2019 | 4 | |
2018 | 3.85 | |
2019 | 4 | |
2020 | 4.15 | |
2019 | 3.9 | |
3.67 | ||
1952 | 4.12 | |
1830 | 4.29 | |
2019 | 4.6 | |
2014 | 3.5 | |
2018 | 0 | |
2004 | 0 | |
2018 | 3.92 | |
2018 | 4.64 | |
2016 | 4.55 | |
2017 | 4.03 | |
2019 | 0 | |
2019 | 4.03 | |
2020 | 0 | |
2015 | 4 | |
2019 | 0 | |
2019 | 4.44 | |
2008 | 0 | |
Le chemisier Le chemisier | 0 | |
1868 | 0 | |
2013 | 4 | |
2019 | 4.6 | |
2005 | 0 | |
2018 | 4.11 | |
2019 | 3.25 | |
2020 | 4.17 | |
3.62 | ||
2019 | 5 | |
Mindhunter Mindhunter
| 3 | |
2019 | 3.44 | |
2009 | 5 | |
2019 | 4 | |
2010 | 0 | |
Stay Sexy & Don't Get Murdered Stay Sexy & Don't Get Murdered: The Definitive How-To Guide | 0 | |
2013 | 4 | |
2018 | 3.5 | |
A Public Apology to Siksika Nation at the Toronto Biennial of Art A Public Apology to Siksika Nation at the Toronto Biennial of Art
| 2019 | 0 |
Heavy Vinyl Heavy Vinyl: Y2k-O!
| 4 | |
2001 | 0 | |
2016 | 4.83 | |
2014 | 0 | |
0 | ||
2020 | 5 | |
2019 | 0 | |
2019 | 3.33 | |
2010 | 0 | |
2020 | 2.75 | |
2019 | 3.67 | |
Repenser la nation Repenser la nation : l'histoire du suffrage féminin au Québec | 0 | |
2001 | 4.34 | |
2014 | 3.5 | |
2012 | 3.95 | |
2019 | 4.12 | |
1988 | 0 | |
2019 | 0 | |
2019 | 3.7 | |
3.5 | ||
1999 | 3.8 | |
2009 | 0 | |
2006 | 4.19 | |
1976 | 3.39 | |
Daring to Look Daring to Look: Dorothea Lange's Photographs and Reports from the Field | 0 | |
2017 | 3.86 | |
2019 | 3.83 | |
Beyond Beyond: the Queer Sci-Fi & Fantasy Comic Anthology | 0 | |
1997 | 4 | |
3.27 | ||
1982 | 3.91 | |
2018 | 3 | |
2010 | 3.8 | |
2017 | 3.96 | |
2008 | 3.82 | |
1995 | 4 | |
2001 | 4.25 | |
2019 | 3.23 | |
2019 | 0 | |
2001 | 4.28 | |
2014 | 0 | |
2017 | 4.09 | |
0 | ||
2014 | 4.15 | |
1984 | 1 | |
2004 | 5 | |
2020 | 3.4 | |
2017 | 0 | |
2016 | 4.47 | |
2019 | 4.75 | |
2016 | 3.84 | |
The Creator's Game The Creator's Game: Lacrosse, Identity, and Indigenous Nationhood | 0 | |
2020 | 3.25 | |
2017 | 4.29 | |
2019 | 4.09 | |
0 | ||
2018 | 4.63 | |
1993 | 4.14 |