
Really one eye-opener and head–scratcher of a book, seeing as David "Moses" Berg is literally a blood relative of the author as her grandfather.
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The COG's (Children of God) new religious movement was introduced in the 1970's as an offshoot of the California centered "Jesus People Movement," but was far more radicalized for the time and place of origin where and when this new belief system was introduced.
Though no longer a hotbed of controversy in 2023, the group was once a prominent fixture on late night night television shows with the likes of (the now deceased) Barbara Walters, Hugh Downs, and 20/20 on the ABC television network.
At one time all the literature in association with the Children of God. (today simply regarded and known as "The Family," even following the demise and passIng of David "Moses" Berg as the original founder and. lifetime leader of this group) was uploaded in the form of the now so-called "Kult Komiks" for any and all individuals to read and simultaneously download by a group or groups of disgruntled and former members of "The Family."
Once widely known for casual and open policies on both polyamory and indiscreet behavior in sexual relations, "The Family" as an example of a "communal, Christ-centered, and Bible-based "Christian" cult or other New Religious Movement has all but disappeared.
With the publicatiion of this book, I realize after some forty years that I didn't think Dave Berry's columns were at all funny, even though the appeared in Sunday's PARADE newspaper 'zine, along with Weekly reserved space for such hilarity in the Denver Post and/or Rocky Mountain News, at least until RMN folded.
Both Dave Berry and David Sedaris write with both equal parts of alacrity and aplomb.
In this volume, Bukowski claims that, "it took me 15 years to humanize poetry but it’s going to take more than me to humanize humanity." Night time seems the right time for any and all of these poems as the overwhelming thematic impetus overlaying the current inspiration and introspection found in this all-encompassing work.
Regardless of how much he never gave a shit about what people thought about him, I’m pretty sure that every human being has some level of self-preservation. There’s a natural instinct not to share certain things because you know that it could change the way people look at you. That’s why I feel like this book – and some of his other posthumous work – is somehow more honest than most of his other writing. This collection contains a soul of its own, wizened and wretched, his own womanizing not withstanding. The poems somehow seem to go together to create a new cohesive whole that’s bigger than its parts, which gives it an edge over other collections.
At the very least these poems appear to be "invitingly open" on the surface (or at least as an 'initial' or 'precursory' read for many of those unfamiliar with Bukowski's work) if not all together (or altogether) openly inviting as a whole.
I like Bukowski. I like his blunt honesty. I like how he manages to give a damn and not give a damn at the same time. I like how easy it is, how natural it feels. It's very human poetry. It isn't posed or faked, it isn't trying to drown itself in pity, misery or self-loathing. There's a feeling of tender detachment in it. Like he's looking back on it.
I bought this book sometime between 1973 and 1975, while I was in grade school, between grades 3 and 5. This was purchased during a weekend trip to the local mall. This was the first or second book I purchased under the Charles E. Tuttle Company book imprint as a paperback for language reference.
Other reviewers have indicated and emphasized that this is NOT a book for learning the colloquial language, nor was it a book for travelers in the country, and nor does it presently contain copious amounts of specialized communicative vocabulary for particular purposes.
It is, however a very basic introduction to the general rules for reading and writing the Thai language, and how consonants and vowels are placed together to form words.
I own the original 1969 edition, which has a different color cover and design, but was still issued in paperback, as was intended by the original author.
This book does perform and fulfill its original purpose when others of a similar nature are not available for use. The same holds true today. For me, this seems some fifty years too late.
All the world's basic philosophical ideas and those same philosophers who historically postulated each and all of them, crammed into a lavishly-illustrated and oversized "coffee-table" type volume, guaranteed to impress many or not so many of your successfully ego-driven and workaholic non-philosophical type friends and enemies alike.
Of most importance here remains the fact that both author and philosopher Bryan McGee drives home to instill into the reader exactly both "how" and "why" the study of philosophy continuously works and plays so well into the collective morass of modern society.
Illustrated with full-color double-paged spreads, this commendable conglomeration of empire-building and efface-earning individuals details defeat, digressions, and personal discretions of a great majority of chronologically listed. world leaders who, in conjunction with their supporters, detractors, and contemporaries, have shaped both the historical and contemporary cultural and moral landscapes Xin today's world, continuing to both affect and influence the lives of millions of individuals now currently living.
If Eric Stoltz continued as the lead actor in this movie, life today might resemble Philip K. Dick's own Ragel Gumm as an "ubermensch" attematepting overthrow of a totalitarian police state in America. The future itself never comes, save for struggling movie stars like Michael J. Fox. The future is & isn't always here, but traveling to same remains entirely unclear.
Soniserous, yet sassy, these are all of Maya Angelou's extant verse, brought together in a single and singular volume, a great many culled from commercially credible women's magazines during the 20th century. With brashness, bravado, & quick-witted quirkiness, Ms. Angelou delivers both a turncated if at times tarnished, view of Southern engalitarian extremes, coupled with ever-present crass crippling poverty's deferment of American, working class, white collar dreams.
Perhaps most startling (if not altogether exuberant for its time(s)) is the inclusion of Mr. Dunbar's 'dialect poems' which offer unique cultural perspectives as shown by the personal speech preferences in African-American 'field & farm' vernacular in terms of work, play, toil & trepidation for generations of working class, rural, agragarian, economically downturned people of color. everywhere.
The website Goodreads.com mistakenly lists this as an anthology containing works by both Zora Neale Hurston and Langston Hughes, though this supposition is sadly in error. I first became accquainted with this book upon the initial publication of it as a hardcover edition while visiting the Alma mater of my father's family friend. As a forerunner and prognosticator of the Harlem Rennaisance, there are more than a few exuberant surprises one ought find here within Countee Cullen's complete and collected works.
Didn't exactly feel much love, if any, for this volume of short fiction by this author. It may be more nnnecessary for me in the future to become less baiased against authors which I've previously read which may concern themselves with similar narrrative styles, so as not to oughtrightly reject or otherwise skip over unfamiliar trends or terrritory which are unfolding by the newest and most current and contemporary practitioners of both the short story and mainstream fiction genres.