1999 | 3.23 | |
2008 | 4.15 | |
2017 | 4.23 | |
2016 | 3.47 | |
2017 | 3.43 | |
2016 | 2 | |
3.31 | ||
2018 | 3.33 | |
2016 | 3.87 | |
2014 | 0 | |
2002 | 2.36 | |
2018 | 3 | |
2018 | 3.7 | |
1994 | 3.89 | |
![]() Assuming Names Assuming Names
| 0 | |
2011 | 3.69 | |
2016 | 2.75 | |
1997 | 3.71 | |
2017 | 3.86 | |
2013 | 4 | |
2015 | 4.31 | |
2017 | 0 | |
2015 | 0 | |
2018 | 0 | |
2017 | 3.2 | |
2017 | 3.33 | |
![]() The Reunion The Reunion
| 2018 | 0 |
2018 | 3 | |
![]() Bone Music Bone Music
| 3 | |
2017 | 4.24 | |
![]() State of Resistance State of Resistance: What California's Dizzying Descent and Remarkable Resurgence Means for America?s Future | 0 | |
2018 | 3.46 | |
2017 | 0 | |
2001 | 3.91 | |
2014 | 3 | |
2017 | 3 | |
![]() Party Girls Die in Pearls Party Girls Die in Pearls: An Oxford Girl Mystery
| 4 | |
2017 | 3.9 | |
2008 | 3.63 | |
2015 | 2.8 | |
![]() Moonlight over Paris Moonlight over Paris | 0 | |
2010 | 0 | |
2016 | 0 | |
2003 | 2.33 | |
2017 | 3.75 | |
2014 | 2.33 | |
2017 | 3.32 | |
![]() The Stars in Our Eyes The Stars in Our Eyes: The Famous, the Infamous, and Why We Care Way Too Much about Them | 0 | |
2017 | 2 | |
2017 | 0 | |
2016 | 4 | |
2001 | 4.01 | |
2017 | 2.33 | |
2017 | 3.33 | |
2017 | 3.25 | |
2017 | 3 | |
2017 | 3.42 | |
2017 | 3.25 | |
2017 | 3.83 | |
2017 | 0 | |
2017 | 0 | |
2015 | 3 | |
2017 | 3.89 | |
2016 | 3.71 | |
2017 | 4.33 | |
2017 | 3.48 | |
2017 | 3.17 | |
2017 | 3.76 | |
2017 | 3 | |
2017 | 3.46 | |
2017 | 3.25 | |
2017 | 3.5 | |
![]() The Keeper of Lost Causes The Keeper of Lost Causes
| 4 | |
1984 | 4.33 | |
2017 | 3 | |
2017 | 3 | |
2017 | 3.1 | |
2016 | 3.56 | |
2017 | 4.5 | |
2017 | 4 | |
2016 | 0 | |
1990 | 0 | |
2004 | 3.5 | |
2018 | 0 | |
2015 | 4 | |
2015 | 0 | |
2011 | 3.67 | |
2015 | 3.51 | |
2013 | 4 | |
2011 | 4 | |
2015 | 3.5 | |
2011 | 0 | |
1989 | 3.71 | |
2013 | 3 | |
2010 | 4.11 | |
1800 | 4.07 | |
2013 | 3.5 | |
1976 | 3 | |
2014 | 3.89 | |
1973 | 4.2 |