 Omon Ra
| 1998 | 7 reads |
 Upon a Burning Throne
| 2019 | 5 reads |
 Please Report Your Bug Here
| 2023 | 5 reads |
 Frida Kahlo
| 2016 | 1 read |
 I Who Have Never Known Men
| 1997 | 112 reads |
 Digital Contagions Digital Contagions: A Media Archaeology of Computer Viruses, Second Edition | 0 reads | |
 The Web as History
| 2017 | 0 reads |
 The Audience Commodity in a Digital Age
| 2014 | 0 reads |
 Upstream: Selected Essays
| 2016 | 34 reads |
 Is Art History Global? (Art Seminar)
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 Poeta chileno
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 Into the Media Web Into the Media Web | 0 reads | |
 The refrigerator monologues
| 2017 | 15 reads |
 Tomorrow, and Tomorrow, and Tomorrow
| 2022 | 1,056 reads |
Soonish Soonish: Ten Emerging Technologies That Will Improve and/or Ruin Everything | 0 reads | |
 The Mountain in the Sea
| 2022 | 119 reads |
 Stolen Focus: Why You Can't Pay Attention
| 2022 | 124 reads |
 Severance
| 2018 | 157 reads |
 little scratch
| 2020 | 6 reads |
 Threats
| 2012 | 4 reads |
 The Doloriad
| 2022 | 7 reads |
 Zeno's Conscience
| 1923 | 9 reads |
 Infinite Ground
| 2017 | 1 read |
 Slewfoot: A Tale of Bewitchery
| 2021 | 78 reads |
 Memory Machines: The Evolution of Hypertext
| 2013 | 0 reads |
 There Plant Eyes
| 2021 | 0 reads |
The Joy of x The Joy of x: A Guided Tour of Math, from One to Infinity | 0 reads | |
 Film for Her
| 2020 | 5 reads |
 Flux
| 2017 | 4 reads |
 Terminal Boredom: Stories
| 2021 | 17 reads |
 Everything, All the Time, Everywhere: How We Became Postmodern
| 2021 | 1 read |
 Aesthetics of Interaction in Digital Art
| 2013 | 0 reads |
 Cursed Bunny
| 2023 | 80 reads |
 When We Cease to Understand the World
| 2020 | 78 reads |
 Gravity's Rainbow
| 1973 | 70 reads |
 Brief Interviews with Hideous Men
| 1999 | 16 reads |
 From Margin to Center From Margin to Center: The Spaces of Installation Art | 0 reads | |
 Screens Screens: Viewing Media Installation Art | 0 reads | |
 Everything the Darkness Eats
| 2023 | 13 reads |
 You've Lost a Lot of Blood
| 2022 | 33 reads |
 We Can Never Leave This Place
| 2022 | 12 reads |
 How to Make Art at the End of the World How to Make Art at the End of the World: A Manifesto for Research-Creation
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 Babel: Or the Necessity of Violence: An Arcane History of the Oxford Translators’ Revolution
| 2022 | 709 reads |
 Through the Language Glass
| 2010 | 15 reads |
Gödel, Escher, Bach Gödel, Escher, Bach: An Eternal Golden Braid
| 0 reads | |
 Turing's Cathedral: The Origins of the Digital Universe
| 1 read | |
 Mirrored Mind: My Life in Letters and Code
| 2013 | 3 reads |
 Is That a Fish in Your Ear? The Amazing Adventure of Translation
| 1 read | |
 In the Flow
| 2016 | 1 read |
 Horimiya
| 2012 | 24 reads |
Everything Dissolves Everything Dissolves | 0 reads | |
 Database Aesthetics Database Aesthetics: Art in the Age of Information Overflow | 0 reads | |
 There Is No Antimemetics Division
| 2020 | 8 reads |
 The Selected Works of T.S. Spivet
| 2009 | 4 reads |
No Internet, No Art No Internet, No Art | 0 reads | |
 The Poetics of Space The Poetics of Space | 0 reads | |
 The Crying of Lot 49
| 1965 | 170 reads |
 I Have No Mouth and I Must Scream
| 1967 | 115 reads |
The Transreal The Transreal: Political Aesthetics of Crossing Realities | 0 reads | |
 Composition No. 1
| 1962 | 0 reads |
 Tokyo Ghoul, Vol. 1
| 2012 | 6 reads |
 All the World's a Simulation
| 2018 | 0 reads |
Elogio de la sombra ; Sobre la indolencia ; Amor y pasión Elogio de la sombra ; Sobre la indolencia ; Amor y pasión | 0 reads | |
 Noise Channels Noise Channels: Glitch and Error in Digital Culture | 0 reads | |
 The Three-Body Problem
| 2006 | 1,292 reads |
 The Lifecycle of Software Objects
| 2010 | 20 reads |
My Mother Was a Computer My Mother Was a Computer: Digital Subjects and Literary Texts
| 2005 | 1 read |
Deja Vu Deja Vu: Aberrations Of Cultural Memory | 0 reads | |
 Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry
| 2009 | 2 reads |
 An Encyclopedia of Bending Time
| 0 reads | |
 Canon/Archive Canon/Archive: Studies in Quantitative Formalism | 0 reads | |
Media Poetry Media Poetry: An International Anthology | 0 reads | |
Escritura no-creativa Escritura no-creativa: Gestionando el lenguaje en la era digital | 0 reads | |
 Cosmicomics
| 1968 | 20 reads |
Post Internet Post Internet: Notes on the Internet and Art 12.29.09 > 09.05.10 | 0 reads | |
 Hallucinating Foucault
| 1996 | 1 read |
The Hearing Trumpet The Hearing Trumpet | 0 reads | |
 The Tattooed Map
| 1995 | 2 reads |
 Feast Your Eyes
| 2019 | 1 read |
 Critical Code Studies
| 2020 | 0 reads |
 Tecnopoéticas Argentinas | 2012 | 0 reads |
Becoming Virtual Becoming Virtual | 0 reads | |
 Lunar Follies
| 2012 | 0 reads |
Digital Poetics Digital Poetics: Hypertext, Visual-Kinetic Text and Writing in Programmable Media | 0 reads | |
 The Notebook, The Proof, The Third Lie: Three Novels
| 1986 | 10 reads |
 The House of Sleep
| 1997 | 7 reads |
 Time's Arrow
| 1992 | 15 reads |
 Cinema Panopticum
| 2005 | 6 reads |
 Glitch Feminism
| 2020 | 9 reads |
 Dark Water
| 1996 | 8 reads |
 The Logogryph: A Bibliography Of Imaginary Books
| 2004 | 1 read |
 The Arcades Project
| 1982 | 6 reads |
 Memories of the Future
| 1929 | 0 reads |
 On the Existence of Digital Objects
| 2016 | 0 reads |
Arte en flujo Arte en flujo | 0 reads | |
Unoriginal Genius Unoriginal Genius: Poetry by Other Means in the New Century | 0 reads | |
 The Book of Laughter and Forgetting
| 1979 | 35 reads |
The Art and Craft of Approaching Your Head of Department to Submit a Request for a Raise The Art and Craft of Approaching Your Head of Department to Submit a Request for a Raise | 0 reads | |
Going Public Going Public | 0 reads | |
 The Fifty Year Sword
| 2012 | 8 reads |