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| 1993 | 3.25 |
 The Spook's Apprentice
| 2004 | 3.57 |
 Even Though I Knew the End
| 2022 | 3.95 |
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| 2010 | 5 |
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| 2015 | 3.27 |
 In That Endlessness, Our End
| 2021 | 0 |
 Technologies of the Self Technologies of the Self: A Seminar with Michel Foucault
| 0 | |
 The Dangers of Smoking in Bed
| 2009 | 3.87 |
 Constellations of Ruin
| 2023 | 0 |
 Thirteen Storeys
| 2020 | 3.73 |
Eroticism Eroticism
| 0 | |
 The Guest
| 2023 | 3.4 |
 The New Weird
| 2008 | 3 |
 The Weird: A Compendium of Strange and Dark Stories | 2010 | 0 |
 The Divinity Student
| 1999 | 3 |
 Gender Outlaw
| 1994 | 3.83 |
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| 2014 | 3 |
 Yellowface
| 2023 | 3.94 |
 Our Wives Under the Sea
| 2022 | 3.79 |
The Gardener and the Carpenter The Gardener and the Carpenter: What the New Science of Child Development Tells Us About the Relationship Between Parents and Children
| 0 | |
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| 12 | 3.77 |
 This Thing Between Us
| 3.72 | |
 Dept. of Speculation | 2014 | 3.71 |
 Beneath The Rising
| 2020 | 3.13 |
 Abarat: Absolute Midnight
| 2002 | 3.86 |
 The Black Company
| 1984 | 3.62 |
 People From My Neighbourhood
| 2020 | 3.56 |
 An Inquiry into the Good
| 1911 | 0 |
 In Search of the Third Bird In Search of the Third Bird: Exemplary Essays from The Proceedings of ESTAR(SER), 2001–2020
| 0 | |
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| 2023 | 0 |
 No Rules Rules: Netflix and the Culture of Reinvention
| 9 | 4.12 |
 The Name of the Wind
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 The Worm and His Kings
| 2020 | 3.67 |
 Dead Inside
| 2015 | 2.96 |
 City on Fire
| 1997 | 3.08 |
 Helpmeet
| 2022 | 3.45 |
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| 2023 | 3.33 |
 The Bestiary The Bestiary
| 0 | |
 Megahex
| 2014 | 3.78 |
 The Creative Act: A Way of Being
| 2023 | 3.82 |
 Luda
| 2022 | 3.5 |
 Invisible Child
| 2021 | 4.96 |
 Our Share of Night
| 2019 | 3.84 |
 Demon Copperhead
| 2022 | 4.42 |
 The Devil Takes You Home
| 2022 | 3.74 |
 Illuminations
| 2022 | 3.88 |
 Why We Sleep: Unlocking the Power of Sleep and Dreams
| 2017 | 4.33 |
 Come Closer
| 2003 | 3.54 |
 The Black Cloud
| 1957 | 3.59 |
 The Employees
| 2018 | 3.61 |
 Cultish: The Language of Fanaticism
| 2021 | 3.9 |
 What She Saw Last Night What She Saw Last Night
| 0 | |
 We Have Always Been Here
| 2021 | 3.53 |
 The Lonely City: Adventures in the Art of Being Alone
| 2016 | 3.7 |
 After the Internet: Digital Networks between Capital and the Common
| 0 | |
 Wild: From Lost to Found on the Pacific Crest Trail
| 2012 | 3.86 |
 Eleanor Oliphant Is Completely Fine
| 2017 | 4.12 |
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| 2022 | 3.67 |
Within a Forest Dark Within a Forest Dark
| 0 | |
 Memory and Dream
| 1994 | 3.6 |
 Landscape in Concrete
| 1963 | 0 |
 Again, Dangerous Visions | 1972 | 2.67 |
Cybernetic Revolutionaries Cybernetic Revolutionaries: Technology and Politics in Allende's Chile
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 Dangerous Visions
| 4.2 | |
 Other Words for Smoke
| 2019 | 3.89 |
 Minotaur
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 Boy Parts
| 2020 | 3.78 |
 The Poetics of Space
| 1957 | 4.13 |
 The Whale at the End of the World
| 2015 | 0 |
 The Courage to Be Disliked: The Japanese Phenomenon That Shows You How to Change Your Life and Achieve Real Happiness
| 2013 | 3.98 |
 Class
| 1983 | 4.2 |
 Fluids
| 2022 | 4.38 |
 Hull Zero Three
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 There Is No Antimemetics Division
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 When Elephants Fly
| 2018 | 4 |
 Red X
| 2021 | 3.88 |
 In the Dream House
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 In Heaven, Everything is Fine In Heaven, Everything is Fine: Fiction Inspired by David Lynch
| 0 | |
 Revelator
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Freedom Is a Two Edged Sword Freedom Is a Two Edged Sword
| 0 | |
 Grimoire of the Four Impostors
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 Man's Search for Meaning
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 The Space Between Worlds
| 2015 | 3.85 |
 The Room
| 3.17 | |
 Nameless
| 2016 | 3.25 |
 Real Artists Don't Starve: Timeless Strategies for Thriving in the New Creative Age
| 2017 | 4 |
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 The Sandman: Book of Dreams
| 1996 | 4.2 |
 Black Heart, Ivory Bones | 2000 | 3.5 |
 Inviting Interruptions: Wonder Tales in the Twenty-First Century | 2021 | 0 |
 Cabal
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 Your Head is a Houseboat: A Chaotic Guide to Mental Clarity
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 The Anatomy of Story
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 The Infernal Desire Machines of Doctor Hoffman
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 Found Audio
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 Wake
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 Difference and Repetition
| 1968 | 0 |
 Anti-Oedipus Anti-Oedipus: Capitalism and Schizophrenia
| 0 | |
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 The Art and Soul of Dune
| 2022 | 4 |