#2 | ![]() Hollywood Lighting from the Silent Era to Film Noir Hollywood Lighting from the Silent Era to Film Noir
| 0 |
#3 | 0 | |
#4 | 0 | |
#5 | 0 | |
#6 | 0 | |
#7 | 4.83 | |
#8 | 0 | |
#9 | 0 | |
#10 | 0 | |
#11 | ![]() Steven Spielberg Steven Spielberg: Interviews | 0 |
#12 | ![]() Steven Spielberg Steven Spielberg: A Biography
| 0 |
#13 | 3.67 | |
#14 | ![]() Minding Movies Minding Movies: Observations on the Art, Craft, and Business of Filmmaking
| 0 |
#15 | 0 | |
#16 | 0 | |
#17 | ![]() Poetics Of Cinema Poetics Of Cinema
| 5 |
#18 | ![]() Figures Traced in Light Figures Traced in Light: On Cinematic Staging
| 0 |
#19 | ![]() Making Meaning Making Meaning: Inference and Rhetoric in the Interpretation of Cinema
| 5 |
#20 | 4 | |
#21 | 0 | |
#22 | 0 | |
#23 | 0 | |
#26 | 5 | |
#27 | 0 | |
#28 | 0 | |
#29 | 0 | |
#30 | 0 | |
#31 | 0 | |
#32 | 3.45 | |
#33 | 4 | |
#34 | 4.54 | |
#35 | 3.33 | |
#36 | 0 | |
#37 | ![]() Film Film: The Front Line 1983
| 0 |
#38 | 0 | |
#39 | 5 | |
#40 | ![]() Leonard Maltin's Classic Movie Guide Leonard Maltin's Classic Movie Guide
| 0 |
#41 | ![]() Projections 10 Projections 10: Hollywood Film-makers on Film-making | 0 |
#42 | 0 | |
#43 | 0 | |
#44 | 0 | |
#45 | 4.5 | |
#46 | 0 | |
#47 | ![]() Discovering Orson Welles Discovering Orson Welles
| 0 |
#48 | ![]() Movies as Politics Movies as Politics
| 0 |
#49 | 0 | |
#50 | ![]() Movie Wars Movie Wars: How Hollywood and the Media Limit What Movies We Can See
| 0 |
#51 | ![]() Essential Cinema Essential Cinema: On the Necessity of Film Canons
| 5 |
#52 | 0 | |
#53 | 0 | |
#54 | ![]() "You Ain't Heard Nothin' Yet" "You Ain't Heard Nothin' Yet": The American Talking Film: History and Memory 1927-1949
| 0 |
#55 | 0 | |
#56 | 5 | |
#57 | 0 | |
#58 | 3.5 | |
#59 | 0 | |
#60 | ![]() This Is Orson Welles This Is Orson Welles
| 0 |
#61 | ![]() Movie Journal Movie Journal: The Rise of the New American Cinema, 1959-1971
| 0 |
#62 | ![]() Letters from Hollywood Letters from Hollywood: Inside the Private World of Classic American Moviemaking
| 0 |
#63 | 0 | |
#64 | 0 | |
#65 | ![]() Fritz Lang in America Fritz Lang in America
| 0 |
#66 | 0 | |
#67 | ![]() John Ford John Ford
| 0 |
#68 | ![]() Who the Hell's in It Who the Hell's in It: Conversations With Hollywood's Legendary Actors
| 0 |
#69 | ![]() Who the Devil Made It Who the Devil Made It: Conversations with Legendary Film Directors
| 0 |
#70 | 0 | |
#71 | ![]() Theory of Film Theory of Film: The Redemption of Physical Reality
| 0 |
#72 | ![]() Pre-Code Hollywood Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema; 1930-1934
| 0 |
#73 | ![]() L.A. Noir L.A. Noir: Nine Dark Visions of the City of Angels
| 0 |
#74 | 0 | |
#75 | 0 | |
#76 | ![]() New Hollywood Cinema New Hollywood Cinema: An Introduction
| 0 |
#77 | 0 | |
#78 | 3 | |
#79 | 3.81 | |
#80 | 0 | |
#81 | 0 | |
#82 | ![]() When Movies Mattered When Movies Mattered: Reviews from a Transformative Decade
| 0 |
#83 | ![]() Abel Ferrara Abel Ferrara
| 0 |
#84 | 0 | |
#85 | ![]() Physical Evidence Physical Evidence: Selected Film Criticism
| 0 |
#86 | ![]() A Long Hard Look at Psycho A Long Hard Look at Psycho
| 0 |
#87 | 0 | |
#88 | 0 | |
#89 | 0 | |
#90 | 0 | |
#91 | 0 | |
#92 | 0 | |
#93 | 0 | |
#94 | ![]() Satyajit Ray Satyajit Ray: The Inner Eye
| 0 |
#95 | 0 | |
#96 | ![]() Satyajit Ray Satyajit Ray: A Study of His Films
| 0 |
#97 | ![]() Double Feature Double Feature: Movies and Politics
| 0 |
#98 | ![]() Storytelling in the New Hollywood Storytelling in the New Hollywood: Understanding Classical Narrative Technique
| 0 |
#99 | ![]() Permanent Evolution Permanent Evolution: Selected Essays on Literature, Theory and Film
| 0 |
#100 | ![]() Voyages of Discovery Voyages of Discovery: The Cinema of Frederick Wiseman
| 0 |
#101 | 0 | |
#102 | 0 | |
#103 | 0 |