Lara Jean's private love letters get mailed to the boys she wrote them to, throwing her love life into chaos as well.
I loved almost every character in this book - even Lara's troublemaking best friend has a good heart. I definitely need to watch the Netflix show now, because I really want to see how Chris - aforementioned best friend - is represented!
The family scenes around Christmas really tugged at my heart - Christmas has always been my favorite holiday, and the author absolutely NAILED the nostalgic, slightly dreamy, loving holiday atmosphere.
To All The Boys I've Loved Before was a cute, sweet read, and really my only negative thing to say about it is the ending left me hanging! Which is part of why I really need to read the other two books, so I suppose it was a good strategy. But man I hate cliffhangers!
You can find all my reviews at Goddess in the Stacks.
This is the second YA_Pride book club chat I've participated in - the last one was The Summer of Jordi Perez and the Best Burger in Los Angeles. (Which was great.) Summer Bird Blue was just as good, but where Jordi Perez was a lovely, lighthearted beach read, Summer Bird Blue is a tearjerker that you'll want to read in private so you can sob the entire way through the book. Or at least that's what I did.
Gorgeous and evocative are both words that could be applied here. Rumi's grief over losing her sister is profound. She feels abandoned by her mother, sent to live with the aunt she barely knows in Hawaii. Rumi has absolutely lost everything - her sister/best friend is truly lost. She feels like she's lost her mother, her home, any semblance of normality, and her musical ability. It's a lot for a kid to deal with.
In the middle of all that, she's trying to figure out her sexuality - she might be ace or demi; she spends most of the book questioning and trying to make sense of it. As we discussed in the Twitter chat, even if she doesn't come to a conclusion on what her sexuality is, even having “questioning” as a sexuality is so important in YA books. Showing that you don't need to have everything figured out is really important.
I loved Rumi's relationships with the neighbors, both Kai and Mr. Watanabe. I wish Rumi had been nice to Mr. Watanabe in the beginning, but she comes around eventually. And she was dealing with A LOT, so I'll give her a little slack. She was beginning to try my patience near the end of the book, though.
The one real disappointment I had with this book is that while Rumi is portrayed as this awesome musician whose lyrics and melodies are really good - the other characters say so - I don't like her lyrics. Of course I have no way of knowing what her melodies sound like, but I just don't think her lyrics are that good.
Other than that little quibble, this book is really, really good. But also really, really sad. Prepare to cry.
You can find all my reviews at Goddess in the Stacks.
I posted this during AnthroCon; I thought it was fitting given the nature of the royal family's magic; they can turn into humanoid animals. Or complete animals. I'm not actually completely clear on that point. It's not explored much in this volume, but I think it will be in the next book.
The Tiger At Midnight as the first in a fantasy trilogy, set in two countries. The two countries were founded by two fraternal twins. They bound themselves to the land, and that blood bond has to be renewed every... year? some period of time - by the rulers of the two countries - a woman from one royal family, and a man from the other. In this manner the countries have been prosperous for centuries, until about fifteen years before this book begins. There was a coup against the queendom. The royal family was slaughtered, and the military has propped up a king since then. In the ensuing years, that country has begun to deteriorate; there have been droughts, animal attacks, forests have gotten darker and more dangerous - the bond is dying with no royal blood to sustain it. The other country can only sustain it so long before it will start affecting them, too.
So this is the setting. There's rumors of a lost princess, but how much of that is truth and how much is foolish hope is yet to be determined. Into this strife we have Esha, a rebel also known as The Viper. The Viper is a mythical assassin who everyone thinks is a man, mostly because the imposter king disenfranchised his country's women, so obviously someone so accomplished must be a man. Kunal is a soldier raised by his uncle who can't remember his father at all, and only knows that his mother was one of the queen's ladies-in-waiting who died in the coup. Kunal, the only one who realizes The Viper is a woman, winds up chasing her across the country, and the cat-and-mouse style of their chase makes up most of the book and is incredibly entertaining. The two are well-matched in skills and wits, and the way they spark off each other is great. Every time he catches up to Esha, she pokes another hole in his belief system, and Kunal begins to see how much the soldiers have been lied to about what is happening out in the country they are fighting for.
I really enjoyed the worldbuilding here, and I really hope the glimpse we saw of the royal family's magic gets expanded on in the rest of the trilogy. It is otherwise a pretty low-magic world; there are no wizards or spells or enchantments or anything. The dichotomy of the two kingdoms is interesting, and I can't wait to see if they can salvage the bond to the land somehow, or reforge it. But the next book isn't due out until 2020 and doesn't even have a title yet!
This is a great action-oriented Young Adult light fantasy book, with a touch of romance, politics, and just a pinch of magic. Highly recommended!
You can find all my reviews and more at Goddess in the Stacks.