| 4.09 |
| 3.74 |
| 4.36 |
| 4.16 |
| 4.31 |
| 4.21 |
Yumi and the Nightmare Painter | 4.48 |
| 3.84 |
| 4.18 |
| 4.11 |
| 3.95 |
The Weaver and the Witch Queen | 4 |
| 3.94 |
| 4.11 |
| 3.98 |
| 4.25 |
| 4.14 |
| 3.78 |
| 4.18 |
| 3.71 |
| 3.69 |
| 4.19 |
| 3.78 |
| 3.31 |
| 3.88 |
| 4 |
| 3.74 |
| 4.2 |
| 3.76 |
The Bear and the Nightingale | 4.08 |
The Hedgewitch of Foxhall | 3.5 |
| 4.26 |
| 3.92 |
| 4.38 |
The Sorrows of Young Werther and Novella | 3.65 |
| 4.39 |
Gideon the Ninth - Tamsyn Muir
- Jelena Katić Živanović (Translator)
| 4.05 |
| 3.64 |
| 4.26 |
| 4.1 |
| 3.8 |
| 3.71 |
| 4.26 |
| 4.2 |
| 3.87 |
| 3.5 |
| 3.82 |
| 3.75 |
| 3.9 |
| 4.15 |
| 4.4 |
| 4.34 |
| 3.88 |
| 4.29 |
Harry Potter and the Sorcerer's Stone | 4.29 |
Mistborn: The Final Empire | 4.43 |
| 4.27 |
| 4.06 |
| 4.24 |
| 3.97 |
| 3.94 |
Harry Potter and the Prisoner of Azkaban | 4.44 |
| 4.09 |
| 4.19 |
The Ocean at the End of the Lane | 4.04 |
| 4.12 |
Harry Potter and the Deathly Hallows | 4.42 |
A Good Girl's Guide to Murder | 4.16 |
| 3.68 |
Harry Potter and the Goblet of Fire | 4.38 |
| 4.37 |
| 4.25 |
| 3.73 |
| 3.93 |
| 3.77 |
| 4.11 |
| 3.94 |
| 4.45 |
| 4.07 |
The Priory of the Orange Tree | 4.12 |
A Court of Thorns and Roses | 3.76 |
Harry Potter and the Order of the Phoenix | 4.3 |
Harry Potter and the Half-Blood Prince | 4.39 |
| 3.39 |
Faust - Johann Wolfgang von Goethe
- F.D. Luke
| 3.87 |
| 4.35 |
Harry Potter and the Chamber of Secrets | 4.18 |
| 3.58 |
| 4.13 |
The Queen of Nothing - Holly Black
- Anne Brauner (Translator)
| 4.05 |
Killers of the Flower Moon: The Osage Murders and the Birth of the FBI | 4.11 |
How the King of Elfhame Learned to Hate Stories | 3.97 |
The Language of Thorns: Midnight Tales and Dangerous Magic | 4.27 |
| 4.31 |
| 3.85 |
Swann's Way - Marcel Proust
- Lydia Davis (Translator)
| 4.5 |
The Count of Monte Cristo | 4.29 |
| 3.89 |
Babel, or The Necessity of Violence: An Arcane History of the Oxford Translators' Revolution | 4.1 |
A Witch's Guide to Fake Dating a Demon: ‘Whimsically sexy, charmingly romantic, and magically hilarious.’ Ali Hazelwood | 3.46 |