|
Cicadas Sing of Summer Graves |
|
Monstress, Vol. 1: Awakening - Marjorie M. Liu
- Sana Takeda
|
|
|
The Waves Take You Home - María Alejandra Barrios Vélez
|
|
When Breath Becomes Air / Being Mortal / Where Does It Hurt? - Paul Kalanithi
- Atul Gawande
- Max Pemberton
|
Earthlings - Sayaka Murata
- Ginny Tapley Takemori (Translator)
|
|
Lumberjanes, Vol. 1: Beware the Kitten Holy - Noelle Stevenson
- Grace Ellis
- Shannon Watters
|
|
|
|
Home Is Where the Bodies Are |
|
|
|
|
|
|
I cannot be good until you say it |
|
Love the World or Get Killed Trying |
|
These Letters End in Tears |
Power to Yield and Other Stories |
Ambivalent Affinities: A Political History of Blackness and Homosexuality after World War II |
|
Portraits as Animal: Poems |
|
A Different Kind of Brave |
A Pill for Promiscuity: Gay Sex in an Age of Pharmaceuticals |
|
Where the Dead Sleep: A Novel |
|
We Mostly Come Out At Night: 15 Queer Tales of Monsters, Angels & Other Creatures |
|
|
Selamlik - Khaled Alesmael
- Leri Price (translator)
|
|
Change - Édouard Louis
- John Lambert (Translator)
|
|
|
|
|
The Master and Margarita - Mikhail Bulgakov
- Katherine Tiernan O'Connor (Translator)
- Diana Lewis Burgin (Translator)
|
|
Someone You Can Build a Nest In |
|
Wound from the Mouth of a Wound |
|
Some Strange Music Draws Me In |
|
|
|
|
|
|
|
These Fragile Graces, This Fugitive Heart |
|
|
|
|
|
|
Feral City: On Finding Liberation in Lockdown New York |
The Moorings of Mackerel Sky |
|
|
|
|
|
|
Izzy at the End of the World |
|
|
|
Everyone Who Can Forgive Me Is Dead |
|
|
|
Most Ardently: A Pride & Prejudice Remix |
|
|
|
|
|
|
|
Eli Harpo's Adventure to the Afterlife |
|
You Only Call When You're in Trouble |
|
|
|
|
|