 Methods and Theories of Art History Methods and Theories of Art History
| 0 |
 Themes of Contemporary Art Themes of Contemporary Art: Visual Art after 1980
| 0 |
 Flesh of My Flesh
| 0 |
 The world as will and representation
| 4 |
 Six Memos For The Next Millennium
| 4.38 |
 Flush
| 3.65 |
 Ancient Philosophy Ancient Philosophy
| 0 |
 Sur Racine
| 4 |
 The Death of the Author
| 3.71 |
 Selected Stories of Anton Chekhov
| 4.18 |
 The lower depths
| 3 |
 The Cherry Orchard
| 3.49 |
 Nikolai Gogol
| 4.5 |
 Illuminations: Essays and Reflections
| 4.5 |
 The Death of Ivan Ilych
| 4.12 |
Childhood Childhood
| 2.5 |
 Asya
| 3.67 |
 Fathers and Sons
| 3.88 |
 The Overcoat
| 4 |
 A Hero of Our Time
| 3.74 |
The Way of Tarot The Way of Tarot: The Spiritual Teacher in the Cards
| 4 |
 The Queen of Spades
| 3.33 |
 Seeing Ourselves Seeing Ourselves : Women's Self-Portraits
| 0 |
 The self-portrait : a cultural history
| 0 |
 Silence
| 3.84 |
 The Following Story
| 3 |
 Exercises in Style
| 3.85 |
 The Cyberiad
| 4.11 |
 Commons
| 3.25 |
 The Setting Sun
| 4.07 |
 Decolonising the Mind
| 0 |
 Truth and method
| 5 |
 Solaris
| 3.74 |
 The Power of Myth
| 4 |
 Wide Sargasso Sea
| 3.35 |
 Matter and Memory
| 3.67 |
 Nietzsche and Philosophy
| 5 |
 The Principle of Reason
| 3 |
 Jójó
| 0 |
 Aesthetic Theory
| 4 |
 Beyond Good and Evil
| 3.49 |
 A Farewell to Arms
| 3.72 |
 The Interpretation of Dreams
| 3.49 |
 Cinema
| 0 |
 Regarding the Pain of Others
| 3.88 |
 How to read Lacan
| 3.63 |
 Leaves of Grass
| 3.9 |
 Nothing Happens Nothing Happens: Chantal Akerman's Hyperrealist Everyday
| 0 |
 What is Philosophy?
| 4.25 |
 Journey to the End of the Night
| 4.22 |
 Philosophical investigations
| 4.73 |
 Catch-22
| 3.98 |
 The Film Sense
| 0 |
 Living in the End Times
| 0 |
 The Plague of Fantasies
| 0 |
Bergsonism Bergsonism
| 4.5 |
 The Sublime Object of Ideology
| 3.5 |
 The Beyond Within The Beyond Within: Post-Cinematic Possibilities of Play and Action
| 0 |
 Performance Art: From Futurism to the Present
| 0 |
 Deleuze Reframed: Interpreting Key Thinkers for the Arts
| 0 |
 Francis Bacon
| 0 |
 Critique of Aesthetic Judgement with Seven Introductory Essays
| 0 |
 Endgame
| 3.64 |
 The Trial
| 3.98 |
 1984
| 4.21 |
 Watchmen
| 4.45 |
 Chew, Vol. 1: Taster's Choice
| 4.01 |
 Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead
| 4.08 |
 Palestine
| 4.33 |
 Brave New World
| 3.88 |
 Howl and Other Poems
| 4.13 |
 Animal Farm
| 4.04 |
 Fahrenheit 451
| 3.91 |
 The Great Gatsby
| 3.73 |
 Candide
| 3.8 |
 The Trial and Death of Socrates
| 4.03 |
 Crime and Punishment
| 4.25 |
 The Importance of Being Earnest and Other Plays
| 3.8 |
 A Contract With God and Other Tenement Stories
| 3.86 |
 Romeo and Juliet
| 3.48 |
 Bone
| 4.06 |
 The Curious Incident of the Dog in the Night-Time
| 3.81 |
 Gone to Texas
| 3.99 |
 The Brothers Karamazov
| 4.38 |
 Maus I: A Survivor's Tale: My Father Bleeds History
| 4.54 |
 Unmanned
| 3.99 |
 Dali the Paintings: Volume I, 1904-1946; Volume II, 1946-1989
| 5 |
 To Kill a Mockingbird
| 4.15 |
 Scott Pilgrim Vol. 2: Scott Pilgrim vs. The World | 4.18 |
 Scott Pilgrim Vol. 1: Scott's Precious Little Life
| 4.17 |
 Slaughterhouse 5
| 4.09 |
 Thus Spoke Zarathustra
| 3.82 |
 The Little Prince
| 4.21 |
 Nausea
| 3.63 |
 Batman: Whatever Happened to the Caped Crusader?
| 4.27 |
 Kurt Vonnegut's Cat's Cradle
| 4.31 |
 Amadeus
| 4.5 |
 V for Vendetta
| 4.15 |
 Chew, Vol. 3: Just Desserts
| 4.1 |
 Transmetropolitan, Vol. 1: Back on the Street
| 4.2 |