 Cary Grant’s Suit: Nine Movies That Made Me the Wreck I Am Today
| 0 |
 Shard Cinema
| 0 |
 Negative Space Negative Space: Manny Farber on the Movies
| 0 |
 Farber on Film
| 0 |
 How Did Lubitsch Do It?
| 0 |
 The Age of Movies: Selected Writings
| 3 |
 Mapping Precarity in Contemporary Cinema and Television Mapping Precarity in Contemporary Cinema and Television: Chronotopes of Anxiety, Depression, Expulsion/Extinction
| 0 |
 The Matrix of Visual Culture: Working with Deleuze in Film Theory
| 0 |
Everything Is Cinema Everything Is Cinema: The Working Life of Jean-Luc Godard
| 0 |
 For Keeps: 30 Years at the Movies
| 0 |
 A Hundred Years of Japanese Film A Hundred Years of Japanese Film: A Concise History
| 0 |
 Highbrow/Lowbrow
| 0 |
 Hong Kong Cinema: The Extra Dimensions
| 0 |
 What is Cinema?
| 4.5 |
 Hitchcock's Films Revisited
| 0 |
 City of Nets
| 2 |
 The films in my life
| 0 |
 Inland Empire
| 0 |
 The Earth Dies Streaming
| 0 |
 Zanuck: The Rise and Fall of Hollywood's Last Tycoon
| 0 |
 David Lynch: The Man from Another Place
| 0 |
 The Devil Finds Work
| 3.8 |
 The Coen Brothers
| 3.33 |
 In the Blink of an Eye
| 4.13 |
 Final Cut: Art, Money, and Ego in the Making of Heaven's Gate, the Film that Sank United Artists
| 4.67 |
 The Devil's Candy
| 4.4 |
 A Different Brilliance — The D & B Story A Different Brilliance — The D & B Story | 0 |
 The Matrix Trilogy
| 0 |
 Black Caesars and Foxy Cleopatras: A History of Blaxploitation Cinema
| 0 |
 Corpses, Fools and Monsters: An Examination of Trans Film Images in Cinema
| 0 |
The Fatal Alliance The Fatal Alliance: A Century of War on Film
| 0 |
 Charlie Chaplin vs. America: When Art, Sex, and Politics Collided
| 4 |
 Political Camerawork: Documentary and the Lasting Impact of Reenacting Historical Trauma
| 0 |
 Labors of Fear: The Modern Horror Film Goes to Work | 0 |
 Cinema 1
| 0 |
 Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifier
| 0 |
 The parade's gone by ...
| 0 |
 Making Movies
| 4.63 |
 Cinematic Encounters: Interviews and Dialogues
| 0 |
 Film Genre Film Genre: From Iconography to Ideology
| 0 |
 But God Made Him a Poet: Watching John Ford in the 21st Century
| 0 |
Put money in thy purse Put money in thy purse: The filming of Orson Welles' Othello
| 0 |
 Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde
| 0 |
 Starting Point: 1979-1996
| 3.88 |
 Art in Motion, Revised Edition: Animation Aesthetics
| 0 |
 The Cinema of Cruelty: From Buñuel to Hitchcock
| 0 |
 Steven Spielberg: A Life in Films
| 0 |
 Film as a Subversive Art
| 0 |
 Sculpting in Time
| 4.75 |
 American Silent Film
| 0 |
 The Movies, Mr. Griffith, And Me
| 0 |
 Film Theory and Criticism: Introductory Readings | 5 |
 Michael Curtiz: A Life in Film
| 0 |
 Pictures at a Revolution: Five Movies and the Birth of the New Hollywood
| 4 |
 The Haunted Screen : Expressionism in the German Cinema and the Influence of Max Reinhardt
| 4 |
 The Films of Akira Kurosawa
| 0 |
 From Reverence to Rape
| 3 |
 From Caligari to Hitler
| 4 |
 Something Like an Autobiography
| 4.21 |
Agee on Film Agee on Film: Criticism and Comment on the Movies
| 0 |
 Simultaneous Worlds: Global Science Fiction Cinema | 0 |
 Post-Cinema: Theorizing 21st-Century Film | 0 |
 George Cukor: A Double Life
| 0 |
 John Wayne's America: The Politics of Celebrity
| 0 |
The Films of Carl-Theodore Dreyer The Films of Carl-Theodore Dreyer
| 0 |
 The Celluloïd closet : homosexuality in the movies
| 4.5 |
Time is Luck Time is Luck: The Cinema of Michael Mann
| 0 |
 Michael Mann
| 0 |
 Films of the New French Extremity: Visceral Horror and National Identity
| 0 |
 Movies, Songs, and Electric Sound: Transatlantic Trends
| 0 |
 Ozu
| 5 |
 A Lateral View: Essays on Culture and Style in Contemporary Japan
| 0 |
Sound Theory, Sound Practice Sound Theory, Sound Practice | 0 |
 Film Theory Goes to the Movies Film Theory Goes to the Movies | 0 |
 Westerns: Films through History | 0 |
Color and the Moving Image Color and the Moving Image: History, Theory, Aesthetics, Archive
| 0 |
 Violence and American Cinema Violence and American Cinema
| 0 |
 Landscape and Film | 0 |
Classical Hollywood Comedy Classical Hollywood Comedy | 0 |
Psychoanalysis and Cinema Psychoanalysis and Cinema | 0 |
Film Theory and Contemporary Hollywood Movies Film Theory and Contemporary Hollywood Movies | 0 |
World Cinemas, Transnational Perspectives World Cinemas, Transnational Perspectives | 0 |
 Masculinity | 0 |
 Black Women Film and Video Artists Black Women Film and Video Artists | 0 |
 Home, Exile, Homeland | 0 |
 Theorizing Documentary | 0 |
The Persistence of History The Persistence of History | 0 |
 On The Figure In General And The Body In Particular:: Figurative Invention In Cinema
| 0 |
Shots to the Heart Shots to the Heart: For the Love of Film Performance
| 0 |
 Pier Paolo Pasolini: Writing on Burning Paper: Poet of Ashes
| 5 |
 Shyam Benegal: Filmmaker and Philosopher
| 0 |
 Luchino Visconti: Filmmaker and Philosopher
| 0 |
 Alfred Hitchcock: Filmmaker and Philosopher
| 0 |
 Douglas Sirk: Filmmaker and Philosopher
| 0 |
 Painting With Light
| 3.5 |
Kings of the Bs Kings of the Bs: Working Within the Hollywood System: An Anthology of Film History and Criticism | 0 |
 Telling Stories: Norman Rockwell from the Collections of George Lucas and Steven Spielberg
| 4 |
 Prison Movies: Cinema Behind Bars
| 0 |
 From the Headlines to Hollywood: The Birth and Boom of Warner Bros.
| 0 |
 The Warner Brothers
| 3.5 |
