2015 | 3.81 | |
2022 | 5 | |
3.88 | ||
2022 | 3.7 | |
2022 | 4 | |
2022 | 4.02 | |
2021 | 3.88 | |
4.5 | ||
2022 | 3 | |
2022 | 3.64 | |
2019 | 0 | |
2022 | 0 | |
2022 | 4.5 | |
1982 | 3.5 | |
2022 | 0 | |
Who Is Wellness For? Who Is Wellness For?: An Examination of Wellness Culture and Who It Leaves Behind
| 0 | |
2022 | 0 | |
2022 | 3.93 | |
4 | ||
2022 | 3.88 | |
2022 | 3.8 | |
2022 | 4.38 | |
2022 | 0 | |
The New Handbook for a Post-Roe America The New Handbook for a Post-Roe America
| 4 | |
2022 | 0 | |
2022 | 4.21 | |
2022 | 5 | |
2022 | 0 | |
Future Remnants Future Remnants | 0 | |
2019 | 0 | |
No More Police No More Police
| 4.5 | |
2017 | 0 | |
2017 | 5 | |
2014 | 0 | |
2021 | 4.5 | |
2022 | 3.5 | |
2019 | 3.5 | |
2019 | 4.75 | |
2020 | 3.78 | |
The Revolution Has Come The Revolution Has Come: Black Power, Gender, and the Black Panther Party in Oakland
| 0 | |
2017 | 3.92 | |
2017 | 4.2 | |
2022 | 3.72 | |
2020 | 4 | |
2022 | 3.41 | |
2020 | 4.35 | |
2014 | 4.03 | |
Open Earth Open Earth
| 0 | |
2014 | 3 | |
2020 | 4.69 | |
2022 | 4.33 | |
2014 | 3.54 | |
Tomboy Tomboy: A Graphic Memoir
| 0 | |
2020 | 4.31 | |
2012 | 3.4 | |
0 | ||
2017 | 4.4 | |
2021 | 3.67 | |
2020 | 4.69 | |
2015 | 3.89 | |
2018 | 3.67 | |
2020 | 4 | |
2019 | 4 | |
2021 | 3 | |
2021 | 4.5 | |
2019 | 4 | |
Weird Weird | 0 | |
The Care We Dream Of The Care We Dream Of: Liberatory and Transformative Approaches to LGBTQ+ Health
| 0 | |
2017 | 0 | |
2021 | 3.92 | |
2013 | 0 | |
4.67 | ||
2020 | 4.25 | |
2015 | 5 | |
2013 | 3 | |
2021 | 4.13 | |
2016 | 3.79 | |
2021 | 4.33 | |
3 | ||
2022 | 4 | |
2021 | 4 | |
2022 | 3.78 | |
5 | ||
2022 | 3.8 | |
2020 | 4 | |
0 | ||
A Visit to Moscow A Visit to Moscow | 0 | |
2022 | 5 | |
2022 | 3.81 | |
2022 | 0 | |
2022 | 3 | |
2022 | 4.67 | |
2022 | 3.5 | |
Queer Silence Queer Silence: On Disability and Rhetorical Absence
| 0 | |
2022 | 3.89 | |
2022 | 4.33 | |
2022 | 0 | |
0 | ||
2022 | 0 | |
The Trickster Riots The Trickster Riots
| 0 |