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| 2000 |
| 2023 |
Stalingrad: The Fateful Siege, 1942–1943 - Antony Beevor
- Artemis Cooper
| 1998 |
| 2020 |
Humanly Possible: Seven Hundred Years of Humanist Freethinking, Inquiry, and Hope | 2023 |
| 2022 |
| 2021 |
| 2011 |
| |
The Benefits of Being an Octopus | 2019 |
| 2023 |
| 2021 |
| 2020 |
| 2002 |
| 2022 |
Several People Are Typing | 2021 |
| |
| 2022 |
You Will Never Be Forgotten: Stories | 2020 |
The Girl with All the Gifts | 2014 |
| 2022 |
| 2023 |
| 2023 |
| 2023 |
| 2022 |
| 2022 |
| 2023 |
| 2023 |
Deep as the Sky, Red as the Sea | 2023 |
| 2020 |
The Hemingses of Monticello: An American Family | 2008 |
| 2023 |
| 2023 |
| 2017 |
The Earth Transformed: An Untold History | 2023 |
| 2021 |
| 2023 |
| 2016 |
| |
| 2023 |
| 2023 |
| 2021 |
| 2019 |
| 2019 |
| 1995 |
| 1997 |
| 1993 |
| 2023 |
| 2023 |
| 2022 |
| 2023 |
My Best Friend's Exorcism | 2016 |
| 2023 |
| 2023 |
| 2023 |
Maame - Jessica George
- Michał Kramarz (Translator)
| 2023 |
South to America : A Journey Below the Mason Dixon to Understand the Soul of a Nation | 2022 |
| 2023 |
Heroes: The Greek Myths Reimagined | 2018 |
The Revolutionary: Samuel Adams | 2022 |
| 2023 |
| 2023 |
| 2023 |
| 2023 |
| 2012 |
| 2023 |
| |
| 2022 |
The Return: Fathers, Sons, and the Land in Between | 2016 |
| 2022 |
| |
| 2022 |
| 2012 |
| |
| 2018 |
| 2020 |
| 2023 |
| 2023 |
| 2023 |
| 2023 |
The Beast You Are: Stories | 2023 |
Ducks: Two Years in the Oil Sands | 2022 |
| 2023 |
| 2018 |
| 2023 |
| 2022 |
| 2019 |
| 2020 |
| 2011 |
Dirtbag, Massachusetts: A Confessional | 2022 |
| 2022 |
| 2023 |
| 2022 |
| 2022 |
| 2010 |
The Motion Picture Teller | 2023 |
| 2023 |
| 2019 |
| 2014 |