"History Is Bunk": Assembling the Past at Henry Ford's Greenfield Village |
The Good Country: A History of the American Midwest, 1800–1900 |
North Country: Essays on the Upper Midwest and Regional Identity |
|
Avant-Doc: Intersections of Documentary and Avant-Garde Cinema |
|
|
Narrowcast: Poetry and Audio Research |
The River You Touch: Making a Life on Moving Water |
|
Understanding Media: The Extensions of Man |
The Politics of Aesthetics |
Relational Aesthetics - Nicolas Bourriaud
- Simon Pleasance (Translator)
- Fronza Woods (Translator)
- Mathieu Copeland (Translator)
|
Decomposed Decomposed: The Political Ecology of Music |
Mechanisms: New Media and the Forensic Imagination |
The Archive and the Repertoire: Performing Cultural Memory in the Americas |
The Mode of Information: Poststructuralism and Social Context |
|
The Relentless Pursuit of Tone: Timbre in Popular Music |
On Minimalism: Documenting a Musical Movement |
The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave |
The Perfect Sound: A Memoir in Stereo |
|
Give My Regards to Eighth Street: Collected Writings of Morton Feldman |
Dimes Square and Other Plays |
|
Kafka Was the Rage: A Greenwich Village Memoir |
|
All the Beauty in the World: The Metropolitan Museum of Art and Me |
|
|
My German Brother - Chico Buarque
- Alison Entrekin (Translator)
|
Boom: Mad Money, Mega Dealers, and the Rise of Contemporary Art |
Sound Within Sound: Opening Our Ears to the Twentieth Century |
|
Stages: On Dying, Working, and Feeling |
|
|
As Serious As Your Life: John Coltrane and Beyond |
|
Paradais - Fernanda Melchor
- Sophie Hughes (Translator)
|
Woodcutters - Thomas Bernhard
- David McLintock (Translator)
|
|
The Books of Jacob - Olga Tokarczuk
- Jennifer Croft (Translator)
|
|
|
|
Common Tones: Selected Interviews with Artists and Musicians 1995–2020 |
Flyboy in the Buttermilk: Essays on Contemporary America |
Major Labels Major Labels: A History of Popular Music in Seven Genres |
Liner Notes for the Revolution |
Finding the Raga: An Improvisation on Indian Music |
|
Monolithic Undertow: In Search of Sonic Oblivion |
|
Digitizing Race: Visual Cultures of the Internet |
|
|
Silences So Deep: Music, Solitude, Alaska |
|
Selling Digital Music, Formatting Culture |
The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins |
|
|
The Folk Singers and the Bureau The FBI, the Folk Artists and the Suppression of the Communist Party, USA-1939-1956 |
|
|
The Recording Angel: Music, Records and Culture from Aristotle to Zappa |
|
Rednecks, Queers, and Country Music |
|
A power stronger than itself : the AACM and American experimental music |
|
The Crab Cannery Ship and Other Novels of Struggle |
|
|
|
|
|
|
|
Near to the Wild Heart - Clarice Lispector
- Alison Entrekin (Translator)
|
|
All My Cats - Bohumil Hrabal
- Paul Wilson (Translator)
|
|
|
|
|
The Revolution Will Not Be Funded: Beyond the Non-Profit Industrial Complex |
All that Is Solid Melts into Air: The Experience of Modernity |
Genesis of a Music: An Account of a Creative Work, Its Roots, and Its Fulfillments |
|
Open Veins of Latin America: Five Centuries of the Pillage of a Continent |
Are We Still Rolling? Are We Still Rolling?: Studios, Drugs and Rock 'n' Roll - One Man's Journey Recording Classic Albums |
Meditations on a Hobby Horse and Other Essays on the Theory of Art |
Sphinx - Anne Garréta
- Emma Ramadan (Translator)
|
|
|
|
|