Eric Stone
I’m giving this a 4.75. The only reason it isn’t a flat 5 is that I’m not sure I’ll ever do a full re-read, but if that changes, I’ll update this.
I’m not sure what else can be said about this book, but the emotional connection to the characters and the world-building is tremendous. Despite the length, I didn’t feel like a single word was wasted. I loved the format; the way it bounces between the 50s and the 80s is so tightly interwoven that one chapter will end and the next picks it up mid-sentence. Some might find it slow, but I was entirely engaged throughout.
I split this 50/50 between the physical book and the audiobook. This is the first time I’ve ever been so enamored with a narrator that I looked up their other work - Steven Weber is next-level here. If the length intimidates you, go for the audio.
I’ve read 38 of King’s 69 novels, and he might be at his best here from a storytelling perspective. I still prefer The Stand (I’m a sucker for end-of-the-world systems), but the way King transports you back into the mindset of a child is impressive. You feel that hyperfocus where nothing matters but your friends, until something else takes over and that becomes your entire world. The characters are tremendously flawed, and watching them overcome those flaws by focusing on what really matters is deeply satisfying.
I do want to address the "infamous" sewer scene. While I don’t think it’s as vulgar as some suggest, I think the book could have done without it. That said, claiming I know how to craft a story better than King is nonsense. Like the scene itself, I can't quite make sense of it.
Overall, I think I’m better for having read this. I can’t quite put my finger on why yet - something about how childhood is captured in those final pages - but IT hits really hard.
I’m giving this a 4.75. The only reason it isn’t a flat 5 is that I’m not sure I’ll ever do a full re-read, but if that changes, I’ll update this.
I’m not sure what else can be said about this book, but the emotional connection to the characters and the world-building is tremendous. Despite the length, I didn’t feel like a single word was wasted. I loved the format; the way it bounces between the 50s and the 80s is so tightly interwoven that one chapter will end and the next picks it up mid-sentence. Some might find it slow, but I was entirely engaged throughout.
I split this 50/50 between the physical book and the audiobook. This is the first time I’ve ever been so enamored with a narrator that I looked up their other work - Steven Weber is next-level here. If the length intimidates you, go for the audio.
I’ve read 38 of King’s 69 novels, and he might be at his best here from a storytelling perspective. I still prefer The Stand (I’m a sucker for end-of-the-world systems), but the way King transports you back into the mindset of a child is impressive. You feel that hyperfocus where nothing matters but your friends, until something else takes over and that becomes your entire world. The characters are tremendously flawed, and watching them overcome those flaws by focusing on what really matters is deeply satisfying.
I do want to address the "infamous" sewer scene. While I don’t think it’s as vulgar as some suggest, I think the book could have done without it. That said, claiming I know how to craft a story better than King is nonsense. Like the scene itself, I can't quite make sense of it.
Overall, I think I’m better for having read this. I can’t quite put my finger on why yet - something about how childhood is captured in those final pages - but IT hits really hard.