Izaak
Márquez is, without a doubt, one of the better writers to have graced the English language. His descriptions are as vivid as paintings, and his character development is nothing short of fantastic.
Where he really, truly excels is poetry within his prose. Márquez manages to say so incredibly much within so little space. His development and encapsulation of side-characters, of places, and of events is as much artwork as it is poetry.
However, his development of protagonist characters is languid and, at times, over-wrought. It's really difficult to believe that anyone could be so absolutely full-of-themselves as the several main figures of this story are. However, this novel is as much a depiction of the lives of nobles as it is a decrying of how the lower classes lived, so it's likely very much intended. Regardless of intended effect, it still makes the novel drag on more than it would otherwise.
Márquez is, without a doubt, one of the better writers to have graced the English language. His descriptions are as vivid as paintings, and his character development is nothing short of fantastic.
Where he really, truly excels is poetry within his prose. Márquez manages to say so incredibly much within so little space. His development and encapsulation of side-characters, of places, and of events is as much artwork as it is poetry.
However, his development of protagonist characters is languid and, at times, over-wrought. It's really difficult to believe that anyone could be so absolutely full-of-themselves as the several main figures of this story are. However, this novel is as much a depiction of the lives of nobles as it is a decrying of how the lower classes lived, so it's likely very much intended. Regardless of intended effect, it still makes the novel drag on more than it would otherwise.