 Queer ecologies
| - |
 I Love Dick
| - |
 How Should a Person Be?
| - |
 Conversations with Friends
| - |
 The Fire Next Time
| - |
 Giovanni's Room
| - |
 Der jüdische Patient
| 3 |
 Was weiße Menschen nicht über Rassismus hören wollen
| 4 |
 Normal People
| - |
 Americanah
| 5 |
 Und Nietzsche weinte
| 3 |
 Faserland
| 3 |
 1913: Der Sommer des Jahrhunderts
| - |
 Principles: Life and Work
| - |
 Extreme Sicherheit: Rechtsradikale in Polizei, Verfassungsschutz, Bundeswehr und Justiz | - |
 Deutschstunde
| - |
 The Unfolding of Language: An Evolutionary Tour of Mankind's Greatest Invention
| - |
 How to Be an Adult in Relationships: The Five Keys to Mindful Loving
| - |
 The Plague
| - |
 Everything Is Illuminated
| - |
 Extremely Loud & Incredibly Close
| - |
 Die unerträgliche Leichtigkeit des Seins
| 3 |
 The Art Spirit
| 5 |
 Allokationstheorie und Wirtschaftspolitik.
| - |
 The Grapes of Wrath
| - |
 Boule de Suif Boule de Suif
| - |
 Set Lighting Technician's Handbook: Film Lighting Equipment, Practice, and Electrical Distribution
| - |
 Das Leben gestalten mit den Big Five for Life Das Leben gestalten mit den Big Five for Life: Das Abenteuer geht weiter
| - |
 What if?: Was wäre wenn?
| - |
 Das Café am Rande der Welt: Eine Erzählung über den Sinn des Lebens
| - |
 The Elements of Style
| - |
 East of Eden
| - |
 The Second Sex
| - |
 Film als Kunst.
| - |
 Film Theory and Criticism: Introductory Readings | - |
Master Shots Vol 1, 1st edition Master Shots Vol 1, 1st edition: 100 Advanced Camera Techniques to Get an Expensive Look on Your Low-Budget Movie
| - |
 Das Kind in dir muss Heimat finden: Der Schlüssel zur Lösung (fast) aller Probleme
| - |
 The Peregrine
| - |
 Anarchy in Action
| - |
Cosmic Trigger I Cosmic Trigger I: Final Secret of the Illuminati by Robert Anton Wilson l Summary & Study Guide
| - |
 The Kite Runner
| - |
 The Spell of the Sensuous
| - |
 Cosmic Trigger 3 Cosmic Trigger 3: My Life After Death
| - |
 The Old Man and the Sea
| - |
 Candide and Other Stories
| - |
 The Complete Fiction
| - |
 Robert Anton Wilson's Cosmic Trigger, Volume II: Down To Earth
| - |
 Prometheus Rising
| - |
 Pale Blue Dot: A Vision of the Human Future in Space
| - |
 The Call of Cthulhu
| - |
 Save the Cat! Goes to the Movies: The Screenwriter's Guide to Every Story Ever Told
| - |
 The Visual Story
| - |
 Creative Documentary: Theory and Practice
| - |
 Untenrum frei
| - |
 Ethics
| - |
 The Girl with the Dragon Tattoo
| 4 |
 Reason for Hope: A Spiritual Journey
| - |
 The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age
| - |
 Waking Up: A Guide to Spirituality Without Religion
| 2 |
 Leviathan
| - |
 Ask the Dust
| - |
 Poetics
| - |
 Freedom from the Known
| - |
 Utopia for Realists: How We Can Build the Ideal World
| - |
 King Lear
| - |
 Educated: A Memoir
| - |
 Sophie's World
| - |
 No way down
| - |
 Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships
| 4 |
 On Photography
| - |
 Flow: The Psychology of Optimal Experience
| - |
 Wild: From Lost to Found on the Pacific Crest Trail
| - |
 Pihkal
| - |
 The Problems of Philosophy
| - |
 Catch-22
| - |
 Bonhoeffer
| - |
 Siddhartha
| 5 |
 Groundwork of the Metaphysics of Morals
| - |
 The Hunger Games
| 3 |
 Infinite Jest
| - |
 The Republic
| - |
 A People's History of the United States
| - |
 Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future
| 2 |
 The Little Prince
| 4 |
 Slaughterhouse 5
| 3 |
 Astrophysics for People in a Hurry
| - |
 Story: Substance, Structure, Style, and the Principles of Screenwriting
| 4 |
 The Rape of Nanking
| - |
 City of Bones
| - |
 To Kill a Mockingbird
| - |
 Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration
| - |
 The Personal MBA: Master the Art of Business
| - |
 Road back to you
| - |
 Ender's Game
| - |
 Conversations with God: An Uncommon Dialogue, Book 1
| - |
 Factfulness
| - |
 How to Win Friends and Influence People
| 4 |
 Motion Picture and Video Lighting
| - |
 The Fault in Our Stars
| 3 |
 The power of habit why we do what we do and how to change it
| - |
