| 5 |
The Archive Effect: Found Footage and the Audiovisual Experience of History | 0 |
The Burnout Society - Byung-Chul Han
- Erik Butler (Translator)
| 3.53 |
| 4.17 |
One Hundred Years of Solitude | 0 |
Log Off Log Off: Why Posting and Politics (almost) Never Mix - Katherine Alejandra Cross
| 0 |
Mean Boys: A Personal History | 0 |
The Urban Crucible: The Northern Seaports and the Origins of the American Revolution | 0 |
The Gentrification of the Mind: Witness to a Lost Imagination | 4 |
Narcissus in Bloom: An Alternative History of the Selfie | 0 |
| 4 |
Keystroke Capitalism: How Banks Create Money for the Few | 0 |
I See Buildings Fall Like Lightning | 0 |
"History Is Bunk": Assembling the Past at Henry Ford's Greenfield Village | 0 |
The Good Country: A History of the American Midwest, 1800–1900 | 0 |
North Country: Essays on the Upper Midwest and Regional Identity | 0 |
| 0 |
Avant-Doc: Intersections of Documentary and Avant-Garde Cinema | 0 |
| 4.01 |
| 0 |
Narrowcast: Poetry and Audio Research | 0 |
The River You Touch: Making a Life on Moving Water | 0 |
Decomposed Decomposed: The Political Ecology of Music | 0 |
Relational Aesthetics - Nicolas Bourriaud
- Simon Pleasance (Translator)
- Fronza Woods (Translator)
- Mathieu Copeland (Translator)
| 0 |
The Archive and the Repertoire: Performing Cultural Memory in the Americas | 0 |
Mechanisms: New Media and the Forensic Imagination | 0 |
The Relentless Pursuit of Tone: Timbre in Popular Music | 0 |
Understanding Media: The Extensions of Man | 4.67 |
| 4.5 |
The Politics of Aesthetics | 0 |
The Mode of Information: Poststructuralism and Social Context | 0 |
| 0 |
On Minimalism: Documenting a Musical Movement | 0 |
The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave | 0 |
The Perfect Sound: A Memoir in Stereo | 0 |
| 4.09 |
Give My Regards to Eighth Street: Collected Writings of Morton Feldman | 0 |
Dimes Square and Other Plays | 0 |
| 4.03 |
| 2 |
| 3.92 |
| 0 |
Kafka Was the Rage: A Greenwich Village Memoir | 3 |
All the Beauty in the World: The Metropolitan Museum of Art and Me | 4.38 |
| 0 |
| 3.73 |
| 0 |
Dilla Time: The Life and Afterlife of J Dilla, the Hip-Hop Producer Who Reinvented Rhythm | 4.61 |
My German Brother - Chico Buarque
- Alison Entrekin (Translator)
| 3.5 |
The Freezer Door - Mattilda Bernstein Sycamore
| 0 |
Boom: Mad Money, Mega Dealers, and the Rise of Contemporary Art | 0 |
Sound Within Sound: Opening Our Ears to the Twentieth Century | 0 |
| 4.38 |
| 0 |
My Brilliant Friend - Elena Ferrante
- Ann Goldstein (Translator)
| 4.06 |
Ocean of Sound: Ambient Sound and Radical Listening in the Age of Communication | 3.5 |
| 0 |
Stages: On Dying, Working, and Feeling | 0 |
| 4.19 |
Paradais - Fernanda Melchor
- Sophie Hughes (Translator)
| 3.5 |
| 4.09 |
As Serious As Your Life: John Coltrane and Beyond | 0 |
Woodcutters - Thomas Bernhard
- David McLintock (Translator)
| 4.5 |
| 3.65 |
| 4.44 |
The Books of Jacob - Olga Tokarczuk
- Jennifer Croft (Translator)
| 4.2 |
| 3.93 |
| 4.15 |
| 4 |
No One Is Talking About This | 3.8 |
| 2.5 |
Common Tones: Selected Interviews with Artists and Musicians 1995–2020 | 0 |
Flyboy in the Buttermilk: Essays on Contemporary America | 0 |
Finding the Raga: An Improvisation on Indian Music | 0 |
Liner Notes for the Revolution | 0 |
Major Labels: A History of Popular Music in Seven Genres | 4.5 |
| 4 |
Monolithic Undertow: In Search of Sonic Oblivion | 3.5 |
| 4.14 |
| 0 |
Reckless Daughter: A Portrait of Joni Mitchell | 4 |
| 0 |
Please Don't Come Back from the Moon | 4.5 |
Digitizing Race: Visual Cultures of the Internet | 0 |
| 4.07 |
On Earth We're Briefly Gorgeous | 4.01 |
| 4.5 |
| 3.75 |
| 3.76 |
| 3.97 |
Silences So Deep: Music, Solitude, Alaska | 0 |
| 0 |
Selling Digital Music, Formatting Culture | 0 |
The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins | 0 |
| 4 |
| 3.06 |
| 0 |
| 4.15 |
| 3.9 |
A Field Guide to the North American Family | 0 |