 Adorno, Modernism and Mass Culture
| 0 |
 The Art of the Tale The Art of the Tale: An International Anthology of Short Stories
| 4 |
 The Norton Anthology of Theory and Criticism | 5 |
 The Collected Poems of Wallace Stevens
| 4.75 |
 The Night Trilogy: Night, Dawn, The Accident
| 3 |
 On Justice, Power and Human Nature: Selections from The History of the Peloponnesian War
| 0 |
 Elective Affinities: Musical Essays on the History of Aesthetic Theory
| 0 |
 An essay on liberation
| 2 |
 Five Dialogues: Euthyphro, Apology, Crito, Meno, Phaedo
| 4 |
 Bitter Water Opera
| 0 |
 Festival & Game of the Worlds
| 0 |
 Norma
| 0 |
 Minor Detail
| 4.46 |
 The Door
| 4.21 |
 The Audible Past
| 0 |
 Don’t Let Me Be Lonely: An American Lyric
| 4.33 |
 The Neutral: Lecture Course at the College de France
| 0 |
 Inferno
| 4 |
Let Us Now Praise Famous Men; Three Tenant Families Let Us Now Praise Famous Men; Three Tenant Families | 0 |
 Partners
| 0 |
 Both Ways Is the Only Way I Want It
| 3.75 |
 Atonement
| 3.88 |
 Housemates
| 4.25 |
 Boulder
| 4.08 |
 James
| 4.56 |
 Hard Rain Falling
| 4.15 |
 The Empusium: A Health Resort Horror Story
| 0 |
 Air Guitar Air Guitar: Essays on Art and Democracy
| 0 |
 The Magic Mountain
| 3.93 |
 Moby-Dick: or, The Whale
| 2.53 |
 The Sluts
| 4 |
 Molly
| 3.75 |
 The Bacchae
| 4.45 |
 Against Interpretation and Other Essays
| 3.4 |
 Trad of the New PB
| 0 |
 Paul Takes the Form of a Mortal Girl
| 3.96 |
 The Aeneid
| 3.73 |
 Bitstreams: The Future of Digital Literary Heritage
| 0 |
 There's Always This Year: On Basketball and Ascension
| 4.5 |
 God, Human, Animal, Machine
| 0 |
 We Have Delivered Ourselves from the Tonal — Of, Towards, On, For Julius Eastman
| 0 |
 The New Spirit of Capitalism
| 0 |
 Float
| 5 |
 Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California
| 0 |
 Transit
| 4.22 |
 Universities and the Capitalist State Universities and the Capitalist State: Corporate Liberalism and the Reconstruction of American Higher Education, 1894-1928 | 0 |
 Metamorphoses
| 3.96 |
 Orlando
| 3.76 |
 Portraits John Berger on artists
| 0 |
 Dialogue with a Somnambulist
| 0 |
 Complete Poems
| 4 |
 Diminished Faculties: A Political Phenomenology of Impairment
| 0 |
 The Archive Effect: Found Footage and the Audiovisual Experience of History
| 0 |
Papers Papers | 0 |
New Dark Age New Dark Age: Technology and the End of the Future
| 0 |
 Minima Moralia Minima Moralia: Reflections on a Damaged Life | 0 |
 MP3: The Meaning of a Format
| 0 |
 Sound Moves: iPod Culture and Urban Experience
| 0 |
 Tomorrow, and Tomorrow, and Tomorrow
| 4.16 |
 Waiting for Godot: A Tragicomedy in Two Acts
| 3.9 |
 The Waves
| 4.24 |
 The Gentle Barbarian
| 0 |
 Art
| 0 |
 The Name of the Rose
| 3.99 |
 Refocus: The Films of Kelly Reichardt
| 0 |
 Postmodernism, or, The Cultural Logic of Late Capitalism (Post-Contemporary Interventions)
| 3.88 |
 Archiveology: Walter Benjamin and Archival Film Practices
| 0 |
 Group Portrait With Lady (Penguin Twentieth-Century Classics)
| 0 |
 Go Ahead in the Rain: Notes to A Tribe Called Quest
| 4.5 |
 Noise, Water, Meat
| 0 |
 The Picture of Dorian Gray
| 4.07 |
 The Death of Francis Bacon
| 2.88 |
 Doctor Faustus
| 4.2 |
 Track changes : a literary history of word processing
| 0 |
 Midwest Futures
| 0 |
 Jacob's Room
| 3.08 |
 The Age of Innocence
| 4.01 |
 The Origin of Capitalism
| 5 |
 Ellis Island
| 0 |
 Walter Benjamin or Towards a Revolutionary Criticism
| 0 |
 The Bluest Eye
| 3.93 |
 Yellowface
| 3.96 |
 The Book of Disquiet
| 4.34 |
 The Burnout Society
| 3.53 |
 The Houseguest and Other Stories
| 3.93 |
 An Enemy of the People
| 3.17 |
 What Artists Wear
| 5 |
 The Undercommons
| 0 |
 I Love Dick
| 3.79 |
 Chaos
| 3.82 |
 The Myth of Sisyphus
| 4.06 |
 Hurricane Season
| 4.17 |
Log Off Log Off: Why Posting and Politics (almost) Never Mix
| 0 |
 Mean Boys: A Personal History
| 0 |
 The Urban Crucible: The Northern Seaports and the Origins of the American Revolution
| 0 |
 Scorched Earth
| 4 |
 Narcissus in Bloom: An Alternative History of the Selfie
| 0 |
 Keystroke Capitalism: How Banks Create Money for the Few
| 0 |
 The Gentrification of the Mind: Witness to a Lost Imagination
| 4 |
 I See Buildings Fall Like Lightning
| 0 |