Between Two Kingdoms: A Memoir of a Life Interrupted | 2021 | 4.44 |
Yumi and the Nightmare Painter | 2023 | 4.48 |
CXOXO CXOXO: Building a Support Team Customers Will Love | | 0 |
The Employees - Olga Ravn
- Martin Aitken (Translator)
| 2018 | 3.48 |
Hip Hop DJs and the Evolution of Technology: Cultural Exchange, Innovation, and Democratization | | 0 |
| 2021 | 3.78 |
| 2022 | 3.21 |
Never Enough: When Achievement Culture Becomes Toxic-and What We Can Do About It | | 4 |
| 2017 | 4.03 |
| 2023 | 4.2 |
| 1984 | 3.57 |
| 2012 | 3.99 |
| 1999 | 3.95 |
| 2008 | 3.88 |
| 2023 | 3.96 |
| 2012 | 3.91 |
| 2022 | 3.89 |
The Jinn-Bot of Shantiport | 2023 | 3.19 |
| 2023 | 3.85 |
| 2023 | 4.02 |
| 2023 | 3.16 |
| 2023 | 3.61 |
| 2023 | 3.65 |
| 2020 | 4.18 |
| 2020 | 3.84 |
| 2022 | 4.12 |
| 2020 | 4.15 |
| 2020 | 4.25 |
| 2023 | 4.17 |
| 2022 | 4.17 |
The Adventures of Amina Al-Sirafi | 2023 | 4.34 |
Like, Literally, Dude: Arguing for the Good in Bad English | 2023 | 0 |
| | 2 |
| 2017 | 4.05 |
| 2012 | 4.3 |
| 2023 | 3.94 |
How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence | 2018 | 4.2 |
| 1986 | 0 |
| 2018 | 3 |
Wannabe: Reckonings with the Pop Culture That Shapes Me | 2023 | 3.5 |
| 1977 | 3.53 |
| 2016 | 3.5 |
| 2017 | 3 |
| 2021 | 3.75 |
| 2003 | 4.12 |
Unreasonable Hospitality: The Remarkable Power of Giving People More Than They Expect | 2022 | 4.29 |
| 2021 | 4 |
Wonder Boy: Tony Hsieh, Zappos, and the Myth of Happiness in Silicon Valley - Angel Au-Yeung
- David Jeans
| | 0 |
The Apple II Age: How the Computer Became Personal | 2023 | 3.5 |
| 2023 | 4.01 |
| 2024 | 5 |
The Cult of Smart: How Our Broken Education System Perpetuates Social Injustice | 2020 | 3.33 |
| 2020 | 4.08 |
| 2012 | 3.86 |
| 2017 | 3.43 |
| 2022 | 3.95 |
On Our Best Behavior: The Seven Deadly Sins and the Price Women Pay to Be Good | 2023 | 2.5 |
The London Séance Society | 2023 | 3.15 |
| 2021 | 3.51 |
| 2016 | 3.44 |
| 2005 | 3.61 |
Just Out of Jupiter's Reach | 2023 | 3.33 |
| 2022 | 3.63 |
| 2022 | 2 |
| 2016 | 4.01 |
| 2023 | 4.53 |
Good Girls: A Story and Study of Anorexia | 2023 | 4 |
| | 3.73 |
The Phone Booth at the Edge of the World | 2020 | 4.25 |
Can't Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono | 2023 | 0 |
| 2021 | 3.95 |
The Fairy Bargains of Prospect Hill | 2023 | 3.43 |
I Keep My Exoskeletons to Myself | 2023 | 3.61 |
Pleasure and Efficacy: Of Pen Names, Cover Versions, and Other Trans Techniques | | 0 |
| 2023 | 3.5 |
A Trans Man Walks Into a Gay Bar | 2023 | 4 |
Girls They Write Songs About | 2022 | 2 |
The Culture Code: The Secrets of Highly Successful Groups | 2017 | 4.2 |
| 2020 | 3.78 |
Laid and Confused: Why We Tolerate Bad Sex and How to Stop | | 3 |
How Rory Thorne Destroyed the Multiverse | 2019 | 3.93 |
How to Sell a Haunted House | 2022 | 3.83 |
| 2023 | 0 |
The 7 1/2 Deaths of Evelyn Hardcastle | 2018 | 3.87 |
| 2021 | 3 |
| 2022 | 4.2 |
| 2013 | 3.9 |
| 2021 | 3.48 |
| 2022 | 4.14 |
| 2008 | 3.37 |
| 2011 | 3.95 |
| 2019 | 3.86 |
| 2021 | 4.36 |
Blood, Sweat, and Pixels: The Triumphant, Turbulent Stories Behind How Video Games Are Made | 2017 | 3.96 |
Story Mode: Video Games and the Interplay Between Consoles and Culture | | 0 |
Video Games Have Always Been Queer | 2019 | 0 |
Press Reset: Ruin and Recovery in the Video Game Industry | 2021 | 3.81 |
Playing with the Guys: Masculinity and Relationships in Video Games | | 0 |
| 1995 | 4.04 |
| 2021 | 3.59 |