#103 | 0 | |
#104 | 0 | |
#105 | Parables for the theatre Parables for the theatre
| 0 |
#106 | 0 | |
#107 | E.E. Cummings E.E. Cummings: A Biography
| 0 |
#108 | 3.5 | |
#109 | 0 | |
#111 | Dead Aid Dead Aid: Why Aid Makes Things Worse and How There Is Another Way for Africa
| 0 |
#112 | 0 | |
#113 | 3.5 | |
#114 | 0 | |
#115 | 0 | |
#116 | 3.77 | |
#117 | 0 | |
#118 | The Continental Aesthetics Reader The Continental Aesthetics Reader | 0 |
#119 | 0 | |
#120 | Poems for the Millennium, Vol. 2 Poems for the Millennium, Vol. 2: Modern and Postmodern Poetry from Postwar to Millennium | 0 |
#121 | The Intellectual Life of the British Working Classes The Intellectual Life of the British Working Classes
| 0 |
#122 | 4.05 | |
#123 | 3.71 | |
#124 | AX Volume 1: A Collection of Alternative Manga
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#125 | Repeating Ourselves Repeating Ourselves: American Minimal Music as Cultural Practice
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#126 | 3.75 | |
#127 | On Nature and Language On Nature and Language
| 0 |
#128 | 4.02 | |
#129 | 3.8 | |
#130 | 0 | |
#131 | 0 | |
#132 | 0 | |
#133 | 5 | |
#134 | 5 | |
#135 | 4.33 | |
#136 | Krazy & Ignatz Krazy & Ignatz: 1916-1918 - Love in a Kestle or Love in a Hut
| 0 |
#137 | 0 | |
#138 | 4.33 | |
#139 | 3.71 | |
#140 | 3.4 | |
#141 | An Anthology of Graphic Fiction, Cartoons, & True Stories An Anthology of Graphic Fiction, Cartoons, & True Stories
| 5 |
#142 | Technical Illustration Technical Illustration: Procedure and Practice.
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#143 | 3.83 | |
#144 | 4 | |
#145 | 4.13 | |
#146 | 4 | |
#147 | 0 | |
#148 | 4.12 | |
#149 | 0 | |
#150 | 0 | |
#151 | The Complete Jack Survives The Complete Jack Survives
| 0 |
#152 | Bob Dylan Bob Dylan: An Illustrated Biography
| 0 |
#153 | American Smoke American Smoke: Journeys to the End of the Light
| 0 |
#154 | 3 | |
#155 | 3.5 | |
#156 | 0 | |
#157 | 0 | |
#158 | 3 | |
#159 | 3.8 | |
#160 | 4 | |
#161 | 0 | |
#162 | The Sea is My Brother The Sea is My Brother
| 3 |
#163 | Alan Partridge Alan Partridge: Every Ruddy Word
| 0 |
#164 | 0 | |
#165 | 4.06 | |
#166 | 0 | |
#167 | 4.14 | |
#168 | 0 | |
#169 | Collected Poems Collected Poems
| 0 |
#170 | 4.15 | |
#171 | 0 | |
#172 | 0 | |
#173 | 3.72 | |
#174 | 0 | |
#175 | 0 | |
#176 | Writings on Art Writings on Art
| 3 |
#177 | Of Grammatology Of Grammatology
| 4.75 |
#178 | 4.07 | |
#179 | 3.66 | |
#180 | 3.97 | |
#181 | If they come in the morning If they come in the morning
| 0 |
#182 | 3.78 | |
#183 | 4.06 | |
#184 | 4.18 | |
#185 | 3.8 | |
#186 | Impossibility Impossibility: The Limits of Science and the Science of Limits
| 0 |
#187 | 3.5 | |
#188 | 0 | |
#189 | 3.82 | |
#190 | 3.35 | |
#191 | 0 | |
#192 | 0 | |
#193 | 4.31 | |
#194 | 4 | |
#195 | 0 | |
#196 | 4.06 | |
#197 | 4.33 | |
#198 | 4.04 | |
#199 | 0 | |
#200 | The Front The Front
| 0 |
#201 | 4 | |
#202 | The New Clean The New Clean
| 0 |
#203 | 2.88 |