 The Order of Time
| 2017 | 3.79 |
 Now, Now, Louison
| 2016 | 0 |
 Slouching Towards Bethlehem
| 1968 | 4.06 |
 The Medium and the Message The Medium and the Message: Understanding the Information World | 0 | |
 Middlemarch
| 18 | 4.23 |
 The Art of Cruelty: A Reckoning
| 2011 | 4.33 |
 A Void
| 1995 | 4 |
 The Lover
| 1984 | 3.72 |
 The Rest Is Noise
| 2007 | 4 |
 Heavy
| 2018 | 4.64 |
 Molloy
| 1951 | 3.69 |
 House of Leaves
| 1999 | 4.14 |
 Words Without Music: A Memoir
| 4.33 | |
 Music By Philip Glass
| 1987 | 0 |
 Interpretations of Poetry and Religion
| 1957 | 0 |
 Minima moralia
| 1951 | 3.25 |
 The Sellout
| 2015 | 3.75 |
 Antidote
| 2013 | 0 |
 The Dream Songs
| 1969 | 5 |
 The Collected Poems of Bertolt Brecht
| 2018 | 0 |
 Aesthetics and Politics
| 1977 | 0 |
 A Streetcar Named Desire
| 1947 | 3.86 |
 Gasoline & The Vestal Lady on Brattle
| 1955 | 4.33 |
 Cat on a Hot Tin Roof
| 1955 | 4.02 |
 The Ideology of the Aesthetic
| 1990 | 0 |
 Opium Opium: Journal d'une désintoxication
| 3.33 | |
 Mayakovsky: Plays
| 1995 | 0 |
 Foucault's Philosophy of Art: A Genealogy of Modernity
| 2009 | 0 |
 The Structure of Scientific Revolutions
| 1962 | 3.87 |
 Absolutely on Music: Conversations with Seiji Ozawa
| 2011 | 3.5 |
 Noise: The Political Economy of Music
| 1985 | 0 |
 The Body in Pain: The Making and Unmaking of the World
| 1985 | 0 |
 The Vegetarian
| 2007 | 3.52 |
 The Color of Law
| 2017 | 4.33 |
 The Artist's Reality The Artist's Reality: Philosophies of Art
| 2004 | 0 |
 Art and the Aesthetic: An Institutional Analysis
| 1974 | 0 |
 1Q84
| 2009 | 3.67 |
 The Reinvention of Religious Music: Olivier Messiaen's Breakthrough Toward the Beyond | 2009 | 0 |
 The New Jim Crow: Mass Incarceration in the Age of Colorblindness
| 2010 | 4.52 |
 Pink Noises: Women on Electronic Music and Sound
| 2009 | 0 |
 Musicage: Cage Muses on Words * Art * Music
| 1996 | 0 |
 The Bell Jar
| 1963 | 3.92 |
 The Official Report on Human Activity
| 2018 | 0 |
 Image, Music, Text
| 1977 | 4 |
 Terror and the Sublime in Art and Critical Theory: From Auschwitz to Hiroshima to September 11
| 2005 | 0 |
 Camera Lucida
| 1982 | 4.41 |
 Being and Nothingness
| 3.77 | |
 Listening to Noise and Silence
| 2010 | 0 |
 Sounding Off: Eleven Essays in the Philosophy of Music
| 2012 | 0 |
 Black Marxism
| 5 | |
 Dubliners
| 1914 | 3.88 |
 Blood in the Water
| 2016 | 4.5 |
 Music and Marx: Ideas, Practice, Politics | 2002 | 0 |
 Illuminations
| 1875 | 4.33 |
 The Art of Loving
| 1956 | 3.65 |
 Are Prisons Obsolete?
| 2003 | 4.26 |
 Epistrophies: Jazz and the Literary Imagination
| 2017 | 0 |
 Regarding the Pain of Others
| 2004 | 3.89 |
 Feminism Is for Everybody: Passionate Politics
| 2000 | 4.02 |
 Playing Changes
| 2018 | 3.5 |
 The House of the Spirits
| 1985 | 4.25 |
 Radical Gestures: Feminism and Performance Art in North America
| 2006 | 0 |
 The Transfiguration of the Commonplace: A Philosophy of Art
| 0 | |
 Aesthetics Volume I
| 2016 | 0 |
 Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011
| 2017 | 3.89 |
 What Is Art?
| 1897 | 3.13 |
 The Racial Contract
| 1997 | 5 |
 Gravity's Rainbow
| 1973 | 4.21 |