 "History Is Bunk": Assembling the Past at Henry Ford's Greenfield Village
| 2014 | 0 |
 The Good Country: A History of the American Midwest, 1800–1900
| 0 | |
 North Country: Essays on the Upper Midwest and Regional Identity | 2023 | 0 |
 Visionary Film
| 1974 | 0 |
 Avant-Doc: Intersections of Documentary and Avant-Garde Cinema
| 2014 | 0 |
 Tom Lake
| 2023 | 4.01 |
 Earlier
| 2023 | 0 |
 Narrowcast: Poetry and Audio Research
| 2018 | 0 |
 The River You Touch: Making a Life on Moving Water
| 2022 | 0 |
 The Soundscape
| 1993 | 4.5 |
 Understanding Media: The Extensions of Man
| 4.67 | |
 The Politics of Aesthetics
| 2000 | 0 |
 Relational Aesthetics
| 1998 | 0 |
 Decomposed Decomposed: The Political Ecology of Music
| 0 | |
 Mechanisms: New Media and the Forensic Imagination
| 2007 | 0 |
 The Archive and the Repertoire: Performing Cultural Memory in the Americas
| 2003 | 0 |
 The Mode of Information: Poststructuralism and Social Context
| 1990 | 0 |
 Liveness
| 1999 | 0 |
 The Relentless Pursuit of Tone: Timbre in Popular Music | 2018 | 0 |
 On Minimalism: Documenting a Musical Movement | 2023 | 0 |
 The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave
| 2023 | 0 |
 The Perfect Sound: A Memoir in Stereo
| 2022 | 0 |
 Sirens & Muses
| 2022 | 4.23 |
 Give My Regards to Eighth Street: Collected Writings of Morton Feldman
| 2000 | 0 |
 Dimes Square and Other Plays
| 2023 | 0 |
 Pure Color
| 2022 | 2 |
 Kafka Was the Rage: A Greenwich Village Memoir
| 1993 | 3 |
 Sleeveless
| 2019 | 0 |
 All the Beauty in the World: The Metropolitan Museum of Art and Me
| 2022 | 4.38 |
 The Hour of Our Death
| 1977 | 0 |
 This Woman's Work This Woman's Work: Essays on Music
| 0 | |
 My German Brother
| 2014 | 3.5 |
 Boom: Mad Money, Mega Dealers, and the Rise of Contemporary Art
| 2019 | 0 |
 Sound Within Sound: Opening Our Ears to the Twentieth Century
| 2022 | 0 |
 On Hashish
| 1972 | 0 |
 Stages: On Dying, Working, and Feeling
| 2020 | 0 |
 Bootycandy
| 0 | |
 Firekeeper's Daughter
| 2021 | 4.23 |
 As Serious As Your Life: John Coltrane and Beyond
| 1977 | 0 |
 Cold Enough for Snow
| 2022 | 4.09 |
 Paradais
| 2021 | 3.47 |
 Woodcutters
| 1984 | 4.5 |
 Against Nature
| 1884 | 4.44 |
 The Books of Jacob
| 2014 | 4.25 |
 Intimacies
| 2022 | 4.15 |
 Priestdaddy
| 3.93 | |
 Kraftwerk
| 2018 | 2.5 |
 Common Tones: Selected Interviews with Artists and Musicians 1995–2020
| 2021 | 0 |
 Flyboy in the Buttermilk: Essays on Contemporary America
| 1992 | 0 |
 Major Labels Major Labels: A History of Popular Music in Seven Genres
| 4.5 | |
 Liner Notes for the Revolution
| 2021 | 0 |
 Finding the Raga: An Improvisation on Indian Music
| 0 | |
 Air guitar | 1997 | 4 |
 Monolithic Undertow: In Search of Sonic Oblivion
| 2020 | 3.5 |
 Rave
| 1998 | 0 |
 Digitizing Race: Visual Cultures of the Internet
| 2007 | 0 |
 Freshwater
| 2018 | 3.94 |
 Marlena
| 2017 | 3.75 |
 Silences So Deep: Music, Solitude, Alaska
| 2020 | 0 |
 The Marvelous Clouds
| 2015 | 0 |
 Selling Digital Music, Formatting Culture
| 2015 | 0 |
 The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins
| 2015 | 0 |
 Notes and Tones Notes and Tones: Musician-to-Musician Interviews
| 4 | |
Raising Moths. Attempts at (Musical) Ekphrasis on Haruomi Hosono's Watering a Flower Raising Moths. Attempts at (Musical) Ekphrasis on Haruomi Hosono's Watering a Flower | 0 | |
 The Folk Singers and the Bureau The FBI, the Folk Artists and the Suppression of the Communist Party, USA-1939-1956
| 2020 | 0 |
 Ghosts of My Life
| 2014 | 4 |
 Music Downtown Music Downtown: Writings from the Village Voice | 0 | |
 The Recording Angel: Music, Records and Culture from Aristotle to Zappa
| 1986 | 0 |
Duchamp Is My Lawyer Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of Ubuweb
| 0 | |
 Rednecks, Queers, and Country Music
| 2014 | 0 |
 Interaction of Color
| 1971 | 1 |
 A power stronger than itself : the AACM and American experimental music
| 2007 | 0 |
 Technoprecarious
| 2020 | 0 |
 The Crab Cannery Ship and Other Novels of Struggle
| 1929 | 5 |
 Think Tank Aesthetics
| 2020 | 0 |
 The Great Transformation
| 2006 | 4 |
 Bunny
| 2019 | 3.6 |
 Uneasy Street
| 2017 | 4 |
 Carceral Capitalism
| 2017 | 5 |
 The Mechanic Muse
| 1986 | 0 |
 Housekeeping
| 1980 | 4.18 |
 Near to the Wild Heart
| 1943 | 3.86 |
 American Salvage
| 2009 | 0 |
 All My Cats
| 1983 | 0 |
 The Savage Detectives
| 1998 | 4.15 |
 Globalists
| 2020 | 5 |
 The Remains of the Day
| 1989 | 4.21 |
 Cultural Amnesia
| 2007 | 3 |
 The Revolution Will Not Be Funded: Beyond the Non-Profit Industrial Complex | 2007 | 4.25 |
 All that Is Solid Melts into Air: The Experience of Modernity
| 1982 | 0 |
 Genesis of a Music: An Account of a Creative Work, Its Roots, and Its Fulfillments
| 1949 | 0 |
 Caliban and the Witch
| 2004 | 4.25 |
 Open Veins of Latin America: Five Centuries of the Pillage of a Continent
| 1971 | 3.85 |
Are We Still Rolling? Are We Still Rolling?: Studios, Drugs and Rock 'n' Roll - One Man's Journey Recording Classic Albums
| 2010 | 0 |
 Meditations on a Hobby Horse and Other Essays on the Theory of Art
| 1963 | 0 |
 Sphinx
| 1986 | 0 |
 Art as Experience
| 1934 | 4 |
The Painting of Modern Life The Painting of Modern Life: Paris in the Art of Manet and His Followers
| 1984 | 0 |
 Ducks, Newburyport
| 2019 | 3.81 |
 The Art Spirit
| 1929 | 3.5 |