 Cary Grant’s Suit: Nine Movies That Made Me the Wreck I Am Today
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 Shard Cinema
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 Negative Space Negative Space: Manny Farber on the Movies
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 Farber on Film
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 How Did Lubitsch Do It?
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 The Age of Movies: Selected Writings
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 Mapping Precarity in Contemporary Cinema and Television Mapping Precarity in Contemporary Cinema and Television: Chronotopes of Anxiety, Depression, Expulsion/Extinction
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 The Matrix of Visual Culture: Working with Deleuze in Film Theory
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Everything Is Cinema Everything Is Cinema: The Working Life of Jean-Luc Godard
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 For Keeps: 30 Years at the Movies
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 A Hundred Years of Japanese Film A Hundred Years of Japanese Film: A Concise History
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 Highbrow/Lowbrow
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 Hong Kong Cinema: The Extra Dimensions
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 What is Cinema?
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 Hitchcock's Films Revisited
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 City of Nets
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 The films in my life
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 Inland Empire
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 The Earth Dies Streaming
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 Zanuck: The Rise and Fall of Hollywood's Last Tycoon
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 David Lynch: The Man from Another Place
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 The Devil Finds Work
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 The Coen Brothers
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 In the Blink of an Eye
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 Final Cut: Art, Money, and Ego in the Making of Heaven's Gate, the Film that Sank United Artists
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 The Devil's Candy
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 A Different Brilliance — The D & B Story A Different Brilliance — The D & B Story |
 The Matrix Trilogy
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 Black Caesars and Foxy Cleopatras: A History of Blaxploitation Cinema
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 Corpses, Fools and Monsters: An Examination of Trans Film Images in Cinema
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The Fatal Alliance The Fatal Alliance: A Century of War on Film
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 Charlie Chaplin vs. America: When Art, Sex, and Politics Collided
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 Political Camerawork: Documentary and the Lasting Impact of Reenacting Historical Trauma
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 Labors of Fear: The Modern Horror Film Goes to Work |
 Cinema 1
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 Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifier
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 The parade's gone by ...
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 Making Movies
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 Cinematic Encounters: Interviews and Dialogues
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 Film Genre Film Genre: From Iconography to Ideology
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 But God Made Him a Poet: Watching John Ford in the 21st Century
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Put money in thy purse Put money in thy purse: The filming of Orson Welles' Othello
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 Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde
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 Starting Point: 1979-1996
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 Art in Motion, Revised Edition: Animation Aesthetics
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 The Cinema of Cruelty: From Buñuel to Hitchcock
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 Steven Spielberg: A Life in Films
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 Film as a Subversive Art
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 Sculpting in Time
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 American Silent Film
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 The Movies, Mr. Griffith, And Me
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 Film Theory and Criticism: Introductory Readings |
 Michael Curtiz: A Life in Film
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 Pictures at a Revolution: Five Movies and the Birth of the New Hollywood
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 The Haunted Screen : Expressionism in the German Cinema and the Influence of Max Reinhardt
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 The Films of Akira Kurosawa
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 From Reverence to Rape
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 From Caligari to Hitler
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 Something Like an Autobiography
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Agee on Film Agee on Film: Criticism and Comment on the Movies
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 Simultaneous Worlds: Global Science Fiction Cinema |
 Post-Cinema: Theorizing 21st-Century Film |
 George Cukor: A Double Life
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 John Wayne's America: The Politics of Celebrity
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The Films of Carl-Theodore Dreyer The Films of Carl-Theodore Dreyer
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 The Celluloïd closet : homosexuality in the movies
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Time is Luck Time is Luck: The Cinema of Michael Mann
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 Michael Mann
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 Films of the New French Extremity: Visceral Horror and National Identity
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 Movies, Songs, and Electric Sound: Transatlantic Trends
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 Ozu
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 A Lateral View: Essays on Culture and Style in Contemporary Japan
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Sound Theory, Sound Practice Sound Theory, Sound Practice |
 Film Theory Goes to the Movies Film Theory Goes to the Movies |
 Westerns: Films through History |
Color and the Moving Image Color and the Moving Image: History, Theory, Aesthetics, Archive
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 Violence and American Cinema Violence and American Cinema
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 Landscape and Film |
Classical Hollywood Comedy Classical Hollywood Comedy |
Psychoanalysis and Cinema Psychoanalysis and Cinema |
Film Theory and Contemporary Hollywood Movies Film Theory and Contemporary Hollywood Movies |
World Cinemas, Transnational Perspectives World Cinemas, Transnational Perspectives |
 Masculinity |
 Black Women Film and Video Artists Black Women Film and Video Artists |
 Home, Exile, Homeland |
 Theorizing Documentary |
The Persistence of History The Persistence of History |
 On The Figure In General And The Body In Particular:: Figurative Invention In Cinema
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Shots to the Heart Shots to the Heart: For the Love of Film Performance
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 Pier Paolo Pasolini: Writing on Burning Paper: Poet of Ashes
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 Shyam Benegal: Filmmaker and Philosopher
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 Luchino Visconti: Filmmaker and Philosopher
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 Alfred Hitchcock: Filmmaker and Philosopher
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 Douglas Sirk: Filmmaker and Philosopher
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 Painting With Light
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Kings of the Bs Kings of the Bs: Working Within the Hollywood System: An Anthology of Film History and Criticism |
 Telling Stories: Norman Rockwell from the Collections of George Lucas and Steven Spielberg
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 Prison Movies: Cinema Behind Bars
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 From the Headlines to Hollywood: The Birth and Boom of Warner Bros.
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 The Warner Brothers
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